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The Virtual Work of Music: Transcriptions, Completions, and Other Forms of Fluidity
Reading, March 1999


SOCIETY FOR MUSIC ANALYSIS

Winter Study Day

The Virtual Work of Music:
Transcriptions, Completions, and Other Forms of Fluidity

Saturday, 20 March 1999, Department of Music, University of Reading


10.00 COFFEE
10.30 (a.m. Chair: Christopher Wilson, University of Reading)
Nicholas Bannan (University of Reading): "Archetypes, Theft and Creative
	Listening"
11.05
Mieko Kanno (University of York): "Giacinto Scelsi (1905-1988) and the
	Concept of Musical Representation"
11.40 COFFEE
12.00
Rhiannon Mathias (University of Reading): "Analysis and All That Jazz: A
	Pragmatic Interpretation"
12.35
Lawrence M. Zbikowski (University of Chicago): "A Multiplicity of
	"Rhythms": Cognitive Categories and Musical Identity"

1.10 LUNCH

2.15 (p.m. chair: John Rink, RHUL)
Roderick Swanston (Royal College of Music): "Form, Fugues, Faust and "Feste
	Burg": A Revaluation of Mendelssohn's Reformation Symphony"
2.50
Vania Schittenhelm (University of Reading): "Transcribing with Busoni"
3.25 TEA
3.45-4.45 (Chair, Sophie Fuller, University of Reading)
Roundtable discussion: Jeanice Brooks (University of Southampton), Jonathan
	Dunsby (University of Reading), and Arnold Whittall (King's
	College London and the University of Reading)

SMA members, free (attendance and lunch)
Guests, 5, plus 6 for lunch if you wish (cheque to "The University of 
Reading")

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Prof. J.M. Dunsby
Head of Department
Department of Music
University of Reading
35 Upper Redlands Road
Reading RG1 5JE
UK

phone           +44 (0)118 931 8411
fax                            8412

J.M.Dunsby@reading.ac.uk

OR

lmsdunsb@reading.ac.uk