3rd International Conference of Dalcroze Studies (ICDS3)

Call for submissions

3rd International Conference of Dalcroze Studies (ICDS3)

‘The living moment: Exploring improvisational practice’

30 July – 03 August 2017

Université Laval, Quebec City, Canada

www.dalcroze-studies.com

 

The conference

The aim of ICDS3 is to present the best of current research and practice within Dalcroze Studies and related fields. ICDS is a global, transdisciplinary forum, open to viewpoints from education, the arts and humanities, and the social, health and life sciences. We welcome practitioners and scholars alike. This year our theme is improvisation in music, dance, somatic practices, theatre and therapy, with a special focus on the relationships between music/sound and movement.

 

Keynote speakers (confirmed)

Reto W. Kressig, Professor and Chair of Geriatrics, University Center for Medicine of Aging Basel (UAB), Felix-Platter Hospital, University of Basel, Switzerland

Raymond MacDonald, Professor of Music Psychology and Improvisation, Reid School of Music, University of Edinburgh, Scotland

Max van Manen, Professor Emeritus, University of Alberta, Canada

Keynote practitioners (confirmed)

Ruth Alperson (PhD), Dean, Hoff-Barthelson Music School, USA

Ruth Gianadda, Professor, Institute Jaques-Dalcroze, Geneva, Switzerland

Karin Greenhead, Director of Studies, Dalcroze UK

Lisa Parker, Director, Longy Dalcroze Institute, Longy School of Music of Bard College, USA

 

‘The living moment: Exploring improvisational practice’

Improvisation forms the basis of human communication from infancy to the end of life. It defines the moment-to-moment flow of activity in our everyday interactions and is fundamental to creativity and innovation.

Improvisation is also central to music, dance and somatic traditions across culture, time and space. Musical and movement improvisation can be put to work in many contexts, including the pedagogical, therapeutic and performative, to bring about transformation. Improvisation can be both process and product, and an agent of change.

In Dalcroze Eurhythmics and related fields of practice, musical and movement improvisation are the main means of communication between teacher and learner, therapist and client, and between participants themselves.

 

Call for proposals

We welcome presentations on improvisation, as it relates to Dalcroze Eurhythmics and music, movement and the mindful body more broadly. We embrace a wide range of disciplines and areas, such as: anthropology, architecture, biomedical science, communication science, cultural studies, dance studies, somatic practices, education, ethnomusicology, gender studies, history, literature, media studies, musicology, music therapy, philosophy, politics, psychology, sociology, theatre and performance studies, and visual arts.

We invite practitioners and researchers to share their knowledge, experience and scholarship on this theme. Conference topics include, but are not limited to:

  • Music-movement improvisation
  • Descriptions and theories of improvisation
  • Improvisation and embodiment
  • Improvisation in culture and improvisation as culture
  • Improvisation as social relationship or dialogue
  • Improvisation as process, as product, as means
  • Interdisciplinary and intermedial approaches to improvisation
  • Teaching improvisation
  • The role of improvisation in pedagogy, performance, therapy and research
  • Teaching as an improvisational practice
  • Assessing and evaluating improvisation
  • Developing curricula and educational material on improvisation
  • Improvisation and the professional development of teachers
  • The interaction of technology and improvisation
  • Improvisation and wellbeing
  • Personal and social development through improvisation
  • Improvisation and ethics (empowerment, social justice)
  • Improvisation and community
  • The historical development and transmission of improvisational practice in Dalcroze Eurhythmics and related fields

 

Types of presentation

  • Paper* (20 mins + 10 mins discussion) – research papers and reflections on practice
  • Workshop* (60 mins, including discussion) – an interactive session offering hands-on experience. These will be limited in number due to space and time restrictions
  • Symposium (90 mins, including discussion) – a shared platform for at least three delegates to present a specific research topic in-depth and to discuss each other’s work in a public forum. Please specify who will chair the symposium.
  • Roundtable (90 mins, including discussion) – a semi-planned conversation amongst stakeholders who wish to have a public dialogue to which delegates can contribute. Instead of presenting research results, a roundtable is a public discussion with a view to arriving at shared understandings, new insights and/or proposals for action. Please specify who will chair the roundtable.
  • Informal daytime performance (duration variable, to be arranged with organising committee)
  • Evening performance (duration variable, to be arranged with organising committee)
  • Poster
  • Presentation to host ICDS5 in 2021 (20 mins + 10 mins discussion); we would love to hear from organisations or institutions in any country who would like to host a future conference! 

