Creating music across cultures in the 21st century

CALL FOR PAPERS:

Creating music across cultures in the 21st century

Istanbul Technical University, 25-27 May 2017

In the context of one of the world’s most organic melting pots, Istanbul, The Centre for Advanced Studies in Music, Istanbul Technical University, will host an international conference, in partnership with the European Research Council funded project “Beyond East and West,” May 25-27, 2017.

No music is an island.  Since time immemorial, cultures have traded and mixed musics across their domains, yet only in the 21st century have people around the world gained instant and virtually free access to musics beyond those of their neighbors.  The history of these mixings has been marked by a plethora of descriptors, some benign and others acerbic.  Depending on one’s perspective, the “other” musics span the gamut of primitive (“first”), Oriental, classical, art, learned, popular, etc.  Their mixtures have been termed synthetic, syncretic, trans-traditional, trans-cultural, intercultural, cross-cultural, borrowed, or globalized.  The oral and the literate have been contrasted, while the exotic has been vilified.  Quests for musical beauty and knowledge have been shaped by political, economic and social, hegemonic forces.  We are now at a point where, for the first time in history, the playing field has reached a new level of equity, with widespread access to a majority of the world’s traditions, on a scale radically different from a mere generation ago.

We invite proposals for papers (20-minute presentation plus 10-minute discussion) on any topic related to the mixing of musics from different musical traditions.  In addition to mixtures of maqam, raga, and other art traditions, we encourage proposals concerning the incorporation of “folk,” “traditional,” and “low-technology” musics in our 21st-century milieu. Our conference will be Interdisciplinary, and we welcome proposals from composers, performers, improvisers, musicologists, critical theorists, music philosophers, ethnomusicologists, and—especially—etcetera.  While springing from a notated art music tradition, we welcome other perspectives, oral traditions, and boundary stretchers.

Deadline: Please send a 250-word abstract to Robert Reigle, rreigle@gmail.com, with subject heading “Creating Music across Cultures-Abstract,” by 6 March 2017.  We will announce acceptances by 20 March.

Keynote speaker: Dr. Münir Nurettin Beken, Associate Professor of Ethnomusicology, University of California, Los Angeles.

Programme committee: Prof. Amanda Bayley, Prof. Şehvar Beşiroğlu, Prof. Sandeep Bhagwati, Dr. Michael Ellison, Dr. E. Şirin Özgün, Dr. Robert F. Reigle.

Website: http://www.miam.itu.edu.tr/cmac2017/index.html

Conference Fee: Full conference, 3 days: €60 / 200-Turkish Lira; 2 days: €40 / 140-TL; 1 day: €20 / 70-TL.

(€ international/TL local rates).  Free for students, both international and local.

We gratefully acknowledge funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (Grant no. 648810), and MIAM Centre for Advanced Studies in Music.

International conference for PhD students

International conference for PhD students

 “Musicology (in)action: Past musics, present practices, future prospects”

 Thessaloniki, 9 – 11 February 2018

 The Department of Music Studies of the Aristotle University of Thessaloniki and the Department of Music Science and Art of the University of Macedonia will host, under the auspices of the Hellenic Musicological Society, an international conference for PhD students entitled “Musicology (in)action: Past musics, present practices, future prospects” in Thessaloniki, Greece, from 9 to 11 of February 2018.

 

Call for papers

In recent years, musicology has tested its boundaries, objects of study, and, indeed, prospected future through the constant questioning of its subfields, themes, and methodological underpinnings. At the same time, this interrogative process has also been one of constant development of new, often interdisciplinary methodological approaches, frequently extending their grasp on new or hitherto neglected musical repertoires. It is this ambiguous state of conditions that the novice in the field of musicological research faces in her/his everyday effort to situate her/his own research within a constantly changing disciplinary environment. This conference aims to bring together fresh ideas of new researchers in an attempt to help them secure their position with respect to the ongoing discourse of musicology’s saga and with an eye to the future prospects of the field.

 

We welcome proposals of PhD students for 20-minute paper presentations or 40- to 80-minute panel presentations (of up to four participants), addressing a variety of old and new(er) research topics from the broad field of musicology (e.g. historical and cultural musicology, music theory and analysis, ethnomusicology and musical anthropology, music psychology, computational musicology, music philosophy and aesthetics). Proposals on topics that cross the strict intra- or inter-disciplinary boundaries of musicology are also welcomed.

