Past conferences 2011

Information on past conferences in 2011:

1. Jewish Music and Germany after the Holocaust, Carlisle, Pennsylvania, USA, February 2011
2. Brian Ferneyhough: a symposium, London, February 2011
3. A Celebration Of The Music Of Malcolm Arnold, Cambridge, February 2011
4. Networks of Keyboard Music c. 1600, focusing on Jan Sweelinck and Peter Philips, Montreal, February 2011
5. Dance and Music: Moving Dialogues, McGill, Canada, March 2011
6. Techno-soundings: Acousmatic Methodologies of the Ear, Hong Kong, March 2011
7. Musical, Cultural and Religious Networks in Early Modern Europe: in Celebration of Peter Philips’s 450th Anniversary, Aberdeen, March 2011
8. Developing the Musician, Reading, March 2011
9. CLIEC 2011 – Concordia Live and Interactive Electroacoustic Colloquium, Montreal, March 2011
10. Art Musics of Israel: Identities, Ideologies, Influences, London, March–April 2011
11. Iannis Xenakis International Conference London 2011, London, April 2011
12. Royal Musical Association Colloquium: The Piano in Contemporary Music, Liverpool, April 2011
13. The Improvised Space: Techniques, Traditions and Technologies, Kingston,April 2011
14. The Sounds of Early Cinema in Britain: Performance, Realisation and Reception, London, April 2011
15. Music, Gender, and Globalization, Ithaca, NY, USA, April 2011
16. Leeds International Jazz Conference 2011:  Time Captured – Jazz composition, composing and composers, Leeds, April 2011
17. BFE Annual Conference 2011, Falmouth, April 2011
18. London-New York: Exchanges and Cross-Cultural Influences in the Arts and Literature, Nancy, France, April 2011
19. Negotiating ‘the West’ Music(ologic)ally, Utrecht, The Netherlands, April 2011
20. RMA Colloquium: The Piano in Contemporary Music, Liverpool, April 2011
21. Shifting Ground: A Symposium on Music and Publishing, Oxford, April 2011
22. Aspects Of Artistic Experimentation In Early Music, Ghent, Belgium, April 2011
23. SMA Theory and Analysis Graduate Students Conference, London, April 2011
24. International ORCiM Seminar 2011, Ghent, Belgium, April 2011
25. International Conference on Music Theory and Analysis, Belgrade, Serbia, May 2011
26. The making of the opera “Library” at University of Évora, Évora, Portugal, May 2011
27. Latin American Music Seminar, London, May 2011
28. Digital opera: new means and new meanings, York, May 2011
29. Music as Tension, Music as Release, Boston, May 2011
30. Orpheus Doctoral Conference: ‘Instrument And Music: The Play Between Material And Message’, Ghent, Belgium, May 2011
31. 46th International Congress on Medieval Studies, Kalamazoo, IL, USA, May 2011
32. Forum for Innovation in Music Production and Composition (FIMPaC), Leeds, May 2011
33. Music in Middle Eastern Cinema Conference, London, May 2011
34. PERFORMA’11, a conference on performance studies, Aveiro, Portugal, May 2011
35. Music Linked Data, London, May 2011
36. Interconnections The Science, Art And Practice Of Music, Bangor, May 2011
37. Audio Engineering Society 130th Convention, London, May 2011
38. Music and Nature, Reykjavík, May 2011
39. Music And The Moving Image VI, New York, May 2011
40. Baltic Musics and Musicologies, Canterbury, May 2011
41. La folie du temps : musique, littérature et arts, Caen, France, May 2011
42. Crossroads: Greece as an intercultural pole of musical thought and creativity, Thessaloniki, Greece, June 2011
43. 9th Annual SMI Conference, Dublin, June 2011
44. 2nd Annual International Conference on Fine and Performing Arts, Athens, June 2011
45. Fifth Annual Conference of the South African Society for Research in Music (SASRIM), Grahamstown, South Africa, June 2011
46. Capturing Process? Practice Research in the Arts, London, June 2011
47. Music and Media (MaM), Lisbon, Portugal, June 2011
48. Fourth International Conference on Orthodox Church Music, “Unity and Variety in Orthodox Music: Theory and Practice”, Joensuu, Finland, June 2011
49. Time, Realism and Convention in Recent Opera, Brighton, June 2011
50. Performing Musicology, London, June 2011
51. Music and Liturgical Reform,1611 – present, Valencia, Spain, June–July 2011
