IMS2022: 21st Quinquennial IMS Congress

Location: Athens, Greece
Dates: August 22–26, 2019

The 21st Quinquennial IMS Congress (IMS2022) will be held in Athens, Greece, from August 22 to 26, 2022. It is sponsored by the Hellenic Musicological Society under the aegis of the Department of Music Studies of the National and Kapodistrian University of Athens and the Department of Music Studies of the Aristotle University of Thessaloniki.

Conference website: http://avamus.org/en/2019-conference

47th MedRen Music Conference

Location: Basel, Switzerland
Dates: July 3–6, 2019

The IMS Study Group “Musical Iconography” will feature prominently at the 47th Med­Ren Music Conference, hosted by the Schola Cantorum Basiliensis, Basel, Switzerland, in July 2019, with a panel of nine papers (in three sessions): “Early Music Iconography: Methodological Worlds and Cultural Intersections.”

Conference website: https://medren2019basel.com

Atlantic Crossings: Music from 1492 through the Long 18th Century

Location: Boston, USA
Dates: June 7–8, 2019

The IMS Study Group “Early Music and the New World” will hold an open meeting during the session “From Colonies to Republics: Latin American Music in Transition, 1770–1825,” at the international conference Atlantic Crossings: Music from 1492 through the Long 18th Century at Boston University, USA, June 7 to 8, 2019.

Conference website: http://www.bu.edu/earlymusic/2018/09/26/program

“Conflict-/-Collaboration” 42nd Musicological Society of Australia Conference

7-9 December 2019

Sir Zelman Cowen School of Music, Monash Univeristy, Clayton, Melbourne, Australia

Call for Papers – Submission Deadline 12 May 2019

Conference Webpage

Conflict-/-Collaboration

In recognising the challenges of a contemporary world where traditional cultural, social and geographical boundaries are regularly broken down and new ones set up, we have created a conference theme that juxtaposes two apparently opposing ideas – conflict and collaboration – to contemplate the consequences for art and everyday life. In music-related contexts we seek answers to the questions: what is the nature of conflict and its consequences; what is the nature of collaboration and its consequences; what happens when conflict and collaboration intersect?

Emphasising the MSA’s remit to encourage and support all disciplinary approaches to music research, we invite papers on any music-related research topic that considers conflict and/or collaboration.

An indication of the approaches and topics we hope to inspire include (but are not limited to):

  • Analytical studies of musical works that deal with conflict
  • Results of collaborative research projects
  • Internal conflicts experienced by practice-led music researchers
  • The gender gap in collaborative contemporary popular music
  • Conflicting views on music for worship
  • A philosophical argument for dispelling Lone Ranger myths and endorsing collective creativity
  • Music as distraction from unresolvable conflict situations
  • Assessing collaborative music-making apps
  • The conflict of the commission: client-composer negotiations
  • Illicit Associations: music critics and music producers
  • Conflicts encountered in preserving indigenous music
  • Is functional harmony a metaphor for collaboration?
  • Balancing the conflicting needs of stakeholders in community music-making
  • Ludomusicology in an era of media-supported extremism
  • Ethnological accounts of collaborations or conflicts between e.g. co-creators of musical works, performers and producers, teachers preparing musicians for competitions and so forth.

In addition to presentations that address the conference theme, and in keeping with the MSA’s objective of supporting all Australian music researchers and their current projects, abstracts on any aspect of music-related research are also welcomed

Proposal Submission Guidelines are available here:
http://msa.org.au/Main.asp?_=Melb2019&FormID=474

Deadline for Submissions is Midnight 12 May 2019 AEST

1st International Research Meeting for Music and Musicology Students

Call for Papers

EINEM 1st International Research Meeting for Music and Musicology Students

College Mateus d’Aranda, University of Évora (Portugal), November 28th-30th, 2019

Deadline for submissions: June 20th, 2019

The first edition of this international meeting for young researchers in the fields of Music and Musicology is being organised by the CESEM – Delegation of the University of Évora and its target audience are Master and PhD students in the field of Music: musicologists, musicians and composers.