Proposals and inquiries should be submitted to the following email address:

conf.phd.2018@gmail.com

 

Proposals for paper presentations should include:

– name of participant(s) and institutional affiliation(s)

– abstract (up to 300 words)

– brief CV (up to 100 words)

 

Proposals for panel presentations should include:

– name of participants and institutional affiliations

– general abstract of proposed panel presentation (up to 300 words)

– individual abstract of each participant’s presentation (up to 300 words)

– brief CV of each participant (up to 100 words)

 

DEADLINE FOR PROPOSAL SUBMISSION: 30 May 2017

NOTIFICATION OF APPROVAL: No later than 15 July 2017

PARTICIPATION FEE: PhD students: 50 euros, undergraduate and master’s students: 30 euros

OFFICIAL LANGUAGE: English

For more information on the reviewing committee, the venue of the conference, etc. please visit the conference’s website (which is under construction):

http://conferences.lib.auth.gr/ICMDR/index/index

 

ACADEMIC ADVISORY COMMITTEE:

Chardas Konstantinos

Nika-Sampson Evanthia

Pastiadis Konstantinos

Vouvaris Petros

 

COORDINTAING COMMITTEE

Kalaitzidou Stamatia

Spanoudakis Dimosthenis

Toumanidou Katerina

Trouka Dimitra

Zlatkou Vasiliki

 

ORGANISING COMMITTEE

Apostolou Andreas Foivos

Authentopoulou Despoina

Banteka Dimitra

Diminakis Nikos

Karamanidis Charalampos

Nikolaidis Nikos

Ntousiopoulou Antigoni

Ntovas Christos

Pouris Christos

Roumpi Antonia

Savvidou Charoula

Scarlatou Chrysa

Seglias Zisis

Sidiropoulou Christina

Sotiriadis Theophilos

Tasoudis Dimitris

Symposium on Music, Education and Social Inclusion

London, 20th-21st July 2017

A symposium is to be held at the School of Oriental and African Studies (SOAS) in London on July 20th and 21st 2017 to launch the Music, Education and Social Inclusion Study Group under the auspices of the ICTM.

Founding members include musicians, senior scholars and academics from Africa, Europe, the Caribbean, North America and Asia, reflecting the multicultural nature of the collective.

Historically excluded groups such as women and girls, ethnic minorities, vulnerabilities including disabilities and other marginalities have been systematically un- or under-represented in education, reflecting wider socially discriminatory practices that in turn are perpetrated and transmitted within the school system, shaping society at large beyond schools and academic institutions.

The symposium will focus on exploring multifaceted educational practices in relation to a wider spectrum of broader issues and thinking, such as:
• Education and Representation
• Issues of Identity in Education
• Social inclusion and Education
• Education and International Development
• Ethnomusicology, Transmission Practices (teaching/learning) and Social Inclusion
Other topics that might sit well within the broader agenda are welcome and encouraged.

Papers should be 20 minutes long, followed by 10 minutes of discussion and Q&A. Abstracts should be from 200 to 250 words in length and written in English; other languages might be considered on a case-by-case basis and only where the level of English is not sufficient to express concepts fully.
Alternative presentations – other than individual papers – are welcome and length can be negotiated on a case-by-case basis. Submissions in other forms (such as video) should be no longer than 5 minutes.

In order to make participation inclusive, and aware that traveling might not be an option for many who are interested in participating, a limited number of remote presentations through Skype will be considered, so applicants are encouraged to apply even in case they might not be able to attend in person.

Deadline for submission of proposals is 20th March 2017; please submit abstracts to Keith Howard (kh@soas.ac.uk) or Sara Selleri (Sara_Selleri@soas.ac.uk). Participants will be notified by the end of April 2017.

