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Society for Seventeenth-Century Music, 1994 Spring Meeting

Eastman School of Music, Rochester, NY, 28 April - 1 May 1994


Program


THURSDAY 28 APRIL: Opening Reception

FRIDAY 29 APRIL

8:00 9:30: Registration

9:30 - 11:30: FRENCH OPERA: Kathryn Grant, chair
	Lois Rosow: "Scene Structure in Lully's Operas"
	Andrew Walkling: "English and French Court Opera in the 1680s: Some Conjectural
		Affinities"
	Jeffrey	Ravel: "From Royal Gardens to Commercial Theaters: The 'Parterre' in
		Seventeenth-Century France"

11:45-12:15: LECTURE RECITAL: Colleen Reardon, Chair
	Sally Sanford: "A Comparison of Italian and French Vocal Style and Technique in
		the 17th Century"

12:15 - 2:00: LUNCH, BUSINESS MEETING

2:00 - 4:00: DANCE: Irene Aim, Chair
	Dianne McMullen: "Forward-Looking Elements in the Texted Galliards of Christoph
		Demantius"
	Peter Allsop: "Functional and National Distinctions in the 'Sonate da camera a 3
		of Corelli"
	Richard Semmens: "Dancing and Dance Music in Purcell's Stage Works"

4:00 - 5:00: DANCE WORKSHOP: Yvonne Kendali

5:15 - 5:45: LECTURE - RECITAL: Alexander Silbiger, Chair
	Sandra Mangsen: "Ad libitum Procedures in l7th-century Instrumental Music"


SATURDAY 30 APRIL

9:00 - 11:00: SELECTION, REPERTOIRE: Robert Holzer
	Kenneth Nott: "'Italian Primitives' and the Formation of Samuel Barber's Early
		Style"
	Mary Paquette-Abt: "Some Seventeenth-Century Italian Anthologies: Music Seen
		and Heard in the Provinces"
	Margaret Murata: "Return to Rome: The Seicento Repertory in Parisotti's Arie
		antiche"

11:30 - 1 2:00: LECTURE - RECITAL: John Suess, Chair
	Peter Laki: "Literary and Musical Conceits in Settings of Marinist Madrigals"

12:00 - 2:00: LUNCH, STUDY SESSIONS

2:00 - 4:00: ITALIAN OPERA: Susan Parisi, Chair
	Wendy Heller: "Women who Lament and Women who Don't: Singing In and Outside the
		Convention of Seicento Opera"
	Jennifer Williams Brown: "On the Road with the 'Suitcase Aria:' the Transmission
		of Borrowed Arias in Late 17th-Century Italian Opera Revivals"
	Candance Marles: "The 'Hanoverian' Style of Opera in the Seventeenth Century"

4:00 - 5:00 : PANEL: NEW PERSPECTIVES ON MONTEVERDI: Geoffrey Chew, Chair
	Mark Spicer: "The Limitations of Genre: Monteverdi's Harmonic Dilemma in Setting
		his Two Versions of 'Ariadne's Lament'"
	Linda Ciacchi: "New Perspectives on Rhythmic Organization: The Case of
		Monteverdi's Ciaccono, 'Zefiro torna'"
	Steven Saunders: "A New Document Concerning Monteverdi's Eighth Book of
		Madrigals"

6:00-???: ROCHESTER ART MUSEUM:
ICONOGRAPHY LECTURE, TOUR, DINNER, CONCERT


SUNDAY 1 MAY

9:00 - 10:15: GERMAN MUSIC: David Shildkret, Chair
	Charles	Brewer: A Mistuned Response: A Context for the Scordatura Partitas of
		Biber and Pachelbel"
	Michael Lutz: "Renaissance Dance in the Instrumental Music of the 17th Century"

10:30 - 11:45: SACRED MUSIC: Frederick Gable, Chair
	Marc Vanscheeuwijck: "Music and Liturgy in S. Petronia: The High Baroque"
	Mary Frandsen: "Motet, Concerto, or Cantata? Problems of Genre Designation in
		the Later Seventeenth Century"
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