By setting the goal of encouraging the exchange of experience and the promotion of the results of the projects carried out, this meeting pretends to show, promote, support and disseminate research activities in the fields of Music and Musicology, allowing participants to share their methodological approaches, reflections related to their fields of study and the results of their research works.

It aims at students of Music and Musicology who are studying at research institutions or higher education institutions in Portugal or anywhere on the planet.

Being focused on areas of interest for research in Music and Musicology, all topics related to these areas are welcome. Listed below are some topic suggestions, but other topics which are not mentioned will still be considered:

  • Studies of Early Music
  • Modern Music
  • Contemporary Music
  • Studies of Ethnomusicology
  • Education and Human Development
  • Critical Theory and Communication
  • Music and Technology: interdisciplinarity at the service of music production
  • Music and Literature
  • Music in relation to the other Performing Arts
  • Music and Social Intervention
  • The interpreter as educational force
  • Sonic or musical geography
  • Music as (im)material heritage
  • Music and Spirituality
  • Music Interpretation
  • Jazz studies

Organising & scientific committees, relevant info & deadlines and further inquires, visit the meeting website HERE

II Historical Soundscapes Meeting – Évora 2019

Call for Papers

II Historical Soundscapes Meeting – Évora 2019

College Mateus d’Aranda, University of Évora (Portugal), October 16th-18th, 2019

Deadline for submissions: May 10th, 2019

The notion of soundscapes, which is being increasingly referred to in international musicological circles, makes it possible to understand musical activity that takes place in a particular area from a wide-ranging contextual perspective, unlike a view centred on a composer or restricted group of composers. It enables us to reconstruct contexts, circuits and movement, and to map out the presence of music and musician, taking music as a social, political and cultural activity and not merely artistic.

The urban level is particularly suitable for observing the social networks that form musical activity. The role that the arts perform in the building of a social identity has been studied in recent years, both in the case of music and that of the visual arts. The historiography of the urban phenomenon has reformulated the concept of city in such a manner that social and cultural practice is as important as the notion of use of space and even socioeconomic structures. An interdisciplinary character marks the urban musicology branch, and contributions from various research areas are welcome. As well as musical activities in themselves (and other sonic manifestations), what they represent and their sources are also of interest; as are performers and directors, professionals and amateurs, times and spaces or even ceremonies and spontaneous practices, because all of these elements contribute to making up a soundscape, an identity in terms of sound.

The urban aspect with respect to the musical activity of the churches, convents and other religious institutions, and in the squares and theatres, creates a particularly rich ‘soundscape’ in the case of Évora, Lisbon, Coimbra and other European musical centres such as Madrid, Seville, Paris, and even other cities such as Salvador da Bahia or Rio de Janeiro. Following on from projects of this kind undertaken in Andalusia (Seville and Granada), the project proposed in relation to Évora is centred on charting as many historical sound events as possible in the city of Évora from 1540 to 1910.

Besides works about Évora, this Meeting aims to promote and articulate works about other landscapes, spaces and cities. It intends also to promote the interdisciplinary work in articulation with important areas for the definition and thought about historical soundscapes like Architecture, Sociology, Acoustic, Visual Arts or Philosophy, among others.

Themes to be developed:

  • Survey and charting of musical soundscapes
  • Spaces
  • Events
  • Festivals
  • Instrument makers
  • Musicians
  • Patrons
  • Iconography
  • Circuits
  • Processions
  • Repertoires
  • Musical reception
  • Amateurs – music schools and philharmonic bands
  • Theatre and music
  • Artisan and trade activities related to music
  • Music and popular dance in a historical context
  • Music militarization: the “music-soldiers”, military bands and clarion call in the military barracks.
  • Choral music

Organisation & scientific committees, Relevant dates & deadlines or further inquiries, visit the meeting website HERE

International Conference “Rethinking The Three-Cornered Hat A Hundred Years Later”

Palacio de la Madraza, University of Granada, Spain, 3rd – 5th July 2019 – Deadline: March 1st 2019

On 22nd July 1919, in the Alhambra Theatre in London, the Diaghilev Ballets Russes premiered one of the most relevant works in the history of Western dance and music, the international projection of Spanish culture and the configuration of the Spanishness imaginary. This ballet was based on the adaptation of Pedro Antonio de Alarcón’s book by María Lejárraga, and had a score by Manuel de Falla, set and costume designs by Pablo Picasso and a choreography by Léonide Massine. Since that moment, the ballet has been performed a huge number of times around the world, with versions by the most significant choreographers, and still lives in the repertoire of some current dance companies.


Moreover, The Three-Cornered Hat has focused the attention of many critics and scholars, who have built a large historiography throughout the years, both in Spain and abroad, which might
be advisable to review. The work becomes a relevant and complex creation where concepts such as the construction of stereotypes, the national identity, the authentic, the popular, and the joining of tradition and avant-garde are interwoven. Not many works have had such an impact on the spreading of the Spanish dance beyond its borders, of Picasso’s aesthetic innovations where his paintings had never been shown before, of Falla’s music, which has been played and versioned over and over again, being submitted to a constant process of resignification.


Therefore, this international conference proposes celebrating the centenary of this milestone which allowed the convergence of so many prominent Spanish and international artists, studying its world impact and assessing its contributions in dance, music, visual arts and literature.
With all these objectives, this scientific meeting is settled from an interdisciplinary perspective, which gathers the most recent research in dance history, musicology, history of art and philology, but also in other related areas, like sociology, philosophy, anthropology, communication, fashion, etc.


Papers may address, but are not limited to, the following topics: – Analysis of different aspects in choreography, musical language, scenography, costume design, and libretto of the original The Three-Cornered Hat version of 1919. – Study of the impact and critical fortune that The Three-Cornered Hat had in the different places where it has been performed. – Convergence of the work with other artistic international movements in the same historical and cultural context. – Analysis of the different The Three-Cornered Hat versions up to the present. – Influence of The Three Cornered Hat in the 20th and 21st centuries. – Spanishness in The Three-Cornered Hat and its derivations.

PAPER PROPOSALS The oral presentations will have a duration of 15 minutes. Papers will be admitted in Spanish, English and French. For submitting a proposal, an abstract of a maximum of 2,000 characters and a brief CV are to be submitted to sombrero3picos@ugr.es before 1st March 2019. The selection of papers by the Scientific Committee will be communicated by mail and will be considered for publication.

CONFIRMED SPEAKERS

Juan Aguilera Sastre (IES Inventor Cosme García, Logroño)
Antonio Álvarez Cañibano (Centro de Documentación de Música y Danza – INAEM)
Miguel Cabañas Bravo (Instituto de Historia, Consejo Superior de Investigaciones Científicas) Eugenio Carmona (Universidad de Málaga)
Emilio Casares Rodicio (Universidad Complutense de Madrid)
Michael Christoforidis (University of Melbourne)
Chris Collins (Bangor University)
Lynn Garafola (Columbia University, Nueva York)
Mª Luz González Peña (Archivo SGAE)
Carol A. Hess (University of California Davis)
Beatriz Martínez del Fresno (Universidad de Oviedo)
Elna Matamoros Ocaña (Compañía Nacional de Danza)
Antonio Najarro (Ballet Nacional de España)
Yvan Nommick (Université Paul-Valéry de Montpellier III)
Emilio Peral Vega (Universidad Complutense de Madrid)
Gemma Pérez Zalduondo (Universidad de Granada)

INFORMATION All the questions should be sent to: sombrero3picos@ugr.es Web: https://sombrero3picos.wixsite.com/congresosombrero

