Conferences in musicology

I am happy to receive information to be included on this page about conferences in any language, anywhere in the world: please make a submission by following the instructions here. Once your submission has been moderated it will be published on the site. Calls for papers and other information about forthcoming conferences in musicology and in related disciplines can be found either at this site, which is maintained by J. P. E. Harper-Scott (email), or via links to other sites. A full archive of Golden Pages conference announcements is available here. For other sites listing conferences, see details at the bottom of this page. To subscribe to the Musicology-All mailing list, click here.

Rolling announcement: Royal Musical Association Student Study Days

List of forthcoming conferences

  1. Digital Musicology workshop at DH@Ox Summer School 2016, Oxford, 4–8 July 2016
  2. 2nd Transnational Opera Studies Conference, Bern, 5–7 July 2017
  3. Medieval and Renaissance Music Conference 2016, Sheffield, 5–8 July 2016
  4. The Power of Hip Hop: EXCHANGE, London, 8 July 2016
  5. 19th Biennial International Nineteenth-Century Music Conference, Oxford, 11–13 July 2016
  6. Ancient Hellenic & Roman Music Conference 2016, Athens, 11–14 July 2016
  7. History, Analysis, Pedagogy – Music Analysis Conference, Nottingham, 13–15 July 2016
  8. 9th Symposium of the ICTM Study Group on Music and Gender, Bern, 13–16 July 2016
  9. 17th International Conference on Baroque Music, Canterbury, 13–17 July 2016
  10. Performance Studies Network Fourth International Conference, Bath, 14–17 July 2016
  11. Rethinking Delius, a Critical Symposium, London, 15–16 July 2016
  12. Silver Sounds and Moody Food: Theatre Music and Musicians 1575–1642, York, 16 July 2016
  13. Continental Drift: 50 Years of Jazz from Europe, Edinburgh, 16–17 July 2016
  14. Music and Visual Cultures Conference, Maynooth, Ireland, 21–3 July 2016
  15. International Society of Music Education World Conference 2016, Glasgow, 24–9 July 2016
  16. 5th Symposium of the Musics of East Asia (MEA) ICTM Study Group, Taipei, 25–7 August 2016
  17. South African Society for Research in Music Tenth Annual Congress, Bloemfontein, South Africa 25–7 August 2016
  18. Essence and Context: A Conference Between Music and Philosophy, Vilnius, 31 August–3 September 2016
  19. Royal Musical Association Annual Conference 2016, London, 3–5 September 2016
  20. The Musical Salon in Visual Culture, St Petersburg, 7–9 September 2016
  21. ISSTA International Festival and Conference on Sound in the Arts, Science and Technology: Temporary Autonomous Zones, Derry/Londonderry, 7–9 September 2016
  22. OBERTO Conference 2016: Operatic Acting, Oxford, 8 September 2016
  23. Women and Education in the Long 18th Century Workshop, Glasgow, 8 September 2016
  24. Doctors in Performance, Dublin, 8–9 September 2016
  25. As a Swiss I’m neutral – Othmar Schoeck’s Opera “Das Schloss Dürande” in context, Brunnen, Switzerland, 9–11 September 2016
  26. Making Time in Music: an international conference, Oxford, 12–13 September 2016
  27. Granados in Context: The Spanish Piano School and Pre-War Artistic Movements, Almería, Spain, 16–17 September 2016
  28. Music, italianità and the nineteenth-century global imagination, Cambridge, 16–17 September 2016
  29. International Chopinological Conference 2016, Radziejowice, Poland, 16–18 September 2016
  30. BASS2016 PRAGUE: The Bass in Music, Prague, 20–26 September 2016
  31. Cervantes’ Musics: From Musical Heritage to Musical Reception (XVI-XXI Centuries), Ciudad Real, Spain, 21–3 September 2016
  32. The Collection of Historic Musical Instruments of the Kunsthistorisches Museum Vienna – The First 100 Years, Vienna, 22–4 September 2016
  33. The 8th International Symposium on Traditional Polyphony, Tblisi, 26–30 September 2016
  34. Komitas and Medieval Culture International Conference, Yerevan, Armenia, 27–9 September 2016
  35. ‘Arts + The Inklings’: Verge Conference, Langley, British Columbia, Canada, 28–30 September 2016
  36. Traditions of folk singing, instrumental playing and folk dances in the modern world. Continuity, maintenance and research methods, St Petersburg, 29 September–2 October 2016
  37. Concepts of Improvisation Between the Two World Wars: Performativity, Staged Presence and Participation in Music, Basel, 30 September–1 October 2016
  38. Sound: A lucky bag or a poor cousin of music theory, Hanover, 30 September–2 October 2016
  39. Performance analysis: A bridge between theory and interpretation, Porto, Portugal, 4–6 October 2016
  40. Shakespeare’s Music in France in the 19th-21st centuries, Metz, France, 6–7 October 2016
  41. Log In, Live On – Music and Cyberculture in the Age of the Internet of Things, Lisbon, 7–8 October 2016
  42. Crisis and Prosperity: The Development of Prussian Court Music from 1713 to 1806, Berlin, 7–9 October 2016
  43. The Many Faces of Camille Saint-Saëns, Lucca, 7–9 October 2016
  44. Musica artificiosa: Music as an Art and Profession, Brno, 10–12 October 2016
  45. Transpositions: Music/Image, Belgrade, 12–15 October 2016
