Information on past conferences in 2012:

1. RMA Research Students’ Conference, Hull, January 2012
2. Musiques et imaginaire du Nord et du froid/Music and the Imaginary of the North and the Cold, Montréal, Canada, January 2012
3. SPEEC – Symposium for Performance of Electronic and Experimental Composition: ‘Building an Instrument’, Oxford, January 2012
4. Mannes College 2012 Graduate Student Theory Conference, New York, January 2012
5. International Meeting for New Chamber Music, Évora, Portugal, January 2012
6. 5th Annual SMI Postgraduate Students’ Conference, Dublin, January 2012
7. Histories, aesthetics, and politics of South African jazz, Grahamstown, South Africa, January 2012
8. Gregorian Chant and Modern Composition for the Catholic Liturgy: Charles Tournemire’s L’Orgue Mystique as Guide, Fort Lauderdale, FL, USA, February 2012
9. Promoting Well-being in Ageing: the Role of Music, London, February 2012
10. International Terezin Music Conference, Leeds, February 2012
11. Sound Changes: Music and Social Justice, Ottawa, February 2012
12. Harmony and Variation in Music Information Retrieval, Utrecht, the Netherlands, February 2012
13. [ORCiM] International Seminar 2012 ‘Composition – Experiment – Tradition’, Ghent, Belgium, February 2012
14. Gregorian Chant and Modern Composition for the Catholic Liturgy: Charles Tournemire’s L’Orgue Mystique as Guide, Fort Lauderdale, FL, USA, February 2012
15. ORCiM International Seminar 2012 ‘Composition Experiment Tradition’, Ghent, Belgium, February 2012
16. CINESONIKA 2 – The Second International Conference & Festival of Sound Design, Vancouver, Canada, February 2012
17. Brahms in the New Century, New York, USA, March 2012
18. Music And Propaganda In The Visual Arts, Warsaw, March 2012
19. The North, a Literary, Musical and Artistic Myth, Paris, March 2012
20. 5th Conference of Young Musicologists and Students of Musicology, Madrid, March 2012
21. Marcos Portugal on the 250th anniversary of his birth, Lisbon, March 2012
22. International Orpheus Academy for Music & Theory 2012, ‘Experimentation versus Interpretation’, Ghent, Belgium, March 2012
23. Multiculturalism and Music in Britain: Ethnography, Empiricism and Everyday Lives, London, March 2012
24. Music and the Body, Hong Kong, March 2012
25. Permeable Boundaries: Music and the Visual Arts, Warwick, March 2012
26. GuimaraMUS – Guimarães Music Congress, Guimarães, Portugal, March 2012
27. Ligeti’s Later Music, London, March 2012
28. Sacher Perspectives, Cardiff, March 2012
29. Music & Disability at SAM 2012, Charlotte, North Carolina, March 2012
30. Cage & Consequences (John Cage und die Folgen), Berlin, March 2012
31. Caractacus: An Interdisciplinary Symposium, Bristol, March 2012
32. Conference of Contemporary Music and Dance 2012: Sound, Music and the Moving-Thinking Body, London, April 2012
33. Leeds International Jazz Education Conference, Leeds, March 2012
34. Leeds International Songwriting Conference, Leeds, March 2012
35. Moving into Composition, Coventry, March 2012
36. McGill Music Graduate Symposium, Montréal, March 2012
37. 2012 BFE Annual Conference, Durham, March–April 2012
38. Annual Meeting of the Music Theory Society of New York State, New York, March–April 2012
39. Music in Goethe’s Faust: Goethe’s Faust in Music, Maynooth, Ireland, April 2012
40. (M)Other Russia: Revolution or Evolution?, London, April 2012
41. Entity and Identity in Bioethics, Paris, April 2012
42. Jazz, Criticism, and American Politics, Boston, USA, April 2012
43. International Festival for Innovations in Music Production and Composition, Leeds, April 2012
44. 14th International Conference of the Dutch-Flemish Society for Music Theory,  Antwerp, Belgium, April 2012
45. Addiction and Performance: the New Normal?, Kingston, April 2012
46. Welcoming Strangers – HARC postgraduate conference, Egham, April 2012
47. Musica Scotica 2012, Glasgow, April 2012
48. Joint Conference of the Society for Eighteenth-Century Music (SECM) and the Haydn Society of North America (HSNA), Charleston, South Carolina, USA, April 2012
49. Corfu Music and Philosophy Conference, Corfu, April 2012
50. Music and Crisis: 5th CISM Biennial Interdisciplinary Graduate Conference, Santa Barbara, CA, USA,  April 2012