Organisation: Fundación Archivo Manuel de Falla/Universidad de Granada/Universidad Complutense de Madrid/Consejo Superior de Investigaciones Científicas

Collaboration: Festival Internacional de Música y Danza de Granada/Acción Cultural Española/Ayuntamiento de Granada/Ministerio de Cultura y Deporte-INAEM

Skalkottas Today

Location: Athens, Greece
Dates: November 29–December 1, 2019

To commemorate the 70th anniversary of Nikos Skalkottas’s death, the Music Library of Greece “Lilian Voudouri” of the Friends of Music Society, the Megaron—the Athens Concert Hall, the Athens State Orchestra, the Greek Composer’s Union, the Foundation of Emilios Chourmouzios—Marika Papaioannou, and the European University of Cyprus are organizing an international conference in Athens from November 29 to December 1, 2019.

The conference will be held under the auspices of the Hellenic Musicological Society and the International Musicological Society.

Call for papers: musicology.org/pdfs/events/skalkottas_today_cfp.pdfm

10th Vienna Music Business Research Days

The Future of Music Business

April 29, 2019                 Abstract submission deadline  

September 12, 2019    Conference day (paper sessions)

September 13, 2019    Conference day for invited speakers on “The Future of Music Business”

mdw – University of Music and Performing Arts, Vienna

Conference call for papers

About

The 10th Vienna Music Business Research Days will be held at mdw – University of Music and Performing Arts Vienna, Austria, from September 11 to 13, 2019.

Music Business Research is an inter-discipline at the intersection of economic, artistic, cultural, social, legal, technological and further developments which contribute to the creation/production, dissemination/ distribution and reception/consumption of music. This interdisciplinary nature calls for methodological multiplicity and is open to scholars from all scientific areas.

The conference organizers invite scholars (from the postdoctoral level on) who have a research focus on music business/industry related topics to submit a paper proposal for the conference day on September 12, 2019.

Scholarly submissions on this year’s conference theme “The Future of Music Business” are equally welcome as on other aspects of music business research.

Indicative themes include but are not limited to:

  • Past, current and future developments in the music industry (recorded / live / publishing / retailing / wholesaling, etc.)
  • Economic and historic analyses of music markets, charts or audiences
  • Issues in marketing and/or branding music, musicians or music institutions
  • Aspects of musical and musician diversity in music business
  • Critical discourses on the economic, social and cultural contributions of (live) music
  • New products, formats and business models in the music sectors
  • Strategies and strategizing of musicians and music institutions
  • Situatedness and power in musician labor markets
  • Agency and social practices in the music business
  • Legal issues in the music business (contracts, copyright, policies) from an international perspective
  • Fit for the market? Acquiring skills for the music business 
  • Doing things right! New solutions for fairness and transparency in the music business
  • Entrepreneurial musician und music entrepreneurs
  • An age of disruption? Technological developments in the music industry

Submission

Please send an abstract of your proposal to vmbrdays@gmail.com no later than April 29, 2019.

All submissions must include a title, authors (names, affiliations, e-mails of all authors and a notation (*) of the corresponding author), an abstract of 1,000-1,500 words and 3-5 keywords. Abstracts must be submitted in English, as a MS Word file (*.doc or *.docx) or *.pdf file, and include:

  • Objectives of the research
  • Brief description of the disciplinary/theoretical context/background
  • Research questions and/or hypotheses
  • Methodology
  • Main or expected conclusions / contribution
  • Main references

Abstracts will be subject to a double-blind peer-review process by an international jury, and authors will be notified of acceptance by May 20, 2019.

Final papers should be sent before July 31, 2019. They should not exceed 7,000 words (including abstracts, figures, tables, references and appendices) and follow the author guidelines of the International Journal of Music Business Research (IJMBR). You may also want to consider publication in IJMBR after the conference.