Music in the Ibero-Afro-American Universe: Interdisciplinary Challenges

 

7th UFRJ INTERNATIONAL SYMPOSIUM ON MUSICOLOGY

& II MEETING OF THE BRAZILIAN ASSOCIATION FOR MUSIC THEORY AND ANALYSIS

“Music in the Ibero-Afro-American Universe: Interdisciplinary Challenges”

 

Federal University of Rio de Janeiro (UFRJ)

Rio de Janeiro, October 24–27, 2016

 

The VII SIM_UFRJ “Music in the Ibero-Afro-American Universe” proposes to approach this theme in broad scope of diverse cultural traditions, contexts and historical times, and of special interest to the II TeMA_Meeting is to promote de debate on the “Interdisciplinary challenges between Musicologies and Analytical Theories: Dialogues, Frontiers, and Intersections.” Discussion issues: issues and trends in the Ibero-Afro-American musicologies; musicologies and analytical theories: dialogues, frontiers, and intersections; critical and analytical theories and methods in the disciplinary knowledge; the field of music and the challenges of intra-, inter-, multi-, and trans-disciplinarity; analytical theories and interculturalities; identity and otherness, representation and cultural translation; interdisciplinary studies: music, film, visual arts, theatre, literature, philosophy, history, sociology, and cultural anthropology, cultural dialogues, circulation, transfer, reception, and appropriation of ideas, repertories, aesthetics, styles, techniques, musical practices and ideologies; heritage and collections; musics of written, oral, performing traditions; culture, society and politics; institutional, scientific, artistic, and cultural policies.

 

IMPORTANT DATES

Abstract submission deadline: September 5, 2016

Notification to successful applicants: September 20, 2016

Submission of the full version of the paper for publication in the Proceedings: November 30, 2016

 

SUBMISSION GUIDELINES

Proposals (abstract 300-500 words, and short bio) may be written in Portuguese, Spanish or English, and submitted as attached file (*.doc or *.rtf), indicating the preferred attendance to each conference: SIM-UFRJ to the e-mail sim@musica.ufrj.br or TeMA_Meeting to the e-mail diretoria@tema.mus.br. In case the proposal fits the full scope of the joint conference, it must be sent simultaneously to both e-mails.

 

Program Committee Chairs

Maria Alice Volpe volpe@musica.ufrj.br

Ilza Nogueira nogueira.ilza@gmail.com

 

More info: http://www.musica.ufrj.br/ and http://tema.mus.br/.

Also https://www.facebook.com/events/675180942635190/

International Conference of Young Musicologists. Young Musicology Today: tendencies, challenges and perspectives

The aim of the conference is to integrate the musicological community through the creation of an international forum for exchanging ideas and research experiences. We encourage young musicologists to present results from ongoing studies and to engage in discussion on the future of musicology, its role and place in the contemporary culture. Currently, musicology, which is not only the study of music, is starting to perform social functions, becoming not only a field of scientific inquiry but one of use to society. During the conference, we would like to consider new avenues of research, new methodologies of musicologists’ work, and the challenges and career prospects faced by musicologists entering the labour market. It will also be an opportunity to consider the subject areas of interest to young musicology.

Subject areas for consideration include

  • New research perspectives in musicology
  • Music versus other arts
  • Music in the public space (sonosphere research)
  • Music in society (music and ideologies)
  • Music and the sacred
  • Music and science (e.g. psychology of music)
  • Challenges of modern ethnomusicology
  • The state and the form of contemporary music criticism
  • Source studies and music editing
  • Music librarianship – issues and challenges
  • Performance practice
  • Theory of music
  • Music and pop culture
  • Opera nowadays

The conference will incorporate both traditional lectures and panel discussions, during which groups of researchers conducting a joint project or studying similar subjects will be able to present the results of their studies or discuss a specific subject. We encourage the participants to organise their own panel sessions during the conference (due to time constraints, we suggest no more than four papers during one session; please indicate the person leading the session during registration).

In addition, the conference programme includes:

  • “A musicologist on the labour market” panel

This will be an opportunity for an in-depth discussion of the current employment situation of musicology graduates in Poland and abroad, and for the presentation of experiences in this area. We encourage participation in this panel session by musicologists – musical life animators, employees of media and cultural and educational associations and institutions etc.

  • Masters’ lectures (plenary speakers)
  • The conference programme includes additional events, such as concerts, sightseeing in Krakow, and exhibitions.

A publication of the collected papers presented at the conference is also planned.

Conference language: English.

Schedule

  • Accepting applications with abstracts – until 31th of May 2016.
  • Information about accepted papers – by 30 June 2016.
  • Conference dates: 7-9 November 2016.

