Information about past conferences in 2009 is retained here.
- Carl Nielsen: Texts and Contexts, Manchester, January 2009
- RMA Research Students’ Conference, London, January 2009
- “… cantus ecclesiasticus ut ornaret …: Polyphony for the Proper of the Mass in Late Middle Ages and Renaissance”, Belgium, January 2009
- Music and Machines IX: Resistant Material, Newcastle, January 2009
- cantus ecclesiasticum ut ornaret …: Polyphony for the Proper of the Mass in the Middle Ages and Renaissance, Belgium, January 2009
- German Palaeography Study Day With a Special Focus on Music-related Documents, Belfast, January 2009
- The second annual Postgraduate Conference of the Society for Musicology, Maynooth, January 2009
- Zyklus und Prozess. Joseph Haydn und die Zeit (Cycle and Process: Joseph Haydn and Time), Vienna, January 2009
- 11th International Conference of the Dutch-Flemish Society for Music Theory Time, Temporality & Proportions, Belgium, January 2009
- Second International PhD Music Students Conference, Thessaloniki, Greece, February 2009
- Speaking of Music, New York, February 2009
- Beckett and Music Symposium, Sussex, February 2009
- FIMPaC – Forum for Innovation in Music Production and Composition, Leeds, February 2009
- ICTM Ireland Annual Conference, Dublin, February 2009
- Conversations in Music, Michigan, February 2009
- Connecting Research: The RSAMD Postgraduate Research Talks, London, February-July 2009
- Sound Property? Investigating the Legal Status of Sound Recordings An Interdisciplinary Conference on Music & Copyright, Salford, February 2009
- (M)other Russia: a Study Day Researching and Performing Russian Music, London, February 2009
- Greek music for the opera and other forms of the performing arts in the 20th century, Athens, March 2009
- Sex and Sensationalism in Early Romantic Opera (1800-1830), Leeds, March 2009
- The Word on Jazz, Leeds, March 2009
- International Symposium: ‘Signalling Sound’, March, Warwick
- CFP: Un-Music, Harvard Graduate Music Forum Conference, Cambridge, MA, March 2009
- Women in Ottocento Italy, Cambridge, March 2009
- MusicLearningLive!2009, Manchester, March 2009
- Oxford Organ Conference 2009: ‘Hope and Glory: The British Organ in the Age of Empire‘, Oxford, April 2009
- Music, Culture, and Globalization, Liverpool, April 2009
- The Musical Body: Gesture, Representation and Ergonomics in Performance, London, April 2009
- 17th Annual Conference, Society for Seventeenth-Century Music, Rochester, NY, April 2009
- East Meets West: Sino-Western Musical Relations / Intersections / Receptions / Representations, Hong Kong, April 2009
- The Musical Body: Gesture, Representation and Ergonomics in Performance, London, April 2009
- Theatre Noise An international conference, London, April 2009
- Migrating Music: Media, Politics and Style, London, April 2009
- Musica Scotia, Glasgow, April 2009
- 9th International Music Theory Conference: Principles of Music Composing: Orchestra as a Phenomenon, Lithuania, April 2009
- Bach’s Passions – Society for Music Analysis Spring Study Day, Glasgow, April 2009
- Polish Music Since 1945, Canterbury, April–May 2009
- The Splendour of Burgundy (1419-1482), Bruges, May 2009
- Musique d’Etat et dictature / State Music and Dictatorship, Paris, May 2009
- Haydn: Forms of Expression, Wellington, New Zealand, May 2009
- Crosscurrents: American and European Music in Interaction, 1900-2000, Munich, May 2009
- Music Theory and Analysis – Seventh Annual Conference, Belgrade, May 2009
- Music and the Moving Image IV, New York, May 2009
- The Songs That Saved Your Life (Again): A Symposium on Morrissey, Limerick, May 2009
- Haydn 2009: a Bicentenary Conference, Budapest and Eszterháza, May 2009
- Between Text & Performance, Chicago, May 2009
- Music’s Place in Arcadia, London, May 2009
- Music & Visual Art, London, May 2009
- Third International Conference on Consciousness, Theatre, Literature, and the Arts, Lincoln, May 2009
- From Analysis to Music, Ghent, Belgium, May 2009.