51. Second Roberto Gerhard International Conference 2012, Barcelona, April 2012
52. Authorship and ‘Authenticity’ in Composition, Editing and Performance, Leeds, April 2012
53. TAGS Conference 2012 for Music Postgraduates, Southampton, April 2012
54. Ludomusicology: Game Music Research – Approaches and Aesthetics, Oxford, April 2012
55. Music And Paper; Music And Screen, Belgrade, April 2012
56. International Debussy Symposium/Symposium International Debussy: “Debussy Text And Idea”/“Debussy : Le Texte Et L’idée”, London, April 2012
57. Composer/Choreographer/Performer Collaborations Conference of Contemporary Music and Dance 2012 Sound, Music and the Moving-Thinking Body, London, April 2012
58. The 3rd International Musicological Student Conference-Competition, Tbilisi, Georgia, April 2012
59. The Theory, Practice, and Business of Opera Today, Leeds, April 2012
60. Hearing Landscape Critically: Sense, Text, Ideology, Oxford, May 2012
61. Interesting Times for Local Live Music, Leeds, May 2012
62. SOUND::GENDER::FEMINISM::ACTIVISM, London, May 2012
63. The Matter of Musical Experimentation, York, May 2012
64. On Collaboration, London, May 2012
65. SysMus12 – Fifth International Conference of Students of Systematic Musicology, Montréal, May 2012
66. New Music in Britain, Canterbury, May 2012
67. Music And Propaganda In The Short Twentieth Century, Pistoia, Italy, May 2012
68. European Platform for Artistic Research in Music (EPARM), Rome, May 2012
69. Love to Death: Transforming Opera (Incorporating the RMA 2012 Annual Conference), Cardiff, May–June 2012
70. Seventeenth Biennial International Conference On Nineteenth-Century Music, Edinburgh, June 2012
71. 10th Annual Society for Musicology in Ireland Conference, Dundalk, Ireland, June 2012
72. 2nd International Meeting for New Chamber Music, Évora, Portugal, June 2012
73. Sharing Practice, Kingston, June 2012
74. 7th Nordic Music Therapy Congress, Jyväskylä, Finland, June 2012
75. Manchester International Beethoven Conference, Manchester, June 2012
76. Electroacoustic Music Studies Network Conference 2012, Stockholm, June 2012
77. International Call for Composers and Ensembles, Évora, Portugal, June 2012
78. II International Meeting for Chamber Music, Évora, Portugal, June 2012
79. Popular Music and Automobile Culture, Chester, June 2012
80. Vancouver International Song Institute, Song Scholarship and Performance Program, Vancouver, BC, Canada, June 2012
81. Perceptual Tensions, Sensory Resonance: An International Conference on Contemporary Opera and New Music Theatre, Toronto, June 2012
82. Music and the Moving Image VII, New York, June 2012
83. L’opéra-comique entre deux genres, Paris, June 2012
84. Musical Exchanges, 1100-1650: The Circulation of Early Music in Europe and Overseas in Iberian and Iberian-Related Sources, Lisbon, June 2012
85. Tribute to ANESTIS LOGOTHETIS: sound images/figurative sounds, Athens, June 2012
86. Sound Images and Painted Sound – Tribute to Anestis Logothetis, Athens, June 2012
87. ‘Astonished and Terrified’: opera and the transformation of the world by technology, Brighton, June 2012
88. North Atlantic Fiddle Convention 2012, Derry/Londonderry, June–July 2012
89. North American British Music Studies Association (NABMSA) Fifth Biennial Conference, Urbana-Champaign, Illinois, USA, July 2012
90. Soundtracks: Music, Tourism and Travel, Liverpool, July 2012
91. South African Society for Research in Music (SASRIM) Sixth Annual Conference, Tshwane, South Africa, July 2012
92. Second Annual Conference of the RMA Music and Philosophy Study Group, London, July, 2012
93. Medieval and Renaissance Music Conference, Nottingham, July 2012
94. Jazz in the Austrian Cultural Landscape, Vienna, July 2012
95. The ‘Franco-Belgian Violin School’ From G.B. Viotti To E. Ysaÿe, La Spezia, Italy, July 2012
96. 12th International Conference on Music Perception and Cognition (ICMPC) & 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Thessaloniki, Greece, July 2012
97. Researching and Applying Metaphor (RaAM 9), Lancaster, July 2012
98. Music and Shape, London, July 2012
99. MedRen conference, Nottingham, July 2012