  46. Confluences, Connections, and Correspondences: Music and Visual Culture Conference, Toronto, 13–14 October 2016
  47. Intersections: Conference on the History of Music in Valencia, València, 13–15 October 2016
  48. International Conference for Orthodox Music in Prague – ICOMP, Prague, 14–16 October 2016
  49. Music Criticism 1900–1950, Barcelona, 17–19 October 2016
  50. International Symposium on the Histories and Practices of Choral Singing, Lund, Sweden, 19–21 October 2016
  51. Composition Schools in the 20th Century: the Institution and the Context, Vilnius, 19–22 October 2016
  52. Arts Without Borders? Perspectives on Collaboration and Interdisciplinarity in and through the Arts, Helsinki, 19–22 October 2016
  53. Miles Davis and John Coltrane at 90: Retrospect and Prospect, Guildford, 21–23 October 2016
  54. XXIII Annual Conference of the Italian Musicological Society, Como, Italy, 21–3 October 2016
  55. Music on stage: The sixth bi-annual international, interdisciplinary conference, Sidcup, 22–3 October 2016
  56. Russian Musical Baroque: Tendencies and Perspectives of Research, Moscow, 24–6 October 2016
  57. Images of Music-Making and Its Trans-Cultural Exchanges, Xi’an, China, 27–31 October 2016
  58. International Conference on Performance and Creativity, Hong Kong, 31 October–2 November 2016
  59. ENIM 2016 – 6th Conferences on Musical Research, Aveiro, Portugal, 3–5 November 2016
  60. Music for Liturgy and Devotion in Italy around 1600, Manchester, 4–5 November 2016
  61. International Conference of Young Musicologists. Young Musicology Today: tendencies, challenges and perspectives, Kraków, 7–9 November 2016
  62. Principles of Music Composing in the Second Half of the 20th and the Beginning of the 21th Centuries, Vilnius, Lithuania, 9–11 November 2016
  63. Piano Accompaniment in Practice, Hull, 11–12 November 2016
  64. Sound::Gender::Feminism::Activism::2016 WHITE NOISE, London, 11–12 2016
  65. Music and Power in the Baroque Era, Lucca, 11–13 November 2016
  66. Symposium 2016: Unfolding the Process II: Artistic Research in Evolution, Oslo, 15–17 November 2016
  67. Sound – Traces – Moves. Soundtraces in Motion, Salzburg, 18–20 November 2016
  68. SONOLOGIA 2016, São Paulo, 22–5 November, 2016
  69. Old Is New: The Presence of the Past in the Music of the Present, Lisbon, 24–6 November 2016
  70. Nineteenth-Century Programme Music, Lucca, 25–7 November 2016
  71. Musicology Applied To The Concert: Performance Studies At Work, Baeza, Jaen (Spain), 1–3 December 2016
  72. Symposium: On the Edge. Improvisers on music and methods, Oslo, 30 November–2 December 2016
  73. Shifts and Turns: Moving Music, Musicians and Ideas, Adelaide, 30 November–3 December 2016
  74. The Bononcinis: from Modena to Europe (1666–1747), Modena, 2–4 December 2016
  75. Joint ICTM-IE/SMI Postgraduate Conference, Dublin, 9–10 December 2016
  76. Instrument of Change: The International Rise of the Guitar (c.1870-1945), Melbourne, 9– 11 December 2016
  77. BFE/RMA Research Students Conference 2017, Canterbury, 5–7 January 2017
  78. György Ligeti Symposium Helsinki 2017, Helsinki, 10–11 February 2017
  79. Vocality/Instrumentality 2017, Huddersfield, 14–15 January 2017
  80. IV International Congress: Music and Audio-Visual Culture: MUCA, Murcia, Spain, 16–18 February 2017
  81. Musical culture/s of the Habsburg Monarchy and its successors states between the 18th and 20th century: Cultural, social and historical approaches, Vienna, 23–4 February 2017
  82. International Musicological Society (IMS), 20th Quinquennial Congress, Tokyo, 19–23 March 2017
  83. 15th International Conference ‘Art Studies Readings’ 2017, Sofia, Bulgaria, 2–5 April 2017
  84. Musical Cultures, Hull, 3–5 April 2017
  85. Tbilisi International Musicological Conference (TIMC) – “Challenges and Perspectives of Musicology”, Tblisi, 7–9 April 2017
  86. Authenticity versus Improvisation in the Philosophy of Music?, Bern, 19–20 May 2017
  87. Galpin Society and American Musical Instrument Society Joint Conference, Edinburgh, 1-4 June 2017
  88. Music and the Middlebrow, London, 22–4 June 2017
  89. Brian Boydell Centenary Conference, Dublin, 23–4 June 2017
  90. 2017 Biennial Conference of the Royal Musical Association Music and Philosophy Study Group, London, 13–14 July 2017
  91. Performing Indeterminacy, Leeds, 30 June–2 July 2017
  92. ESCOM 2017, Ghent, Belgium, 31 July–5 August 2017
  93. Modus-Modi-Modality, Nicosia, Cyprus, 6–10 September 2017
  94. Royal Musical Association Annual Conference 2017, Liverpool, 7–9 September 2017
  95. TCPM 2017 – Tracking the Creative Process in Music, Huddersfield, 14–16 September 2017
  96. Opera and the Greek World during Nineteenth Century, Corfu, 17-19 November 2017
  97. BFE/RMA Research Students Conference 2018, Huddersfield, 4–6 January 2018
  98. Royal Musical Association Annual Conference 2018, Bristol, 13–15 January 2018
  99. ICMPC ESCOM, Graz 23–8 July 2018
  100. Royal Musical Association Annual Conference 2019, Manchester, 4–6 September 2019

Please note that lists of conferences in music are also maintained by: