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The Creative and Scientific Legacies of Iannis Xenakis: International Symposium

Guelph/Waterloo/Toronto, Canada, 8-10 June, 2006


Iannis Xenakis (1922-2001) is a unique figure in contemporary music, not
only for the iconoclastic nature of his music but also for the scientific
attitude he brought to his work. His training as a civil engineer, his
experience as an architect, as well as his immersion in ancient Greek
philosophy, have all shaped his approach to developing a new theoretical
foundation of music and a style built from a unique set of compositional
techniques. His music and thought have proven highly influential, although
his work has been studied in detail by only a few. At the same time, some
have gone on to develop extensions to his theories and techniques.

The aim of this international symposium is to gather researchers and
artists/composers who consider their work to form part of Xenakis.s
legacy, either creative or scientific. In addition, joint sessions are
planned to bring together researchers from the music field with those in
science (Perimeter Institute for Theoretical Physics) and mathematics
(Fields Institute for Research in Mathematical Sciences).

This Symposium is being held in conjunction with soundaXis (1-11 June,
2006), a festival where, among much else, a number of compositions by
Iannis Xenakis will be performed at various venues in and around Toronto
by the leading new music ensembles of the region. [see www.soundaXis.ca
for details]

Organizing Committee:
James Harley, University of Guelph
Michael Duschenes, Perimeter Institute for Theoretical Physics
Thomas Salisbury, Fields Institute for Research in Mathematical Sciences

Scientific Committee:
Richard Barrett (independent musician/researcher, UK)
Benoît Gibson (Universidade de Évora/Escola Superior de Música de Lisboa,
Portugal)
James Harley (University of Guelph/Computer Music Journal, Canada)
Peter Hoffmann (Technische Universität Berlin, Germany)
Sharon Kanach (independent musician/researcher, France/USA)
Raymond Laflamme (Institute for Quantum Computing/Perimeter Institute for
Theoretical Physics, Canada)
Gérard Pape (CCMIX, France)
Curtis Roads (University of California, Santa Barbara, USA)
John Rahn (University of Washington/Perspectives of New Music, USA)
Makis Solomos (Université de Montpellier 3/Institut Universitaire de
France/Filigrane, France)

Contact:
James Harley
jharley@uoguelph.ca
tel: +1 (519) 824-4120 x52989

Registration information: visit
http://www.uoguelph.ca/~jharley/registration.html