52. troja 2011: Rekrutierung musikalischer Eliten – Knabengesang im 15. und 16. Jahrhundert, Münster, Germany, June–July 2011
53. Mahler Centenary Conference, Guildford, July 2011
54. The Diva: An interdisciplinary Conference, Liverpool, July 2011
55. 1st International Conference on Historical Keyboard Music: Sources, Contexts, and Performance, Edinburgh, July 2011
56. International Conference on Music in Russia and the Soviet Union: Reappraisal and Rediscovery, Durham, July 2011
57. 13th International Conference of the Répertoire International d’Iconographie Musicale (RIdIM) & 1st Brazilian Conference on Music Iconography, Salvador, Brazil, July 2011
58. Performance Studies Network, CMPCP, Cambridge, July 2011
59. Music and Philosophy, London, July 2011
60. Eighth Biennial Music in Nineteenth-Century Britain Conference, Belfast, July 2011
61. Performing Arts in Contemporary Asia: Tradition and Travel, Egham, July 2011
62. Enhancing music iconography research: considering the current, setting new trends, Salvador, Brazil, July 2011
63. RMA Annual Conference 2011 – ‘Horizons’, Brighton, July 2011
64. North American Conference on 19th-Century Music, Richmond, VA, USA, July 2011
65. Lancaster University Music Analysis Conference (LancMAC), Lancaster, July 2011
66. Orchestral Conducting In The Nineteenth Century, La Spezia, Italy, July 2011
67. Revisiting the Past, Recasting the Present: The Reception of Greek Antiquity in Music, 19th Century to the Present, Athens, Greece, July 2011
68. Historic Brass Society conference, Bloomington, Indiana, USA, August 2011
69. Fifth J. S. Bach Dialogue Meeting, Edinburgh, August 2011
70. The musical legacy of Karlheinz Stockhausen: Looking back and forward, Köthen, Germany, August 2011
71. Second International Symposium on Music and Sonic Art: Practices and Theories – MuSA 2011, Baden-Baden, Germany, August 2011
72. Symposium: W. B. YEATS AND THE ARTS, Galyway, Ireland, August 2011
73. The Anatomy of Listening, Glasgow, August–September 2011
74. Franz Liszt: Mirror Of A European Society In Evolution, Rennes, Dijon, and Strasbourg, France, September 2011
75. Mikalojus Konstantinas Čiurlionis (1875–1911): His Time and Our Time, Vilnius, September 2011
76. Music in Divided Germany, Berkeley, CA, USA, September 2011
77. Sites of Memory, Anamnesis, and Representation of Identiti (SMARI 2011), Paris, September 2011
78. Rhythm Changes: Jazz and National Identities, Amsterdam, September 2011
79. The Soundtrack Of Conflict: The Role Of Music In Radio Broadcasting In Wartime And In Conflict Situations, Göttingen, Germany, September 2011
80. Second Biennial Euro-Mediterranean Music Conference, Nicosia, Cyprus, September 2011
81. ‘Striking a Chord’ Music, Health and Wellbeing: Current Developments in Research and Practice, Folkestone, September 2011
82. Marginal figures of twentieth-century music, Petrozavodsk, Russia, September 2011
83. La produzione giovanile di Riccardo Zandonai fra tradizione e modernità, Trentino, Italy, September 2011
84. Christian Congregational Music: Local and Global Perspectives, Cuddesdon, September 2011
85. VIVA V.E.R.D.I.: Music from Risorgimento to the Unification of Italy, Pistoia, Italy, September 2011
86. The Open University Literature and Music Research Group: Don Juan: Interdisciplinary Symposium, London, September 2011
87. II International Meeting of Music Theory and Analysis USP/UNESP/UNICAMP, Sao Paulo, Brazil, September 2011
88. Beyond Press Cuttings: New Approaches to Reception in Opera Studies, Oxford, September 2011
89. F.Liszt: Mirror of European Society in Evolution, Rennes, Dijon, and Strasbourg, September 2011
90. Film Music Conference: Celebrating the Centennials of Bernard Herrmann & Nino Rota, Leeds, September 2011
91. Word Event: a verbal notation symposium, Bath, September 2011
92. UFMG Early Music Week III: On the Eloquent Mysterium, Belo Horizonte, Brazil, September 2011
93. The Home of Metal: Heavy Metal and Place, Wolverhampton, September 2011
94. RMA AGM and Dent Medal Study Day (In honour of Martin Stokes), London, September 2011
95. Tracking the Creative Process in Music, Lille, France, September–October 2011
96. The European Sound In The Era Of Liszt: the Musical Tour In The Nineteenth Century, Briosco, Italy, September–October 2011