 

Submission

Submit your proposal/s at www.dalcroze-studies.com

Deadline for all submissions: Sunday 30 October 2016 23:59 (BST)

The language of presentations is English.

Delegates may submit a maximum of three proposals.

Notification to presenters by 18 December 2016

 

Online registration

Presenters must register and pay by 13 January 2017

All other delegates must register and pay by 30 June 2017

 

Fees*

Before 31 March 2017 (Early bird rates): Regular $375; Student $250

After 31 March 2017: Regular $450; Student $325

Fee includes refreshments, light lunch and conference materials

(*All fees are in Canadian dollars and subject to tax by the Federal / Provincial government; please go to the registration pages for more information)

 

Scientific Committee

Dr John Habron (Senior Lecturer) Coventry University, Coventry, UK (Chair)

Dr Ruth Alperson (Dean) Hoff-Barthelson Music School, New York, USA

Karin Greenhead (Director of Studies) Dalcroze UK

Dr Marja-Leena Juntunen (Professor) Sibelius Academy, University of the Arts, Helsinki, Finland

Dr Louise Mathieu (Professor) Université Laval, Quebec City, Canada

Dr Selma Odom (Professor Emerita) York University, Toronto, Canada

Dr Jane Southcott (Associate Professor) Monash University, Victoria, Australia

 

Organising Committee

Prof. Josée Vaillancourt (Chair), Université Laval, Quebec City, Canada

Prof. Louise Mathieu (Co-Chair), Université Laval, Quebec City, Canada

Prof. Ursula Stuber, Université Laval, Quebec City, Canada

Prof. Gilles Comeau, University of Ottawa, Canada

 

www.dalcroze-studies.com

 

 

 

 

 

Music in the Ibero-Afro-American Universe: Interdisciplinary Challenges

 

7th UFRJ INTERNATIONAL SYMPOSIUM ON MUSICOLOGY

& II MEETING OF THE BRAZILIAN ASSOCIATION FOR MUSIC THEORY AND ANALYSIS

“Music in the Ibero-Afro-American Universe: Interdisciplinary Challenges”

 

Federal University of Rio de Janeiro (UFRJ)

Rio de Janeiro, October 24–27, 2016

 

The VII SIM_UFRJ “Music in the Ibero-Afro-American Universe” proposes to approach this theme in broad scope of diverse cultural traditions, contexts and historical times, and of special interest to the II TeMA_Meeting is to promote de debate on the “Interdisciplinary challenges between Musicologies and Analytical Theories: Dialogues, Frontiers, and Intersections.” Discussion issues: issues and trends in the Ibero-Afro-American musicologies; musicologies and analytical theories: dialogues, frontiers, and intersections; critical and analytical theories and methods in the disciplinary knowledge; the field of music and the challenges of intra-, inter-, multi-, and trans-disciplinarity; analytical theories and interculturalities; identity and otherness, representation and cultural translation; interdisciplinary studies: music, film, visual arts, theatre, literature, philosophy, history, sociology, and cultural anthropology, cultural dialogues, circulation, transfer, reception, and appropriation of ideas, repertories, aesthetics, styles, techniques, musical practices and ideologies; heritage and collections; musics of written, oral, performing traditions; culture, society and politics; institutional, scientific, artistic, and cultural policies.

 

IMPORTANT DATES

Abstract submission deadline: September 5, 2016

Notification to successful applicants: September 20, 2016

Submission of the full version of the paper for publication in the Proceedings: November 30, 2016

 

SUBMISSION GUIDELINES

Proposals (abstract 300-500 words, and short bio) may be written in Portuguese, Spanish or English, and submitted as attached file (*.doc or *.rtf), indicating the preferred attendance to each conference: SIM-UFRJ to the e-mail sim@musica.ufrj.br or TeMA_Meeting to the e-mail diretoria@tema.mus.br. In case the proposal fits the full scope of the joint conference, it must be sent simultaneously to both e-mails.

 

Program Committee Chairs

Maria Alice Volpe volpe@musica.ufrj.br

Ilza Nogueira nogueira.ilza@gmail.com

 

More info: http://www.musica.ufrj.br/ and http://tema.mus.br/.

Also https://www.facebook.com/events/675180942635190/

2017 Biennial Conference of the Royal Musical Association Music and Philosophy Study Group

Conference dates: 13-14 July 2017

http://www.musicandphilosophy.ac.uk/mpsg2017/

Strand Campus, King’s College London

With the move to biennial conferences, we have changed the overall format in order to continue our mission to maximise diversity and inclusivity, whilst upholding the highest scholarly standards. With that in mind, we hope that the following information will be of interest, and that you will consider the possibility of hosting an Associates or Themed session, or, in due course, of submitting a paper proposal.

