Information about past conferences in 2000 is retained here.
1.Stadt und Öffentlichkeit in Ostmitteleuropa 1900-1939, Leipzig, January 2000
2.Die Nibelungen: Wirkung, Vereinnahmung und Mißbrauch eines deutschen Mythos, Alzey, Germany, January 2000
3.33rd Royal Musical Association Research Students Conference, Huddersfield, January 2000
4.Collecting Beyond the Book: Oxford Libraries as Cabinets of Curiosities, Oxford, January 2000
5.Literature, Film and Modernity, London, January 2000
6.Latin American Symposium of Musicology, Curitiba, Brazil, January 2000
7.Symposium: Musikalischer Rhythmus und Mensch, Witten, January 2000
8.Woman in the Eighteenth Century, Lubbock, TX, January 2000
9.Eighteenth-Century Studies: Past and Future, Tampa, FL, February 2000
10.Mozart 2000, London, February 2000
11.Visions of Orpheus: Celebrating the Quatercentenary of Opera, London, February 2000
12.Freedom of Expression in the Late Medieval and Early Modern World, Santa Barbara, February 2000
13.Form and Expression in Renaissance Polyphony, Montreal, February 2000
14.American Musicological Society, New England Chapter, Winter Meeting 2000, Boston, February 2000
15.Emigration and Exile from Central and Eastern Europe in the Twentieth Century, Toronto, February 2000
16.University of Chicago Slavic Forum, Chicago, February 2000
17.The Myth Of El Dorado, Albuquerque, NM, February 2000
18.New Mexico Studies, Albuquerque, NM, February 2000
19.Kansas Culture, Albuquerque, NM, February 2000
20.Popularmusik und Kirche, Bad Herrenalb, February 2000
21.Cross-Currents in the Humanities, Riverside, CA, February 2000
22.Rhetoric, The Humanities, and Interdisciplinarity, Dallas, February 2000
23.Two Decades of Culture under Francoism, Granada, February 2000
24.Musikwissenschaft im Nationalsozialismus und in faschistischen Regimen: Kulturpolitik — Methoden — Wirkungen, Engers, March 2000
25.New Worlds in Thought, Place and Time, South-East American Society for 18th-Century Studies, Savannah, GA, March 2000
26.Consortium on Revolutionary Europe, 1750-1850, Huntsville, AL, March 2000
27.Beethoven’s String Quartets: A Classical or Modernistic Legacy?, Victoria, BC, March 2000
28.Contemporary Music: Theories and Philosophy, Brussels, March 2000
29.The Birth of an Opera: Janácek, Brno and Jenufa, Nottingham, March 2000
30.Sound in Space 2000, Santa Barbara, March 2000
31.Jacques Chailley (1910-1999) musicologue et théoricien de la musique, Paris, March 2000
32.Figures de la Muse, Paris, March 2000
33.Cocteau’s World: A Symposium, Philadelphia, March 2000
34.Technologies in Transition: Ireland 1000-2000, New York, March 2000
35.American Musicological Society, Southwest Chapter, and Society for Ethnomusicology, Southwest Chapter, Tempe, AZ, March 2000
36.Berlioz: Past, Present, Future, Northampton, MA, March/April 2000
37.Victorian Realities/Victorian Dreams, Urbana, IL, March/April 2000
38.Silence and Expression: Histories of Permission and Censorship, College Station, TX, March/April 2000
39.Walter Murch and the Art of [Film] Sound Design, Iowa City, March/April 2000
40.Technology, Art and Modernity in Russia and Eastern Europe, New York, March/April 2000
41.Russian Avant-Garde Music: Past, Present, Future, London, April 2000
42.British Association of Slavonic and East European Studies Convention, Cambridge, April 2000
43.Midwest Slavic Conference, Urbana, IL, April 2000
44.Living with the Beast: Everyday Life in Authoritarian Serbia, Worcester, MA, April 2000
45.Reimagining Bach, Durham, NC, April 2000
46.RMA Annual Conference, Performance 2000, Southampton, April 2000
47.The Effects of Music (Society for Research in Psychology of Music and Music Education), Leicester, April 2000
48.British Forum for Ethnomusicology, Sheffield, April 2000