Applications should be made by sending the application form via email to: agnieszka.lakner@doctoral.uj.edu.pl  and musicologytoday@gmail.com

You can find an application form here.

For any further information please feel free to contact: Agnieszka Lakner; agnieszka.lakner@doctoral.uj.edu.pl

Conference fee

Conference fee: 200,00 PLN / 50 €

The fee includes:

Admission to the conference, conference program, publication of the paper in the conference proceedings, lunches and coffee breaks during sessions and conference attractions such as sightseeing and concerts. Registration fee does not include accommodation and transportation. If you wish, Organizers will help you to book an accommodation.

Organizer

Jagiellonian University in Kraków, Department of Musicology

Address: Westerplatte Street 10; 31-033 Kraków, Poland

www.muzykologia.uj.edu.pl

 

 

XXIII Annual Conference of the Italian Musicological Society

XXIII ANNUAL CONFERENCE OF ITALIAN MUSICOLOGICAL SOCIETY

 

Como, Conservatory of music “Giuseppe Verdi”, 21-23 October 2016

 

CALL FOR PAPERS

 

The twenty-third Annual Conference of the Italian Musicological Society will be hosted in Como from 21th-23rd October, in collaboration with the Conservatory of music “Giuseppe Verdi”. On October 22nd at 3 p.m. the annual Meeting of all members will take place.

 

The Conference will be divided into free paper sessions.

 

Scholars from all over the world are invited to submit their proposals.

 

In your abstract (which has not to exceed 30 lines in word format) please indicate the title of the proposed paper, the state of the art in your research field, with an outline of the project and the specific contribution to the current knowledge. Only original, unpublished research will be taken into consideration: papers in print will not be accepted.

 

Along with the text please send also a short C/V (max. 15 lines) and indicate the A/V equipment required.

 

The paper shall not exceed 20 minutes in duration (corresponding to an 8-page text containing to a maximum of 16000 characters). Scholars are not allowed to send more than one abstract. The abstracts have to be sent to the e-mail address convegni@sidm.it or – by mail – to the Società Italiana di Musicologia, Casella Postale 318 Ag. Roma Acilia, via Saponara 00125 Rome, Italy (please add on the envelope the indication “XXIII Convegno annuale”) no later than June 15, 2016. Acceptance of papers will be notified by July, 15, 2016.

 

We inform you that one session of the conference will be entitled “From the Belle Epoque to the First World War: in search for a Musical Identity”, and based on the topics exposed in the book “Italia 1911. Musica e società alla fine della Belle Époque” (Milano, Guerini Associati, 2014).

 

Please provide your full name, address, phone number, fax number and e-mail address. For further information about the conference please visit the web site: http://www.sidm.it.

Performing Knowledge Conference

25-26 April 2016

Emmanuel College, Cambridge

Call for Papers

Bringing together performing musicians engaging in practice-led research, ethnographers of Western art music, and psychologists specialising in tacit knowledge research, this two-day conference will explore performers’ interpretative processes and their uses of tacit knowledge (also called implicit, procedural, or embodied knowledge) in understanding the explicit knowledge presented in historical documents, analyses, and performance treatises.

Keynote participants include Professor Tom Beghin (fortepianist), Margaret Faultless (violinist), Professor Christopher Page (guitarist), Chris Maene (instrument builder), Professor Tina K. Ramnarine (musician and anthropologist), Dr Satinder Gill (experimental psychologist), and Professor John Rink (Director, Cambridge Centre for Musical Performance Studies).

Belgian-Canadian fortepianist Tom Beghin (Orpheus Institute/McGill University) will perform a keynote recital featuring Beethoven’s last three piano sonatas, to be presented on a replica of Beethoven’s Broadwood piano built by master instrument builder Chris Maene.

Margaret Faultless (Cambridge University/RAM) will present an open rehearsal discussing interpretative decision-making processes within conductor-less orchestras. Her presentation will be followed by a performance with the Cambridge University Collegium Musicum.