The 2017 RMA MPSG Conference will feature three types of session:

  • Associates sessions will be hosted by other organisations with related interests;
  • Themed sessions will be organised by individual session convenors, who will issue a call for papers on a specific topic, and select papers themselves (in conjunction with the central programme committee);
  • Free sessions will consist of papers submitted to an open, unthemed, call for papers.

In addition to these sessions, there will be two plenary debates with invited speakers, one at the start of the conference and one at its close. All other conference time will be devoted to Associates, Themed, and Free sessions.

For further information on the various session types and for guidelines to submitting a proposal, please visit the page on our website http://www.musicandphilosophy.ac.uk/mpsg2017/, where you may also subscribe to our E-Newsletter.  To keep up to date with smaller announcements and news, please ‘like’ our Facebook page https://www.facebook.com/rmampsg and follow us on Twitter https://www.twitter.com/RMA_MPSG.

The Power of Hip Hop: EXCHANGE

One day seminar around hip hop and social change

 

FRIDAY 8TH JULY, 9.30 – 17.00 (plus post-event networking and music)

Venue: RichMix, Bethnal Green Road, London

 

Full Price: £45

Student / Concession: £36

SPECIAL DISCOUNT: Use code hiphop15 at checkout to get your £15 ticket

Lunch, refreshments and delegate packs provided.

To Book: https://www.richmix.org.uk/events/music/power-hip-hop-exchange

The Power of Hip Hop: LIVE is a unique academic seminar that explores the role, challenges and potential of hip hop culture in facilitating social change in global contexts, and its role as a site of resistance and identity.

Keynote Speakers

Martha Diaz (NYU Gallatin)

Hip-Hop Without Borders: A Revolutionary Global Movement of Struggle, Liberation and Sustainable Living”

Jason Nichols (University of Maryland)

Lean wit it:  Black Masculinities in Hip-Hop Dance”

Plus special introduction about In Place of War’s work by Professor James Thompson

 

Four diverse panels exploring: 

  • Global power of hip hop
  • Cultural power of hip hop
  • Power of place & identity
  • Hip hop and pedagogy

International Artist Presentations by

Shhorai (Colombia)

Zambezi News (Zimbabwe)

Smockey (Burkina Faso)

 

For a full programme and speaker list visit: cultconflictchange.wix.com/powerofhiphop

Steering Group

Richard Bramwell (University of Cambridge)

Eithne Quinn (University of Manchester)

Teresa Bean (In Place of War)

Featuring a programme of academic panels, keynote papers, artist presentations and practitioner provocations, this event harnesses In Place of War’s vast international network of grassroots artists and blends it with a rich selection of researchers exploring issues including but not limited to hip-hop and gender, race, religion, commerce, and conflict.

A day full of rich discussion, unique encounters, thought-provoking papers and academic-artist exchange.

The Power of Hip Hop: EXCHANGE is part of In Place of War’s event series Culture. Conflict. Change. taking place at RichMix throughout 2016. It is proudly funded by the Arts & Humanities Research Council, and supported by Index on Censorship.

Find out about the rest of the series here: www.cultconflictchange.wix.com/powerofhiphop 

 

About In Place of War: www.inplaceofwar.net

About Index on Censorship: www.indexoncensorship.org

 

#PowerOfHipHop

False Alarm: Aurality, Errancy and Voice

25-26 June, King’s College London

Conference/Concert

False Alarm will discuss forms of mishearing – be they creative, accidental or hallucinatory – as well as false differences or resemblances between the sounds of non-human and human bodies, as embedded within the aurality and errancy of voice. The conference will explore this idea in three sections: (1) acoustic ecology and atmosphere, (2) affect, and (3) plasticity of voice. A two-day event, the conference will include talks, and a concert.

Talks by Lynne Kendrick (Central School of Speech and Drama), Martha Feldman (University of Chicago), Michael Bull (University of Sussex), Julian Henriques (Goldsmiths, University of London), Lisa Blackman (Goldsmiths, University of London), Sophie Scott (University College London), Nina Power (University of Roehampton), Anna Kvicalova (Max Planck Institute of History of Science), Peter Cusack (London College of Art and Communication), Aura Satz (Royal College of Art), and Joe Banks (Audiovisual artist and author of the book Rorschach Audio – Art & Illusion for Sound).