97. Transformations Of Musical Modernism, Paris, October 2011
98. Tomas Luis de Victoria Symposium, London, October 2011
99. BASEES Study Group for Russian and Eastern European Music Annual Conference 2011, Oxford, October 2011
100. Digital Pop and the Death of the Musical Artefact, London, October 2011
101. VII European Music Analysis conference, Rome, October 2011
102. David Perez and the music of his epoch, Aveiro, Portugal, October 2011
103. Cultural Counterpoints: Examining the Musical Interactions between the US and Latin America, Bloomington, Indiana, USA, October 2011
104. ORCiM RESEARCH FESTIVAL 2011: X-PERIMENT – an international dialogue on Artistic Experimentation in Music, Ghent, Belgium, October 2011
105. The Music Of Nature: Sound Imitation In Ritual And Art, St Petersburg, October 2011
106. Listening Spaces: Art Music and its Audiences in the Concert Hall and Beyond, c.1850-1945, London, October 2011
107. David Perez and his epoch, Aveiro, Portugal, October 2011
108. Boulez in Portrait, London, October 2011
109. In Diaghilev’s circle: Impresario in dialogue with composers, St Petersburg, October 2011
110. BASEES Study Group for Russian and Eastern European Music – Music Theory and Criticism, Oxford, October 2011
111. Thanatos as Muse? Schubert and Concepts of Late Style, Maynooth, Ireland, October 2011
112. SysMus11: Fourth International Conference of Students of Systematic Musicology, Cologne, October 2011
113. Third International Conference on Music and Minimalism, Leuven, Belgium, October 2011
114. Tango: Creation, Identification, Circulation, Paris, October 2011
115. Principles Of Music Composing: National Romanticism and Contemporary Music, Vilnius, Lithuania, October 2011
116. Music and Gesture : 2nd Musical Itineraries Forum, Lisbon, October 2011
117. Tomas Luis de Victoria Symposium, London, October 2011
118. Liszt and the Arts, Budapest, Hungary, November 2011
119. Music and Transcendence, Cambridge, November 2011
120. Domestic Music in Recusant Circles in Elizabethan and Jacobean Times, Cambridge, November 2011
121. Caribbean and Latin American Music Study Day, Huddersfield, November 2011
122. The Future of Arts Research, London, November 2011
123. Caribbean and Latin American Music Study Day, Huddersfield, November 2011
124. 1st international conference ‘Music and Technologies’, Kaunas, Lithuania, November 2011
125. Russian Emigré Culture: Conservatism or Evolution?, Saarbrücken, Germany, November 2011
126. Performance, Creativity, Collaboration, Wellington, New Zealand, November 2011
127. Feiern – Singen – Schunkeln. Karnevalsaufführungen vom Mittelalter bis heute, Cologne, November 2011
128. The Gothic Revolution: Music in Western Europe, 1100–1300, Princeton, November 2011
129. 2nd International Conference: Luigi Boccherini and the Music of his Time, Madrid, November 2011
130. Time, Space, Intentionality – On Emmanuel Nunes’s 70th Anniversary, Lisbon, November 2011
131. Iannis Xenakis – in Memoriam International Conference, Nicosia, Cyprus, November 2011
132. Encontro Nacional De Investigação Em Música / National Conference Of Music Research, Porto, Portugal, November 2011
133. Constructing Historiography of Music: The Formation of musicological Knowledge, Göttingen, Germany, November 2011
134. Brahms in the Home, London, November 2011
135. Performing sound and sentiment, self and society, Bergen, Norway, November–December 2011
136. ‘Power Of Music’: The 34th National Conference Of The Musicological Society Of Australia And The 2nd International Conference On Music And Emotion, Perth, Australia, November–December 2011
137. “Perfect Harmony” and “melting strains”.  Music in Early Modern Culture between Sensibility and Abstraction, Berlin, December 2011
138. CARDEW 2011: A Conference to Celebrate Cornelius Cardew (1936–1981), London, December 2011
139. First International Conference: Luigi Boccherini (1743-1805), Lucca, Italy, December 2011
140. Women and the 19th-Century Lied, Mynooth, Ireland, December 2011
141. Radical Music History Symposium, Helsinki, December 2011
142. DREAM Symposium: Technology and Musical Thought, London, December 2011