Information on past conferences in 2011:
- Jewish Music and Germany after the Holocaust, Carlisle, Pennsylvania, USA, February 2011
- Brian Ferneyhough: a symposium, London, February 2011
- A Celebration Of The Music Of Malcolm Arnold, Cambridge, February 2011
- Networks of Keyboard Music c. 1600, focusing on Jan Sweelinck and Peter Philips, Montreal, February 2011
- Dance and Music: Moving Dialogues, McGill, Canada, March 2011
- Techno-soundings: Acousmatic Methodologies of the Ear, Hong Kong, March 2011
- Musical, Cultural and Religious Networks in Early Modern Europe: in Celebration of Peter Philips’s 450th Anniversary, Aberdeen, March 2011
- Developing the Musician, Reading, March 2011
- CLIEC 2011 – Concordia Live and Interactive Electroacoustic Colloquium, Montreal, March 2011
- Art Musics of Israel: Identities, Ideologies, Influences, London, March–April 2011
- Iannis Xenakis International Conference London 2011, London, April 2011
- Royal Musical Association Colloquium: The Piano in Contemporary Music, Liverpool, April 2011
- The Improvised Space: Techniques, Traditions and Technologies, Kingston,April 2011
- The Sounds of Early Cinema in Britain: Performance, Realisation and Reception, London, April 2011
- Music, Gender, and Globalization, Ithaca, NY, USA, April 2011
- Leeds International Jazz Conference 2011: Time Captured – Jazz composition, composing and composers, Leeds, April 2011
- BFE Annual Conference 2011, Falmouth, April 2011
- London-New York: Exchanges and Cross-Cultural Influences in the Arts and Literature, Nancy, France, April 2011
- Negotiating ‘the West’ Music(ologic)ally, Utrecht, The Netherlands, April 2011
- RMA Colloquium: The Piano in Contemporary Music, Liverpool, April 2011
- Shifting Ground: A Symposium on Music and Publishing, Oxford, April 2011
- Aspects Of Artistic Experimentation In Early Music, Ghent, Belgium, April 2011
- SMA Theory and Analysis Graduate Students Conference, London, April 2011
- International ORCiM Seminar 2011, Ghent, Belgium, April 2011
- International Conference on Music Theory and Analysis, Belgrade, Serbia, May 2011
- The making of the opera “Library” at University of Évora, Évora, Portugal, May 2011
- Latin American Music Seminar, London, May 2011
- Digital opera: new means and new meanings, York, May 2011
- Music as Tension, Music as Release, Boston, May 2011
- Orpheus Doctoral Conference: ‘Instrument And Music: The Play Between Material And Message’, Ghent, Belgium, May 2011
- 46th International Congress on Medieval Studies, Kalamazoo, IL, USA, May 2011
- Forum for Innovation in Music Production and Composition (FIMPaC), Leeds, May 2011
- Music in Middle Eastern Cinema Conference, London, May 2011
- PERFORMA’11, a conference on performance studies, Aveiro, Portugal, May 2011
- Music Linked Data, London, May 2011
- Interconnections The Science, Art And Practice Of Music, Bangor, May 2011
- Audio Engineering Society 130th Convention, London, May 2011
- Music and Nature, Reykjavík, May 2011
- Music And The Moving Image VI, New York, May 2011
- Baltic Musics and Musicologies, Canterbury, May 2011
- La folie du temps : musique, littérature et arts, Caen, France, May 2011
- Crossroads: Greece as an intercultural pole of musical thought and creativity, Thessaloniki, Greece, June 2011
- 9th Annual SMI Conference, Dublin, June 2011
- 2nd Annual International Conference on Fine and Performing Arts, Athens, June 2011
- Fifth Annual Conference of the South African Society for Research in Music (SASRIM), Grahamstown, South Africa, June 2011
- Capturing Process? Practice Research in the Arts, London, June 2011
- Music and Media (MaM), Lisbon, Portugal, June 2011
- Fourth International Conference on Orthodox Church Music, “Unity and Variety in Orthodox Music: Theory and Practice”, Joensuu, Finland, June 2011
- Time, Realism and Convention in Recent Opera, Brighton, June 2011
- Performing Musicology, London, June 2011
- Music and Liturgical Reform,1611 – present, Valencia, Spain, June–July 2011
- troja 2011: Rekrutierung musikalischer Eliten – Knabengesang im 15. und 16. Jahrhundert, Münster, Germany, June–July 2011
- Mahler Centenary Conference, Guildford, July 2011
- The Diva: An interdisciplinary Conference, Liverpool, July 2011
- 1st International Conference on Historical Keyboard Music: Sources, Contexts, and Performance, Edinburgh, July 2011
- International Conference on Music in Russia and the Soviet Union: Reappraisal and Rediscovery, Durham, July 2011
- 13th International Conference of the Répertoire International d’Iconographie Musicale (RIdIM) & 1st Brazilian Conference on Music Iconography, Salvador, Brazil, July 2011
- Performance Studies Network, CMPCP, Cambridge, July 2011
- Music and Philosophy, London, July 2011
- Eighth Biennial Music in Nineteenth-Century Britain Conference, Belfast, July 2011
- Performing Arts in Contemporary Asia: Tradition and Travel, Egham, July 2011
- Enhancing music iconography research: considering the current, setting new trends, Salvador, Brazil, July 2011
- RMA Annual Conference 2011 – ‘Horizons’, Brighton, July 2011
- North American Conference on 19th-Century Music, Richmond, VA, USA, July 2011
- Lancaster University Music Analysis Conference (LancMAC), Lancaster, July 2011
- Orchestral Conducting In The Nineteenth Century, La Spezia, Italy, July 2011
- Revisiting the Past, Recasting the Present: The Reception of Greek Antiquity in Music, 19th Century to the Present, Athens, Greece, July 2011
- Historic Brass Society conference, Bloomington, Indiana, USA, August 2011
- Fifth J. S. Bach Dialogue Meeting, Edinburgh, August 2011
- The musical legacy of Karlheinz Stockhausen: Looking back and forward, Köthen, Germany, August 2011
- Second International Symposium on Music and Sonic Art: Practices and Theories – MuSA 2011, Baden-Baden, Germany, August 2011
- Symposium: W. B. YEATS AND THE ARTS, Galyway, Ireland, August 2011
- The Anatomy of Listening, Glasgow, August–September 2011
- Franz Liszt: Mirror Of A European Society In Evolution, Rennes, Dijon, and Strasbourg, France, September 2011
- Mikalojus Konstantinas Čiurlionis (1875–1911): His Time and Our Time, Vilnius, September 2011
- Music in Divided Germany, Berkeley, CA, USA, September 2011
- Sites of Memory, Anamnesis, and Representation of Identiti (SMARI 2011), Paris, September 2011
- Rhythm Changes: Jazz and National Identities, Amsterdam, September 2011
- The Soundtrack Of Conflict: The Role Of Music In Radio Broadcasting In Wartime And In Conflict Situations, Göttingen, Germany, September 2011
- Second Biennial Euro-Mediterranean Music Conference, Nicosia, Cyprus, September 2011
- ‘Striking a Chord’ Music, Health and Wellbeing: Current Developments in Research and Practice, Folkestone, September 2011
- Marginal figures of twentieth-century music, Petrozavodsk, Russia, September 2011
- La produzione giovanile di Riccardo Zandonai fra tradizione e modernità, Trentino, Italy, September 2011
- Christian Congregational Music: Local and Global Perspectives, Cuddesdon, September 2011
- VIVA V.E.R.D.I.: Music from Risorgimento to the Unification of Italy, Pistoia, Italy, September 2011
- The Open University Literature and Music Research Group: Don Juan: Interdisciplinary Symposium, London, September 2011
- II International Meeting of Music Theory and Analysis USP/UNESP/UNICAMP, Sao Paulo, Brazil, September 2011
- Beyond Press Cuttings: New Approaches to Reception in Opera Studies, Oxford, September 2011
- F.Liszt: Mirror of European Society in Evolution, Rennes, Dijon, and Strasbourg, September 2011
- Film Music Conference: Celebrating the Centennials of Bernard Herrmann & Nino Rota, Leeds, September 2011
- Word Event: a verbal notation symposium, Bath, September 2011
- UFMG Early Music Week III: On the Eloquent Mysterium, Belo Horizonte, Brazil, September 2011
- The Home of Metal: Heavy Metal and Place, Wolverhampton, September 2011
- RMA AGM and Dent Medal Study Day (In honour of Martin Stokes), London, September 2011
- Tracking the Creative Process in Music, Lille, France, September–October 2011