Schedule (subject to change; also available at http://www.uoguelph.ca/~jharley/schedule-table.html 8 June, University of Guelph (MacKinnon 107) 8:00-9:00 Registration 9:00-9:30 Welcome/Opening Remarks 9:30-12:00 Session I. Analytical and Philosophical Legacies of Iannis Xenakis Chair: TBA 1. Anastasia Georgaki (University of Athens, Greece): "The Greek Electronic and Computer Music Legacy of Iannis Xenakis: KYSME, IRMA and other" 2. Pedro Bittencourt (Université de Paris VIII, France): "A reading of Oresteia by Xenakis" 3. Sharon Kanach [keynote] (independent, France/USA): "From The Music of Architecture to the Creation of New Architectures of Music (or How Xenakis Redefined Composition)" 4. Jenny Olivia Johnson (New York University, USA): "The Grain of the Melody in Selected Works by Iannis Xenakis" 5. Anton Vishio (Harvard University/Vassar College, USA): "Xenakis and the Society of Timbres" 12:00-13:30 Lunch 13:30-16:00 Session II. Creative and Educational Legacies of Iannis Xenakis Chair: TBA 1. Richard Barrett [keynote] (independent, UK): "Xenakis, DARK MATTER, and Beyond" 2. Dimitrios Exarchos (Goldsmiths College, UK): "Issues in Sieve-based Composition" 3. D'Arcy Gray (independent, Canada): "Never-Ending Everest: Rebonds as Teacher" 4. James Harley [keynote] (University of Guelph, Canada): "bien serré: Carrying algorithmic composition into the domain of musique actuelle" 5. Ross Feller (Oberlin Conservatory, USA): "Topological Tremors and Ataxia for solo saxophone" 16:30-17:30 Concert: Electroacoustic Music (University of Guelph, Venue TBA) Compositions by Iannis Xenakis, Richard Barrett, Gerard Pape, John Rahn, Curtis Roads 20:00 Concert: Continuum Contemporary Music (Leslie L. Dan Building, University of Toronto) Touch Space: Compositions by Iannis Xenakis, Salvatore Sciarrino, André Ristic, Paul Steenhuisen 9 June, Fields Institute for Research in Mathematical Sciences, Toronto 9:00-9:30 Registration 9:30-10:00 Welcome 10:00-12:00 Session III. Xenakis and Mathematics Chair: Nouritza Matossian (independent, UK) 1. Benoît Gibson [keynote] (Universidade de Evora, Portugal): "Xenakis's Analytical Tools" 2. Paul Steenhuisen (University of Alberta, Canada): "Kina Sex Tablets: Computer-Assisted Composition" 3. Helena and Rosario Santana (Universidade de Evora, Portugal): "Herma: The Fruition of the Mathematics of Sound Revealed by Rhythm and Timbre" 4. Moreno Andreatta et al. (IRCAM, France): "Implementing Xenakis. Theoretical Concepts in OpenMusic Visual Programming Language: Probability, Sieve, Set and Group Theory" 12:00-13:30 Lunch 13:30-15:30 Session IV. Applications of Mathematics in Music and Analysis Chair: TBA 1. Ronald Squibbs (University of Connecticut, USA): "Time-Span and Pitch-Space Analysis as a Model of Perception in Two Works by Xenakis" 2. Haris Kittos (Royal College of Music, UK): "First Steps with Sieves: Òrthros (Morning Mass)" 3. Barry Truax (Simon Fraser University, Canada): "Music and Science Meet at the Micro Level: Time-Frequency and Granular Synthesis" 4. John Rahn [keynote] (University of Washington, USA): "Forgetful Functors: Music, Monoids, Homotopy, and So On" 16:00-17:30 Panel. Music and Mathematics Moderator: Tom Salisbury Participants: TBA 18:00-19:00 Concert: New Music Arts Projects (Fields Institute, Toronto) Reflections of Iannis Xenakis 20:00-22:00 Concert: New Music Concerts (Glenn Gould Studio, CBC, Toronto) Plucking Sound and Space: Compositions by Iannis Xenakis, James Harley Elisabeth Chojnacka, harpsichord; Lori Freedman, bass clarinet; Robert Aitken, conductor 10 June, Perimeter Institute for Theoretical Physics, Waterloo 9:00-9:30 Registration 9:30-10:00 Welcome 10:00-12:00 Session V. Stochastics, Cellular Automata, and Granularity Chair: Diane de Kerckhoeve (University of Guelph, Canada) 1. Christopher Dobrian (University of California, Irvine, USA): "Realtime Stochastic Decision Making for Music Composition and Improvisation" 2. Katarina Miljkovic (New England Conservatory of Music, USA): "From Xenakis to Wolfram: Cellular Automata and its Application to Music Composition" 3. Charles Turner (City University of New York, USA): "Iannis Xenakis and the Musical and Scientific Uses of Cellular Automata" 4. Makis Solomos [keynote] (Université de Montpellier 3, France): "Xenakis and the Granular Connection" 12:00-14:00 Lunch 14:00-15:30 Session VI. Granular Synthesis and Issues of Form and Perception Chair: Cort Lippe (University of Buffalo, USA) 1. Gerard Pape [keynote] (CCMIX, France): "Xenakis and Time" 2. Nathan Wolek (Stetson University, USA): "Perceptually significant features of granular processing" 3. Curtis Roads [keynote] (University of California, Santa Barbara, USA): "The Evolution of Granular Analysis and Synthesis" 16:00-17:30 Panel. Music and Physics Moderator: Raymond Laflamme Participants: TBA 19:30 Concert: NUMUS (Perimeter Insitute, Waterloo) Quadraphonics: Compositions by Mozart (arr. Jeremy Bell), Steve Reich, James Harley, Iannis Xenakis Penderecki String Quartet, Lafayette String Quartet, Rocca Quartet, WLU Quartetfest Fellowship Quartet 21:30 Post-Concert: Gérard Pape (Atrium, Perimeter Institute, Waterloo) Iannis Xenakis: La Légende d'Eer (multi-channel sound and projected visuals)
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