- Dictatorship and “State music”, Paris, May 2009
- TAGS Day 2009, Durham, May 2009
- Nostalgia & Innovation in Twentieth-Century French Music, Lancaster, May 2009
- PERFORMA, a conference on performance studies, Aveiro, May 2009
- Arts and Terror International Conference, Athens, May 2009
- Music and Morality, London, June 2009
- Mozart in Prague: Mozart Society of America and Society for Eighteenth-Century Music, Prague, June 2009
- Tempo and Rhythmic Gesture 1750-1900 Conference, Leeds, June 2009
- Gender and Musical Performance, Teesside, June 2009
- The dramaturgy of sound in the music of Luigi Nono, Venice, June 2009
- New Wave, New Views: Re-visiting the Post-Punk Moment, Leeds, June 2009
- Eduard Hanslick: Aesthetic, Critical, and Cultural Contexts, Dublin, June 2009
- IMAGE, MUSIC, IDENTITY: Constructing and Experiencing Identities through Music within Visual Culture, Nottingham, July 2009
- Special issue Music and the Sciences, Padualaan, June 2009
- Knowledge and Learning in the Middle Ages, Cambridge, June 2009
- Space in Medieval France: 6th Annual Symposium of the International Medieval Society, Paris, June 2009
- The Sounds of Early Cinema in Britain: Textual, Material and Technological Sources, London, June 2009
- The Anatomy of Listening, Glasgow, June 2009
- Eddic Gods and Heroes – the Milieux and Media of their Reception, Frankfurt, Germany, June 2009
- The Splendour of Burgundy (1419-1482), Bruges, May 2009
- Musique d’Etat et dictature / State Music and Dictatorship, Paris, May 2009
- Haydn: Forms of Expression, Wellington, New Zealand, May 2009
- Crosscurrents: American and European Music in Interaction, 1900-2000, Munich, May 2009
- Music Theory and Analysis – Seventh Annual Conference, Belgrade, May 2009
- Music and the Moving Image IV, New York, May 2009
- The Songs That Saved Your Life (Again): A Symposium on Morrissey, Limerick, May 2009
- Haydn 2009: a Bicentenary Conference, Budapest and Eszterháza, May 2009
- Between Text & Performance, Chicago, May 2009
- Music’s Place in Arcadia, London, May 2009
- Music & Visual Art, London, May 2009
- Third International Conference on Consciousness, Theatre, Literature, and the Arts, Lincoln, May 2009
- From Analysis to Music, Ghent, Belgium, May 2009.
- Dictatorship and “State music”, Paris, May 2009
- TAGS Day 2009, Durham, May 2009
- Nostalgia & Innovation in Twentieth-Century French Music, Lancaster, May 2009
- PERFORMA, a conference on performance studies, Aveiro, May 2009
- Arts and Terror International Conference, Athens, May 2009
- Music and Morality, London, June 2009
- Mozart in Prague: Mozart Society of America and Society for Eighteenth-Century Music, Prague, June 2009
- Tempo and Rhythmic Gesture 1750-1900 Conference, Leeds, June 2009
- Gender and Musical Performance, Teesside, June 2009
- The dramaturgy of sound in the music of Luigi Nono, Venice, June 2009
- New Wave, New Views: Re-visiting the Post-Punk Moment, Leeds, June 2009
- Eduard Hanslick: Aesthetic, Critical, and Cultural Contexts, Dublin, June 2009
- IMAGE, MUSIC, IDENTITY: Constructing and Experiencing Identities through Music within Visual Culture, Nottingham, July 2009
- Special issue Music and the Sciences, Padualaan, June 2009
- Knowledge and Learning in the Middle Ages, Cambridge, June 2009
- Space in Medieval France: 6th Annual Symposium of the International Medieval Society, Paris, June 2009
- The Sounds of Early Cinema in Britain: Textual, Material and Technological Sources, London, June 2009
- The Anatomy of Listening, Glasgow, June 2009.
- Eddic Gods and Heroes – the Milieux and Media of their Reception, Frankfurt, Germany, June 2009
- Medieval-Renaissance Music Conference, Utrecht, The Netherlands, July 2009
- Postcolonialism and the Future of Music Research in South Africa, Durban, July 2009
- Singing Music from 1500 to 1900, York, July 2009
- Music Analysis Summer School, Durham, July 2009
- SMI/RMA Joint Annual Conference, Dublin, July 2009
- Conference on Instrumental Music and British Traditions, Edinburgh, July 2009
- Trumpet Forum (Brass Research and Scholarship in Scotland), Glasgow, July 2009
- The 1st World War – Music Literature and Memory, Cambridge, July 2009
- IMS-Symposium Music: Notation and Sound, Amsterdam, July 2009
- Sixth Biennial Conference in Music Since 1900, Keele, July 2009
- La musica e il sacro, Milan, July 2009
- 6th International Symposium on the Sociology of Music Education, Limerick, July 2009
- Niccolo Paganini: Diabolus in Musica, La Spezia, July 2009
- Seventh Biennial Conference on Music in Nineteenth-Century Britain, Bristol, July 2009
- The Musical Heritage Of The Jagiellonian Era In Central And Eastern European Countries, Warsaw, August 2009
- Celebrating Haydn: His Times and Legacy, Toronto, August 2009
- International Conference on Music and Emotion, Durham, August-September 2009
- Orpheus Research Centre ‘RESEARCH FESTIVAL’, Ghent, Belgium, September 2009
- Conference on Applied Interculturality Research (cAIR09), Austria, September 2009
- Musicological Society of Australia 32nd National Conference, Newcastle, Australia, September 2009
- 2009 Biennial Euro-Mediterranean Music Conference, Cyprus, September 2009
- DRAWING ON THE MUSICAL PAST: Music Iconology, Instrument Making, and Experimental Playing in Music Archaeology, New York, September 2009
- XXV European Seminar in Ethnomusicology, Milton Keynes, September 2009
- Heavy Metal and Gender, Cologne, October 2009
- Second Viennese School and Early Music, Vienna, October 2009
- Sounds of the Silents Workshop, Edinburgh, October 2009
- The Influence of Louis Spohr on the Music of his Time, Kassell, Germany, October 2009
- A Celebration Of The Centenary Of Dr Laurence Picken, Cambridge, October 2009
- Centre and Periphery: Conceptualizing Music, Voice and Nation, Oxford, October 2009
- Musical Nationalism And Modernism In Russia And Eastern Europe, Oxford, October 2009
- The Sixteenth Annual Conference of the Italian Musicological Society, Rome, October–November 2009
- Taking Pleasure Seriously: Theorising Pleasure and Music, London, November 2009
- City, Chant, and the Topography of Early Music, Cambridge, MA, October 2009
- Purcell, Handel & Literature, London, November 2009
- RMA Training Day, “Finding and using sources”, Oxford, November 2009
- Bodily Expression in Electronic Music, Graz, Austria, November 2009
- Film Music Conference, Leeds, November 2009
- Sacred Music in the Habsburg Empire 1619–1740 and Its Contexts, Middelburg, Holland, November 2009
- Oper als ,,Gesamtkunstwerk‘‘ – zum Verhältnis der Künste im barocken Musiktheater, Basel, Switzerland, November 2009
- Consequences of Wagner, Lisbon, Portugal, November 2009
- Second International Conference of Students of Systematic Musicology, Ghent, Belgium, November 2009
- Present Perspectives on Tonality, Tours, France, November 2009
- Music Analysis Today: Crisis, or (r)evolution?, Strasbourg, France, November 2009
- 1948 and All That: Soviet Music, Ideology & Power, Cambridge, November 2009
- Mediating Jazz, Salford, November 2009
- Alfred Schnittke: Between two worlds, London, November 2009
- The Performer’s Voice: An International Forum for Music Performance & Scholarship, Singapore, October-November 2009
- Le dix-huitième siècle du dix-neuvième siècle: Opéra et classicisme en France d’Auber à Massenet, Saint-Étienne, France, November 2009
- Music without Walls?, Belfast, November 2009
- International Symposium on Performance Science, Auckland, New Zealand, December 2009
- Music Theatre Symposium, Adelaide, Australia, December 2009