Performances by Atau Tanaka (Goldsmiths, University of London), Patricia Alessandrini (Goldsmiths, University of London), Seth Ayyaz (City University of London), and EXAUDI Vocal Ensemble (London).

Atau Tanaka’s performance is supported by the MetaGesture Music project, under the European Research Council grant FP7-283771.

For programme information please see:
http://www.kcl.ac.uk/artshums/depts/music/eventrecords/2016/False-Alarm.aspx

For booking please see:

http://estore.kcl.ac.uk/browse/product.asp?compid=1&modid=2&catid=169

 

http://estore.kcl.ac.uk/browse/product.asp?compid=1&modid=2&catid=169

Wagner’s Parsifal and the Challenge to Psychoanalysis – Day Conference

In our conference ‘Wagner, Freud and the End of Myth’ (2013) we argued that by taking the mythic dimension and bringing it into the human realm, Wagner anticipated Freud in his depiction of unconscious processes of the mind. It could be said that Freud and Wagner were dealing with the same stuff – the “fundamental psychosexual issues that affect us all” as Barry Millington put it, and for that reason a fruitful dialogue can exist between their two bodies of work.

The present conference is entirely devoted to Wagner’s final masterpiece, Parsifal, and explores whether this sublime, troubling and contentious work prefigures psychoanalytic insight or resists psychoanalytic interpretation. As a story of compassion and redemption, which nevertheless describes a world of perversion and mental anguish, what can Parsifal tell us about the secret springs of human desire and the conflicts of human nature? And how did Wagner manage to create it?

For programme and tickets please click here
For more information about ‘Freud and Wagner’ please click here

You might also like to know that on Saturday 2nd July we will be screening Syberberg’s film of Parsifal, introduced by Patrick Carnegy. Further information on the Freud Museum website next week.

International Conference of Young Musicologists. Young Musicology Today: tendencies, challenges and perspectives

The aim of the conference is to integrate the musicological community through the creation of an international forum for exchanging ideas and research experiences. We encourage young musicologists to present results from ongoing studies and to engage in discussion on the future of musicology, its role and place in the contemporary culture. Currently, musicology, which is not only the study of music, is starting to perform social functions, becoming not only a field of scientific inquiry but one of use to society. During the conference, we would like to consider new avenues of research, new methodologies of musicologists’ work, and the challenges and career prospects faced by musicologists entering the labour market. It will also be an opportunity to consider the subject areas of interest to young musicology.

Subject areas for consideration include

  • New research perspectives in musicology
  • Music versus other arts
  • Music in the public space (sonosphere research)
  • Music in society (music and ideologies)
  • Music and the sacred
  • Music and science (e.g. psychology of music)
  • Challenges of modern ethnomusicology
  • The state and the form of contemporary music criticism
  • Source studies and music editing
  • Music librarianship – issues and challenges
  • Performance practice
  • Theory of music
  • Music and pop culture
  • Opera nowadays

The conference will incorporate both traditional lectures and panel discussions, during which groups of researchers conducting a joint project or studying similar subjects will be able to present the results of their studies or discuss a specific subject. We encourage the participants to organise their own panel sessions during the conference (due to time constraints, we suggest no more than four papers during one session; please indicate the person leading the session during registration).

In addition, the conference programme includes:

  • “A musicologist on the labour market” panel

This will be an opportunity for an in-depth discussion of the current employment situation of musicology graduates in Poland and abroad, and for the presentation of experiences in this area. We encourage participation in this panel session by musicologists – musical life animators, employees of media and cultural and educational associations and institutions etc.

  • Masters’ lectures (plenary speakers)
  • The conference programme includes additional events, such as concerts, sightseeing in Krakow, and exhibitions.

A publication of the collected papers presented at the conference is also planned.

Conference language: English.

Schedule

  • Accepting applications with abstracts – until 31th of May 2016.
  • Information about accepted papers – by 30 June 2016.
  • Conference dates: 7-9 November 2016.

Applications should be made by sending the application form via email to: agnieszka.lakner@doctoral.uj.edu.pl  and musicologytoday@gmail.com

You can find an application form here.

For any further information please feel free to contact: Agnieszka Lakner; agnieszka.lakner@doctoral.uj.edu.pl

Conference fee

Conference fee: 200,00 PLN / 50 €

The fee includes:

Admission to the conference, conference program, publication of the paper in the conference proceedings, lunches and coffee breaks during sessions and conference attractions such as sightseeing and concerts. Registration fee does not include accommodation and transportation. If you wish, Organizers will help you to book an accommodation.

Organizer

Jagiellonian University in Kraków, Department of Musicology

Address: Westerplatte Street 10; 31-033 Kraków, Poland

www.muzykologia.uj.edu.pl

 

 

Joint ICTM-IE/SMI Postgraduate Conference

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Joint ICTM-IE/SMI Annual Postgraduate Conference 2016
9-10 December 2016
School of Music, University College Dublin, Ireland
Call for Papers

Extended deadline: 30 July 2016
Email: ictm.smi.pg2016@gmail.com
Website: www.ucd.ie/music/conferences

As part of the collaboration between the Society for Musicology in Ireland and the Irish National Committee of the International Council for Traditional Music, we are pleased to announce a joint postgraduate conference taking place in University College Dublin on Friday the 9th and Saturday the 10th of December 2016.

The conference committee would like to invite postgraduates working in all areas of musical research to submit proposals for conference papers. Each speaker will be given 20 minutes for their paper, followed by a 10 minute discussion. Areas of research include but are not limited to historical musicology, ethnomusicology, music theory, music technology, music pedagogy, popular music studies, and performance. Aside from the traditional paper sessions, there will also be a Careers Forum on the Saturday as part of the conference. The keynote address will be given by Professor David Burn (University of Leuven).

To submit a proposal, please send an email attachment (.doc, .docx, rtf.) to the conference committee at ictm.smi.pg2016@gmail.com with the following information:

  • Title of paper
  • Abstract (maximum 250 words)
  • Full name, contact details, and institutional affiliations
  • Short biography (maximum 150 words)
  • Audio-visual and other requirements (data projection, CD/DVD player, piano, etc.)

Applicants will be notified by 31 August 2016.

Principles of Music Composing in the Second Half of the 20th and the Beginning of the 21th Centuries

16th International Music Theory Conference

9–11 November 2016, Vilnius, Lithuania

Organized by: Lithuanian Composers’ Union, Lithuanian Academy of Music and Theatre

The purpose of the conference is to give new impulses to the development of musicological research and to use the findings thereof in compositional practice and teaching process.

The main conference goals are to enrich the local and international musical life, to establish a center of attraction for theoretical research of compositional practice, and to contribute to fostering and preserving of a distinctive identity in the national school of Lithuanian composers.

The 16th conference is dedicated to the 75th anniversary of the Lithuanian Composers’ Union. A program of special conference sessions and other events is planned to mark this occasion.

Suggested sub-themes of the conference are:

  • Theoretical and evolutionary aspects of the principles of musical composition;
  • Principles of composition in the work by Lithuanian composers as seen in the broader context of European musical culture;
  • Aesthetic, artistic and creative self-awareness of composers representing national schools (see the list of suggested composers below);
  • Composers’ ideas about their creative principles;
  • Theoretical and creative aspects of compositional systems in the works by Lithuanian and foreign composers;
  • Binary-oppositional principles of composition in the 20th-century music (Ives, Stravinsky, Bartók, etc.) and their applications in the recent decades;
  • The manifestation of archaic and ethnic elements in the music by Lithuanian composers.

Paper proposals (abstract and a short biography) should be sent to Mr. Marius Baranauskas by email pmc@lmta.lt. The abstract must not exceed 500 words. The duration of full presentations is limited to 20–25 minutes.

 The main language of the conference is English.

The deadline for proposal submissions is August 28, 2016. Proposals will be reviewed by the members of the scholarly committee and all applicants will be notified of the outcome in the beginning of September 2016.

The participation fee is 20 Euros.

Selected materials of the conference (abstracts and papers) will be published in the annual peer reviewed scientific journal.

Head of the scholarly committee Prof. Dr. Rimantas Janeliauskas, Coordinator of the conference Marius Baranauskas

Conference website: http://pmc.lmta.lt/EN.html

BFE/RMA Research Students Conference 2018

British Forum for Ethnomusicology / Royal Musical Association Research Students Conference

Thursday 5 to Saturday 7 January 2017 at Canterbury Christ Church University

Call for Contributions now open, deadline for proposals: 30 September 2016. Further details at www.canterbury.ac.uk/rsc2017.

Registration opens: 11 November 2016
Open to postgraduates studying in the UK or abroad, the BFE/RMA Research Students’ Conference provides an opportunity for young researchers to meet together in a friendly and supportive atmosphere, to gain experience of the conference environment (as listeners, participants, and chairs), to present and to hear papers, to take part in workshops, and to gain insights into the profession. Each year, the programme includes skills training sessions, student papers, composition and performance workshops, concerts, and social events.