- The European Sound In The Era Of Liszt: the Musical Tour In The Nineteenth Century, Briosco, Italy, September–October 2011
- Transformations Of Musical Modernism, Paris, October 2011
- Tomas Luis de Victoria Symposium, London, October 2011
- BASEES Study Group for Russian and Eastern European Music Annual Conference 2011, Oxford, October 2011
- Digital Pop and the Death of the Musical Artefact, London, October 2011
- VII European Music Analysis conference, Rome, October 2011
- David Perez and the music of his epoch, Aveiro, Portugal, October 2011
- Cultural Counterpoints: Examining the Musical Interactions between the US and Latin America, Bloomington, Indiana, USA, October 2011
- ORCiM RESEARCH FESTIVAL 2011: X-PERIMENT – an international dialogue on Artistic Experimentation in Music, Ghent, Belgium, October 2011
- The Music Of Nature: Sound Imitation In Ritual And Art, St Petersburg, October 2011
- Listening Spaces: Art Music and its Audiences in the Concert Hall and Beyond, c.1850-1945, London, October 2011
- David Perez and his epoch, Aveiro, Portugal, October 2011
- Boulez in Portrait, London, October 2011
- In Diaghilev’s circle: Impresario in dialogue with composers, St Petersburg, October 2011
- BASEES Study Group for Russian and Eastern European Music – Music Theory and Criticism, Oxford, October 2011
- Thanatos as Muse? Schubert and Concepts of Late Style, Maynooth, Ireland, October 2011
- SysMus11: Fourth International Conference of Students of Systematic Musicology, Cologne, October 2011
- Third International Conference on Music and Minimalism, Leuven, Belgium, October 2011
- Tango: Creation, Identification, Circulation, Paris, October 2011
- Principles Of Music Composing: National Romanticism and Contemporary Music, Vilnius, Lithuania, October 2011
- Music and Gesture : 2nd Musical Itineraries Forum, Lisbon, October 2011
- Tomas Luis de Victoria Symposium, London, October 2011
- Liszt and the Arts, Budapest, Hungary, November 2011
- Music and Transcendence, Cambridge, November 2011
- Domestic Music in Recusant Circles in Elizabethan and Jacobean Times, Cambridge, November 2011
- Caribbean and Latin American Music Study Day, Huddersfield, November 2011
- The Future of Arts Research, London, November 2011
- Caribbean and Latin American Music Study Day, Huddersfield, November 2011
- 1st international conference ‘Music and Technologies’, Kaunas, Lithuania, November 2011
- Russian Emigré Culture: Conservatism or Evolution?, Saarbrücken, Germany, November 2011
- Performance, Creativity, Collaboration, Wellington, New Zealand, November 2011
- Feiern – Singen – Schunkeln. Karnevalsaufführungen vom Mittelalter bis heute, Cologne, November 2011
- The Gothic Revolution: Music in Western Europe, 1100–1300, Princeton, November 2011
- 2nd International Conference: Luigi Boccherini and the Music of his Time, Madrid, November 2011
- Time, Space, Intentionality – On Emmanuel Nunes’s 70th Anniversary, Lisbon, November 2011
- Iannis Xenakis – in Memoriam International Conference, Nicosia, Cyprus, November 2011
- Encontro Nacional De Investigação Em Música / National Conference Of Music Research, Porto, Portugal, November 2011
- Constructing Historiography of Music: The Formation of musicological Knowledge, Göttingen, Germany, November 2011
- Brahms in the Home, London, November 2011
- Performing sound and sentiment, self and society, Bergen, Norway, November–December 2011
- ‘Power Of Music’: The 34th National Conference Of The Musicological Society Of Australia And The 2nd International Conference On Music And Emotion, Perth, Australia, November–December 2011
- “Perfect Harmony” and “melting strains”. Music in Early Modern Culture between Sensibility and Abstraction, Berlin, December 2011
- CARDEW 2011: A Conference to Celebrate Cornelius Cardew (1936–1981), London, December 2011
- First International Conference: Luigi Boccherini (1743-1805), Lucca, Italy, December 2011
- Women and the 19th-Century Lied, Mynooth, Ireland, December 2011
- Radical Music History Symposium, Helsinki, December 2011
- DREAM Symposium: Technology and Musical Thought, London, December 2011