49.The Music of Peter Maxwell Davies, Lancaster, April 2000
50.Opera Analysis, Cambridge. April 2000
51.Opera as Narrative, Atlanta, April 2000
52.Form and Forming in Music, Cambridge, April 2000
53.Creative and Cultural Aspects and Applications of AI and Cognitive Science, Birmingham, April 2000
54.“So Publick an Approbation”: Attitudes to Dance in Eighteenth-Century England, Oxford, April 2000
55.Interdisciplinary Dance Conference, Ghent, April 2000
56.Eighth Annual Meeting, Society for Seventeenth-Century Music, Vermillion, SD, April 2000
57.Baroque Bridges: Music, Poetry and the Visual Arts in Seventeenth-Century Italy, New Haven, April 2000
58.Southeastern Renaissance Conference, 57th Annual Meeting, Columbia, SC, April 2000
59.Renaissance Dialogues and Debates, Tacoma, WA, April 2000
60.Colloque Cantus firmus IX, Paris, April 2000
61.American Musicological Society, New England Chapter, Spring Meeting, Cambridge, MA, April 2000
62.American Musicological Society, Greater New York Chapter, Princeton, NJ, April 2000
63.American Musicological Society, Pacific Northwest Chapter, Bellingham, WA, April 2000
64.American Musicological Society, South-Central Chapter, Annual Meeting, Martin, TN, April 2000
65.American Bach Society, Biennial Meeting, Washington, April 2000
66.The Eighteenth Century Seen Around the World, Philadelphia, April 2000
67.Rethinking the Avant-Garde: Between Politics and Aesthetics, South Bend, IN, April 2000
68.Women, Creativity and the French Revolution, Philadelphia, April 2000
69.Image and Idea: The Cinema of Stanley Kubrick, Buffalo, NY, April 2000
70.The Sixties, New Orleans, April 2000
71.Popular Culture in New Orleans, New Orleans, April 2000
72.The Harlem Renaissance and Homoeroticism, NEMLA, Buffalo, NY, April 2000
73.Theory and Analysis Graduate Students (TAGS) Day 2000, London, May 2000
74.Comparative Music Praxes, London, May 2000
75.Description and Interpretation, Copenhagen, May 2000
76.American Handel Society, College Park, MD, May 2000
77.The Pre-Classical Piano: Expressive Claviers and Their Repertoire in the 18th Century, Vermillion, SD, May 2000
78.Music and Victorian Literature, Reading, May 2000
79.Music and Urban Culture in Early Modern Europe, Valencia, May 2000
80.35th International Congress on Medieval Studies, Kalamazoo, MI, May 2000
81.Ignatius and the Jesuits, Kalamazoo, May 2000
82.Crossing Boundaries; Europe Arrives in the New World, Salvador, Bahia, Brazil, May 2000
83.Methoden der Erforschung populärer Musik (IASPM meeting), Bremen, May 2000
84.Crossroads in Cultural Studies, Birmingham, June 2000
85.Sir George Grove’s World, London, June 2000
86.Between Thing and Theory: Cultural Studies and the Crisis of Historicism, Crossroads Conference, Birmingham, June 2000
87.Bakhtin and Cultural Studies, Crossroads Conference, Birmingham, June 2000
88.Psychology after the Year 2000, Haifa, June 2000
89.Intersecting Times: The Work of Memory in Southeastern Europe, Swansea, June 2000
90.Jewish Music Conference, London, June 2000
91.Broadway on the Ruhr: The Musical Comedy in the New Millennium, Dortmund, June 2000
92.Jazz in Europe in the Second Half of the Twentieth Century, Prague, June 2000
93.Popular Music Today: Objects, Practices, Approaches, Sofia, June 2000
94.International Pipe and Tabor Festival, Gloucester, June 2000
95.Beatles 2000 Conference, Jyväskylä, June 2000
96.Biennial Nineteenth-Century Conference, Egham, June/July 2000
97.Leeds International Schubert Conference, Leeds, June/July 2000
98.9th Biennial Conference on Baroque Music, Dublin, July 2000
99.The Politics of Opera, Oxford, July 2000
100.Thwarted Voices: Franz Schreker and his Pupils in Berlin (1920-1933), London, July 2000
101.Musiktheorie im Mittelalter, Quellen – Texte – Terminologie, Munich, July 2000
102.ISME 2000: The Music of the Spheres (24th World Conference of the International Society for Music Education), Edmonton, July 2000
103.45th Biennial Convention of the American Guild of Organists, Seattle, July 2000
104.Nights to Remember: Memory, Modernity and the Myth of the Titanic, Southampton, July 2000
105.Historicizing the Ocean, c. 1500 – c. 1900, Greifswald, July 2000
106.VII Simpósio Brasileiro de Computação e Música, Curitiba, Brazil, July 2000
107.IV Encontro de Musicologia Histórica: Música Religiosa na América Portuguesa, Juiz de Fora, July 2000
108.2nd Symposium on Systems Research in the Arts, Baden-Baden, July/August 2000
109.Thirteenth Nordic Musicological Congress, Aarhus, August 2000
110.New Perspectives in Czech and Slovak Studies, Washington, August 2000
111.European Arts in National and Ethnic Contexts, Bergen, August 2000
112.Göteborg International Organ Academy, 4th Biennial Meeting, Göteborg, August 2000
113.6th International Conference on Music Perception and Cognition, Keele, August 2000
114.Medieval & Renaissance Music Conference 2000, Oxford, August 2000
115.Tijd en de Zeventiende-Eeuwse Cultuur (Time in Seventeenth-Century Culture), Amsterdam, August 2000
116.The Past in the Present, Budapest, August 2000
117.Fourteenth Annual Conference, Argentine Musicological Association, San Juan, Argentina, August 2000
118.III Congreso Latinoamericano de la Asociación Internacional para el Estudio de la Música Popular, IASPM, Bogotá, August 2000
119.British Society for Eighteenth-Century Studies, Aberdeen, August 2000
120.Culture, Space, & The City: Berlin/Prague/Vienna, Berlin, August/September 2000
121.Intellectual Migration and Cultural Transformation: The Movement of Ideas from German-speaking Europe to the Anglo-Saxon World, Brighton, September 2000
122.OxMAC (Music Analysis Conference), Oxford, September 2000
123.Developing the Musical Ear: The Teaching of Ear Training at the College Level, New York, September 2000
124.Digital Resources for the Humanities, Sheffield, September 2000
125.Method or Madness?: The Use and Abuse of Inter-Disciplinary Research, Southampton, September 2000
126.Romanticism & the Physical, Tempe, AZ, September 2000
127.Censorship: Phenomenology, Representation, Contexts, Newcastle upon Tyne, September 2000
128.Lost Libraries, Cambridge, September 2000
129.Erziehung und Bildung bei Hofe, Celle, September 2000
130.City, Town and Country: A Sense of Place in Medieval and Early Modern Studies, Johannesburg, September 2000
131.The Arts and Regional Identity, Perpignan, September 2000
132.Connections in Contemporary Austrian Culture, Aberdeen, September 2000
133.Die Länder der böhmischen Krone (1471-1526), Kutná Hora, September 2000
134.Criticism of Dvorák and its Motives, Prague, September 2000
135.Calderón 2000, Pamplona, September 2000
136.The Role of the Romanies, Liverpool, September 2000
137.Polonophilia and Polonophobia of the Russians, Bloomington, September 2000
138.Back to the Future: Twentieth-Century Futuristic Fantasies, Liverpool, September 2000
139.American Musicological Society, Southeast Chapter, Newport News, VA, September 2000
140.Modern Greek Music History, Corfu, September/October 2000
141.Sprache – Öffentlichkeit – Identität: Ausdrucksformen europäischer Minderheiten-Kulturen im 19. und 20. Jahrhundert, Potsdam, September/October 2000
142.Totem und Tattoo: Moderne Ästhetik — Ästhetische Postmoderne?, Graz, October 2000
143.Frontiers of Transculturality in Contemporary Aesthetics, Bologna, October 2000
144.Musik im Medienzeitalter, Düsseldorf, October 2000
145.Icons of Pop, Sheffield, October 2000
146.In Armonia Favellare: Early Opera and Monody, Urbana-Champaign, October 2000
147.Techno Music: Fastforward from Local History to Global Market, Detroit, October 2000
