“Conflict-/-Collaboration” 42nd Musicological Society of Australia Conference

7-9 December 2019

Sir Zelman Cowen School of Music, Monash Univeristy, Clayton, Melbourne, Australia

Call for Papers – Submission Deadline 12 May 2019

Conference Webpage

Conflict-/-Collaboration

In recognising the challenges of a contemporary world where traditional cultural, social and geographical boundaries are regularly broken down and new ones set up, we have created a conference theme that juxtaposes two apparently opposing ideas – conflict and collaboration – to contemplate the consequences for art and everyday life. In music-related contexts we seek answers to the questions: what is the nature of conflict and its consequences; what is the nature of collaboration and its consequences; what happens when conflict and collaboration intersect?

Emphasising the MSA’s remit to encourage and support all disciplinary approaches to music research, we invite papers on any music-related research topic that considers conflict and/or collaboration.

An indication of the approaches and topics we hope to inspire include (but are not limited to):

  • Analytical studies of musical works that deal with conflict
  • Results of collaborative research projects
  • Internal conflicts experienced by practice-led music researchers
  • The gender gap in collaborative contemporary popular music
  • Conflicting views on music for worship
  • A philosophical argument for dispelling Lone Ranger myths and endorsing collective creativity
  • Music as distraction from unresolvable conflict situations
  • Assessing collaborative music-making apps
  • The conflict of the commission: client-composer negotiations
  • Illicit Associations: music critics and music producers
  • Conflicts encountered in preserving indigenous music
  • Is functional harmony a metaphor for collaboration?
  • Balancing the conflicting needs of stakeholders in community music-making
  • Ludomusicology in an era of media-supported extremism
  • Ethnological accounts of collaborations or conflicts between e.g. co-creators of musical works, performers and producers, teachers preparing musicians for competitions and so forth.

In addition to presentations that address the conference theme, and in keeping with the MSA’s objective of supporting all Australian music researchers and their current projects, abstracts on any aspect of music-related research are also welcomed

Proposal Submission Guidelines are available here:
http://msa.org.au/Main.asp?_=Melb2019&FormID=474

Deadline for Submissions is Midnight 12 May 2019 AEST