Keynote papers will be presented by:

  • Professor Christopher Page: Performance, Imagination and the Early-Romantic Guitar
  • Professor Tina K. Ramnarine: Performance, Storytelling and the Politics of Musical Knowledge
  • Dr Satinder Gill: Knowing-How and Knowing-When: researching performers’ musical timing

Proposals are invited for 20-minute papers, 30-minute lecture-recitals (each will be followed by 10 minutes of discussion), and posters. The conference language is English. Presentations that engage critically with theories and methodologies of researching performers’ tacit knowledge, such as the use of ethnographic techniques, practice-led research, or the analysis of recorded audio and audio-visual performance, are especially welcome. Interdisciplinary perspectives are also invited, for example, papers that draw on opera or dance studies, material studies, or cognitive studies in music in discussing the theme of the conference. Topics may include:

  • Performers’ creative engagement with historical documents and objects, extending beyond the conventional remit of historically-informed performance practice studies.
  • The influence of instrument affordances on performers’ interpretative choices.
  • How musicians communicate through gesture and/or vocalisation.
  • The challenges and potentials of self-reflexive research in performance.
  • The influence of tradition on performers’ interpretative ideas.
  • The dynamics of performers’ interpretative decision-making processes in practice, rehearsals, and/or public performance (both solo and in ensemble).

Please submit proposals by Friday, 5 February 2016 including:

  • Name and institutional affiliation (if applicable).
  • Curriculum Vitae and 100-word biography.
  • Title and abstract of presentation, max. 450 words. For lecture-recitals, please include programme details of any repertoire to be performed (details are excluded from the word count).
  • A list of technical requirements (computer projection and a Steinway grand piano will be available).

Proposals will be assessed by the conference committee and applicants will be notified of the outcome by 15 February. The registration fee for delegates (whether presenting or observing) will be £90 (full) and £50 (students). Early-bird registration (by 19 February) and RMA member rates are £80 (full) and £40 (students). Registration fee includes all concerts, meals (excluding breakfast), and refreshments. Additional tickets (if required) for Tom Beghin’s recital may be booked through ADC Ticketing for £25 / £15.

Proposals should be emailed to performingknowledge@emma.cam.ac.uk. Please send any enquires to this address also.

Web Page: https://www.emma.cam.ac.uk/conferences/events/perfknow/

Facebook Event Page: https://www.facebook.com/events/647358332072144/

“Indecent Musicology” (NYU)

“Indecent Musicology”

Keynote Speaker: Emily Wilbourne

Saturday, March 26, 2016 [9:30am — 9:00pm]

Silver Center for Arts and Sciences, New York University

VIEW CFP HERE

Call for Papers:

This is a call for the provocative, the experimental, the radical, the “fringe.” Without constantly pushing boundaries, fields are in danger of becoming stale, or worse, regressive. We invite graduate students of all disciplines to submit abstracts that meditate on an indecent musicology. Formal papers are welcome in addition to innovative, interdisciplinary, and unconventional presentations. Papers and presentations will be 20 minutes in length with 10 additional minutes designated for questions; performances and unconventional presentations will be 45 minutes. Composers are responsible for their own musicians and equipment. The following are merely suggestions:

  • “Blasphemology” and manifestations of lewdness
  • Pataphysical and supranatural meditations on music
  • Intersections of indecency, race, law, music, sexuality, sociality, performativity, etc.
  • Constructions of radical obscenity, perversions, and indecency in music
  • Phenomenology of indecent musical exposure

Submission Deadline: Monday, January 25, 2016

Submission Guidelines:

All proposals (paper, performance, composition) must include the following:

  1. An anonymous abstract of no more than 300 words sent as a PDF attachment to indecentmusic2016@gmail.com. Make sure you have omitted any metadata that would identify you (e.g. author’s name, institution, author tags). Footnotes will be included in the word count. Please submit no more than 3 pages of supplementary materials. Please title your attachment: PaperTitle.pdf
  2. A cover letter that includes the title of the presentation, the format of the presentation (e.g. paper, performance, etc.), applicable institutional affiliation, phone number, email address, and AV equipment requests.

Applicants will be notified by email no later than February 8, 2016. Upon acceptance, presenters will be asked to send a final draft of their abstract for publication in the conference program.