148.4th Moravian Music Conference, Bethlehem, PA, October 2000
149.Central Slavic Conference, Kansas City, October 2000
150.International Shostakovich Symposium, Glasgow, October 2000
151.Musik und kulturelle Identität, DVSM Symposium 2000, Munich, October 2000
152.Adorno and the Modernist Avant-Garde, Philadelphia, October 2000
153.The Medieval Artistic Community: Textual Exchanges in the Middle Ages, New York, October 2000
154.Argentine National Musicological Institute “Carlos Vega”, Buenos Aires, October 2000
155.American Musicological Society, Greater New York Chapter, New York, October 2000
156.Toronto 2000: Musical Intersections: general page for the combined conference bringing together:
◦American Musical Instrument Society
◦American Musicological Society
◦Association for Technology in Music Instruction
◦Canadian Association of Music Libraries, Archives, & Documentation Centres
◦Canadian Society for Traditional Music
◦Canadian University Music Society
◦The College Music Society
◦Historic Brass Society
◦International Association for the Study of Popular Music (Canadian & U.S. chapters)
◦Lyrica Society for Word-Music Relationships
◦Society for American Music (formerly the Sonneck Society for American Music)
◦Society for Ethnomusicology
◦Society for Music Perception and Cognition
◦Society for Music Theory
157.Toronto 2000: AMS Annual Conference, Toronto, November 2000
158.Toronto 2000: Music Theory and Psychology Session, Toronto, November 2000
159.Popular Music and National Culture, Ljubljana, November 2000
160.Popular and American Culture Association, 23rd Annual Conference, Springfield, MA, November 2000
161.Formation of Identity and Taste in the Eighteenth-Century World, East Lansing, MI, November 2000
162.Fifty-Second Annual Northwest Conference on Philosophy, Forest Grove, OR, November 2000
163.Workshop: Höfe des Hauses Österreich, Vienna, November 2000
164.Eighteenth-Century Women in the Arts, Denver, November 2000
165.Music and Metropolis: Recontextualizing Krenek and Weill, London, November 2000
166.Between Politics and Culture – Jews in the German Democratic Republic, Tel Aviv / Jerusalem, November 2000
167.Contemporary Opera at the Millennium, Hempstead, NY, November 2000
168.Group for Early Modern Cultural Studies, Eighth Annual Conference, New Orleans, November 2000
169.Trendmedium Pop(ulär)Musik – Wandel und Perspektiven, Essen, November 2000
170.Multiculturalism: A Global Perspective, Denver, November 2000
171.IV Foro del Órgano, Granada, November 2000
172.Analyse Musiques Anciennes, Paris, November 2000
173.La storia della musica: prospettive del secolo XXI, Bologna, November 2000
174.A cappella Choral Music, Bartók to Ligeti, Trento, November/December 2000
175.Martinu’s Stage Works, Prague, December 2000
176.Czech Musicological Society, Annual Conference, Prague, December 2000
177.Music and Literature in German Romanticism, Dublin, December 2000
178.34th Royal Musical Association Research Students’ Conference, Exeter, December 2000
179.Jazz Analysis Study Day, Paris, December 2000
180.Interfaces: Meeting Points for Improvisation and Composition, London, December 2000
181.Musiques, arts, technologies: Pour une approche critique, Montpellier/Barcelona, December 2000
182.Musique, mathématiques et philosophie: Le compositeur roumain Anatol Vieru (1926-1998), Paris, December 2000
183.Americanization, Globalism, and the Nation State in Europe, Notre Dame, IN, December 2000
184.Seventeenth Barnard College Medieval and Renaissance Conference: Public Performance/Public Ritual, New York, December 2000
185.Incunabula and their Readers, London, December 2000
186.MALVINE and LEAF. Gateways to Europe’s Cultural Heritage, Berlin, December 2000
187.Acoustics and Music: Theory and Applications, Montego Bay, December 2000