Important dates

April 29, 2019                 Abstract submission deadline  

May 20, 2019                  Notification of acceptance

July 31, 2019                   Submission deadline for full papers

September 12, 2019    Conference day (paper sessions)

September 13, 2019    Conference day for invited speakers on “The Future of Music Business”

For students at all levels of the MA & PhD a doctoral colloquium (Young Scholars’ Workshop) will be held as part of the 10th Vienna Music Business Research Days on September 11, 2019. Find a separate call for papers here.

Registration Fee

Registration (ntry.at/vmbrdays2019) will be open from May 15, 2019 to August 31,2019. There will be no refund after this date. The registration fee includes conference attendance, reception, coffee breaks and lunch on conference days as well as the Heurigen-Dinner on September 13, 2019. Discounts for students and members of IMBRA will be available!

  Full registration fee
Until July 31, 2019 (early bird) Euro 175,-
After July 31, 2019 Euro 225,-

Contact

Dagmar Abfalter (mailto: vmbrdays@gmail.com)

Department of Cultural Management and Gender Studies (IKM)

mdw – University of Music and Performing Arts, Vienna

Anton-von-Webern-Platz 1, 1030 Vienna, Austria
http://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/

International Forum for Young Art Researchers Science Spring – 2019

Tuesday 16 April – Friday 19 April 2019

State Institute for Art Studies. Moscow, Russia

Call for Papers

‘Science Spring’ Forum is the unique annual scientific event for young researchers of art and culture. The initiative, concept and program development of the Forum belongs to SIAS Ph.D. students.

Our goal is to invite colleagues to a scientific dialogue as well as share our own experience, talk about themes and methodology of our research and discuss the controversial issues of our works.

Forum statement:

Where’s the revolution? Search for new approaches in the Metamodernism era

Potential topics for discussion:

  • Art perception and interpretation – modern experience
  • Nature as a source and space of artistic ideas
  • Teatralization as an artistic method
  • Communications mechanisms of influence in art
  • Communications mechanisms of understanding in art studies

We accept participation requests from:

  • Art researchers of all specialties
  • Philologists
  • Philosophers of art and culture
  • Theorists and historians of culture
  • Experts in music and theater, artists
  • Museologists, curators

Forum audience is welcome to take part in discussions. Anyone can join discussions and feel him/herself a part of the young scientific community. This is especially important for students who are just starting their journey in science.

If you wish to participate in the Forum, please send your application till February 15, 2019 to: sciencespring@yandex.ru

We accept applications filled out according to the approved form (see below). Applications filled out not in accordance with the form and with violations of the requirements will not be accepted.

Participation in absentia is not permitted.

Participants will bear the costs of travel and accommodation.

Forum venue: Moscow, Kozitsky Lane, 5.

Organizing committee

SIAS PhD students:

N. Ruchkina, E. Sakovskaya, E. Miroshnikova, A. Orlova, E. Fomina, V. Aleksandrova, N. Kiryanova, V. Voytekunas.

sciencespring@yandex.ru

https://www.facebook.com/groups/sciencespring

https://vk.com/sciencespring

https://www.instagram.com/sciencespring

APPLICATION FORM

Applications are accepted till February 15, 2019 at sciencespring@yandex.ru

Applications filled out not in accordance with the form and with violations of the requirements will not be considered.

  1. INFORMATION ABOUT THE PARTICIPANT:
Full name 
 Contact details
e-mail 
Phone number+
Place of study (please indicate fully, but without faculty and department) 
Status (please underline)• undergraduate student • graduate student • postgraduate student • independent researcher
Research topic (e.g. master or doctoral thesis) 
Main scientific interests 

Supervisor of studies

Full name 
Academic degree / Academic title 
e-mail 
  • PARTICIPATION INFORMATION:
Participation form (please underline)conference (report)panel discussion
Special technical requirements: besides a laptop and a projector (indicate if required) 
Subject of the paper: 

Abstract:

(Not less than 1000 and not more than 3000–3500 characters, including spaces)