For questions, please contact the conference chair, Marcus Ryan Pyle, at mrp448@nyu.edu

Ancient Hellenic & Roman Music Conference 2016

Ancient Hellenic & Roman Music Conference 2016 

Athens, Greece

Monday, 11 to Thursday, 14 July, 2016 

moisa2016-athens.eu

The Department of Music Studies of the National & Kapodistrian University of Athens in association with L’École Française d’Athènes will host the 9th Moisa Conference in Athens, Greece, from Monday, 11 to Thursday, 14 July, 2016.

The conference theme is:

“Music and the animal world in Hellenic and Roman antiquity”.

The keynote speaker will be François-Bernard Mâche, musicologist and composer. There will be paper and poster presentations, a final concert with contemporary music inspired by Antiquity, and an excursion to Delphoi on Friday 15 July, for those who would be willing to stay on after the end of the conference.

———— 

Call for Papers 

We are now soliciting submissions for oral and poster presentations. Speakers are invited from all fields of enquiry – philology, archaeology, musicology, computer science, zoology, musical acoustics, theatrology – to contribute to the theme of the conference. We welcome submissions on the following topics: 

  • Description of animal voices (tonal and rhythmic aspects; audio representation)
  • Classification of animal species by their calls
  • Association of animal sounds with the seasons and agriculture
  • Influence of human music on animals
  • Animal parts in the construction of musical instruments
  • Animals and semi-animals as musicians
  • Animal calls imitated in human music

 Papers should be presented and posters written in English and must not have been previously published. The final decision on the category will be made by the scientific committee.

Paper presentations must not exceed the limit of 20 minutes. A 10 minute discussion will follow each paper.

Full papers will be submitted after the conference by a
date to be specified in due course. A selection of accepted papers will be submitted for publication to the Moisa journal Greek & Roman Musical Studies (http://www.brill.com/publications/journals/greek-and-roman-musical-studies).

————

Important Dates

Title and abstract submissions (deadline): March 15, 2016

Notifications: April 30, 2016

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General inquiries should be directed to the conference coordinators:

Stelios Psaroudakes: spsaroud@music.uoa.gr

Sylvain Perrot: sylvain.r.perrot@gmail.com

British Forum for Ethnomusicology Annual Conference 2016

British Forum for Ethnomusicology: Annual Conference, University of Kent, UK, 14–17 April 2016

DEADLINE FOR PROPOSALS EXTENDED TO SUNDAY 15 NOVEMBER!

University of Kent, School of Music and Fine Art, The Historic Dockyard, Chatham, Kent, UK

The BFE invites proposals for its 2016 conference, which will be held at the Historic Dockyard on the banks of the River Medway at Chatham. Proposals on any current research are welcome; papers having a nautical theme would be particularly appropriate, given the surroundings.

Proposals are invited for:

  • Papers (20 minutes with 5–10 minutes for questions)
  • Organised sessions (3 or 4 linked papers around a theme, totalling 1.5 or 2 hours)
  • Round table discussion sessions (3 or 4 shorter presentations, around 15 minutes each, followed by a chaired discussion, totalling 1.5 or 2 hours)
  • Poster or other material for digital display.

Proposals should be submitted in the following formats to enable them to be reviewed anonymously:

Paper proposals: include the name and email address of the proposer, paper title, and abstract (the latter not exceeding 300 words). The name of the proposer should not appear in the abstract.

Organised session proposals: include the names and email addresses of the proposer and the other participants, an overall abstract for the session (not exceeding 300 words), and abstracts for each contributor (no more than 300 words each). Abstracts should not include the names of any of the participants.

Roundtable proposals: include the names and email addresses of the proposer and the other participants (the proposer will be assumed to be the chair unless stated otherwise), an overall abstract for roundtable (not exceeding 300 words), and abstracts for each contributor (no more than 300 words each). Abstracts should not include the names of any of the participants.

Poster/digital display proposals (digital displays will allow research to be shared using electronic posters as well as videos and other media). Include the name and email address of the researcher, a description of the material to be presented (not exceeding 300 words), and a brief description of your technical requirements. The name of the proposer should not appear in the descriptions.

EXTENDED DEADLINE FOR SUBMISSIONS: 15 NOVEMBER 2015. Successful applicants will be notified in December.

Please note that all presenters must be members of the BFE at the time of the conference. Proposals should be submitted by email to bfeconference2016@outlook.com