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Music Theory and Analysis 1450-1650
Louvain-la-Neuve, September 1999


MUSIC THEORY AND ANALYSIS 1450-1650
International conference
23-25 September 1999
Louvain-la-Neuve (Belgium)

A conference on 'Music Theory and Analysis, 1450-1650' will take place
from 23 to 25 September 1999 at the Université catholique de Louvain at
Louvain-la-Neuve (Belgium). Its purpose is to bring together musicologists
interested in the theory and analysis of Western music between 1450 and
1650 and the interrelationship of the two disciplines. 

PROGRAMME

Thursday, 23 September 1999

20.00 Concert with analysis organized by the Belgian Society for Music
Analysis

Friday, 24 septembre 1999

9.30 - 11.00: session 1 

Marco MANGANI (Università di Pavia)-Michaela ZACKOVA ROSSI (Scuola di
musica di Fiesole): The Early Madrigal and the Ballata Form 

Jaap van BENTHEM (Universiteit Utrecht): La magie des cris trenchantz:
Comment le vray trésorier de musique échappe à la trappe du très terrible
satrappe 

11.30 - 13.00: session 2 

Margaret BENT (All Souls Collge, Oxford): On diminished fifths and false
relations in late 15th-century music 

Paloma OTAOLA (Université catholique de Louvain): L'usage des dissonances
dans la théorie du contrepoint de Juan Bermudo 

14.30 - 16.00: session 3 

Guy E. GARNETT (University of Illinois): Josquin's Music: Getting Beyond
the Theories 

Cristle COLLINS JUDD (University of Pennsylvania): A Newly-recovered
Eight-Mode Motet Cycle from the 1540s: Zarlino's Song of Songs motets 

16.30 - 18.00: session 4 

Rudolf RASCH (Universiteit Utrecht): Chiavette and Transposition 

Anne-Emmanuelle CEULEMANS (Université catholique de Louvain): Présentation
de l'édition électronique des traités de Pietro Aaron pour le Thesaurus
musicarum italicarum

18.15 Reception 

Saturday, 25 septembre 1999

9.30 - 11.00: session 5 

Ronald WOODLEY (Lancaster University): Minor coloration revisited:
Okeghem's Ma Bouche rit and beyond 

Bonnie BLACKBURN (Wolfson College): The dispute about harmony c. 1500 and
the creation of a new style 

11.30 - 13.00: session 6 

Ignace BOSSUYT (Katholieke Universiteit Leuven): The French chansons of
Orlandus Lassus: a comparative analysis 

Groupe d'Analyse de la Musique ancienne de l'Université de Paris-Sorbonne:
Philomena praevia de Claude Le Jeune (Chr. Plantin, Anvers, 1585): une
analyse polyphonique 

14.30 - 16.00: session 7 

Timothy MCKINNEY (University of Texas at Arlington): Rhetorical Functions
of Harmony and Counterpoint in the Theory and Practice of Nicola Vicentino 

Katelijne SCHILTZ (Katholieke Universiteit Leuven): Breaking
Boundaries/Content and context: on public and private motet style in
sixteenth century Venice 

16.30 - 18.00: session 8 

Florence MALHOMME (Université de Paris IV-Sorbonne): G. M. Artusi, analyste
de Monteverdi: le débat sur la dissonance, expression d'une pensée musicale
en mutations 

Graham H. PHIPPS (University of North Texas): Heinrich Schütz's Heu mihi,
Domine: Traditional and Progressive Attributes in the F-Repertory 

19.30 Conference dinner

The colloquium 'Music Theory and Analysis 1450-1650' coincides with the
opening of the exhibition 'The treasures of Alamire: music and miniatures
in the time of Charles V (1500-1535)', organized by the Alamire Foundation
at the Katholieke Universiteit at Leuven
(http://fuzzy.arts.kuleuven.ac.be/alamire/). A visit will be arranged on
Sunday, 26 September 1999 for participants who wish to attend. 

Contact and practical information:

Anne-Emmanuelle Ceulemans
Unité de musicologie
Collège Erasme
1, Place Blaise Pascal
B-1348 Louvain-la-Neuve (Belgium)

tel. +32 10 47 26 68
fax. +32 10 47 48 70
e-mail: ceulemans@musi.ucl.ac.be

For further information, see the conference website at:
http://www.fltr.ucl.ac.be/FLTR/ARKE/MUSI/entermusi.html.