100. CIM12: Conference on Interdisciplinary Musicology, Göttingen, Germany, September 2012
101. The Heroic in Music – Diverse Meaning and Musical Analysis, Leipzig, September 2012
102. Music That Changed Time: The Baltic Outburst of Creativity After 1970, Vilnius, Lithuania, September 2012
103. The 4th annual meeting 2012 of JASMIM (The Japanese Association for the Study of Musical IMprovisation), Kobe, Japan, September, 2012
104. SEMPRE 40th Anniversary Conference, London, September 2012
105. BFE National Graduate Student Conference 2012: Music and Movement, London, September 2012
106. RMA AGM and Dent Medal Study Day, London, September 2012
107. Perspectives on Musical Improvisation – an international conference, Oxford, September 2012
108. Rethinking Stravinsky: Sounds And Gestures Of Modernism, Fisciano-Salerno, Italy, September 2012
109. Eisler und die Nachwelt (Eisler and Posterity), Berlin, September 2012
110. Congreso de la Sociedad Española de Musicología 2012, Logroño, Spain, September 2012
111. Music and Movement (BFE 2012 National Student Graduate Conference), London, September 2012
112. The Journey of Music(s): Colonial Music Practice in the Age of Enlightenment, Göttingen, Germany, September 2012
113. A Cerebration of Analysis, London, September 2012
114. Music and Politics in Britain and Italy, 1933-1968, London, September 2012
115. Music and Theology in the European Reformations, Leuven, Belgium, September 2012
116. Conlon Nancarrow: Life and Music, Online, September–October 2012
117. Franz Schreker and His Time, Strasbourg, October 2012
118. RMA Study Day: Music and the Seicento, York, October 2012
119. Konfession – Werk – Interpretation. Perspektiven der Orgelmusik Max Regers, Mainz, Germany, October 2012
120. Notations: composer/performer dialogue; INTIME 2012 Symposium, Coventry, October 2012
121. Establishing New Musical ‘Topics’ in the Repertoire and Popular Culture, Edinburgh, October 2012
122. Sound and Performance, Bayreuth, Germany, October 2012
123. Popular Music, Participation and the People, London, October 2012
124. The Aesthetics and Pedagogy of Charles Tournemire: Chant and Improvisation in the Liturgy, Pittsburgh, October 2012
125. The Musical Legacy in Contemporary Society, Moscow, October 2012
126. BASEES Study Group for Russian and Eastern European Music Annual Conference 2012: Minority Composers, Manchester, October 2012
127. PRINCIPLES OF MUSIC COMPOSING: Links between Music and Visual Arts, Vilnius, Lithuania, October 2012
128. World of Sound: Microtonal Innovations, St Petersburg, October 2012
129. Music on Stage, Sidcup, October 2012
130. FIMTE 11th Symposium on Spanish Keyboard Music “Diego Fernández”, Parador de Mojácar, Spain, October 2012
131. VOICES, SPACES, SENSES – International Research Symposium on Kaija Saariaho’s Music, Helsinki, October 2012
132. Gender, Musical Creativity and Age, Huddersfied, October 2012
133. Consuming Music, Commodifying Sound, 1750-1850, New Haven, USA, October 2012
134. Central European Musicians And The Birth Of French Piano Virtuosity, Rome, October 2012
135. Images of Music Making and Cultural Exchange between the East and the West, Beijing, October 2012
136. Interactive Keyboard Symposium, London, November 2012
137. ENIM 2012: Second National Conference of Music Research, Castelo Branco, Portugal, November 2012
138. Opera And Cinema: The Politics Of An Encounter, Lisbon, November 2012
139. Challenging Musical Ontologies: An RMA Study Day, Nottingham, November 2012
140. Getting Nowhere: an International Festival-Conference Celebrating the Centenary of John Cage, York, November 2012
141. Soixante ans de musiques mixtes, Paris, November 2012
142. En cadence, s’il vous plait!, Paris, November 2012
143. Envoicing the Other, Glasgow, November 2012
144. Massenet And The Mediterranean World, Lucca, Italy, November–December 2012
145. Spanish musics and their [Western] Others: Negotiating identity and exoticism, Melbourne, December 2012
146. Music and/as Process Sandpit, Huddersfield and Guildford, December 2012
147. Bruno Walter Symposium, Vienna, December 2012
148. Remembering Heinrich Bewerunge (1862-1923): Perspectives on 150 Years of Church Music, Maynooth, Ireland, December 2012