Past conferences 2012

Information on past conferences in 2012:

  1. RMA Research Students’ Conference, Hull, January 2012
  2. Musiques et imaginaire du Nord et du froid/Music and the Imaginary of the North and the Cold, Montréal, Canada, January 2012
  3. SPEEC – Symposium for Performance of Electronic and Experimental Composition: ‘Building an Instrument’, Oxford, January 2012
  4. Mannes College 2012 Graduate Student Theory Conference, New York, January 2012
  5. International Meeting for New Chamber Music, Évora, Portugal, January 2012
  6. 5th Annual SMI Postgraduate Students’ Conference, Dublin, January 2012
  7. Histories, aesthetics, and politics of South African jazz, Grahamstown, South Africa, January 2012
  8. Gregorian Chant and Modern Composition for the Catholic Liturgy: Charles Tournemire’s L’Orgue Mystique as Guide, Fort Lauderdale, FL, USA, February 2012
  9. Promoting Well-being in Ageing: the Role of Music, London, February 2012
  10. International Terezin Music Conference, Leeds, February 2012
  11. Sound Changes: Music and Social Justice, Ottawa, February 2012
  12. Harmony and Variation in Music Information Retrieval, Utrecht, the Netherlands, February 2012
  13. [ORCiM] International Seminar 2012 ‘Composition – Experiment – Tradition’, Ghent, Belgium, February 2012
  14. Gregorian Chant and Modern Composition for the Catholic Liturgy: Charles Tournemire’s L’Orgue Mystique as Guide, Fort Lauderdale, FL, USA, February 2012
  15. ORCiM International Seminar 2012 ‘Composition Experiment Tradition’, Ghent, Belgium, February 2012
  16. CINESONIKA 2 – The Second International Conference & Festival of Sound Design, Vancouver, Canada, February 2012
  17. Brahms in the New Century, New York, USA, March 2012
  18. Music And Propaganda In The Visual Arts, Warsaw, March 2012
  19. The North, a Literary, Musical and Artistic Myth, Paris, March 2012
  20. 5th Conference of Young Musicologists and Students of Musicology, Madrid, March 2012
  21. Marcos Portugal on the 250th anniversary of his birth, Lisbon, March 2012
  22. International Orpheus Academy for Music & Theory 2012, ‘Experimentation versus Interpretation’, Ghent, Belgium, March 2012
  23. Multiculturalism and Music in Britain: Ethnography, Empiricism and Everyday Lives, London, March 2012
  24. Music and the Body, Hong Kong, March 2012
  25. Permeable Boundaries: Music and the Visual Arts, Warwick, March 2012
  26. GuimaraMUS – Guimarães Music Congress, Guimarães, Portugal, March 2012
  27. Ligeti’s Later Music, London, March 2012
  28. Sacher Perspectives, Cardiff, March 2012
  29. Music & Disability at SAM 2012, Charlotte, North Carolina, March 2012
  30. Cage & Consequences (John Cage und die Folgen), Berlin, March 2012
  31. Caractacus: An Interdisciplinary Symposium, Bristol, March 2012
  32. Conference of Contemporary Music and Dance 2012: Sound, Music and the Moving-Thinking Body, London, April 2012
  33. Leeds International Jazz Education Conference, Leeds, March 2012
  34. Leeds International Songwriting Conference, Leeds, March 2012
  35. Moving into Composition, Coventry, March 2012
  36. McGill Music Graduate Symposium, Montréal, March 2012
  37. 2012 BFE Annual Conference, Durham, March–April 2012
  38. Annual Meeting of the Music Theory Society of New York State, New York, March–April 2012
  39. Music in Goethe’s Faust: Goethe’s Faust in Music, Maynooth, Ireland, April 2012
  40. (M)Other Russia: Revolution or Evolution?, London, April 2012
  41. Entity and Identity in Bioethics, Paris, April 2012
  42. Jazz, Criticism, and American Politics, Boston, USA, April 2012
  43. International Festival for Innovations in Music Production and Composition, Leeds, April 2012
  44. 14th International Conference of the Dutch-Flemish Society for Music Theory,  Antwerp, Belgium, April 2012
  45. Addiction and Performance: the New Normal?, Kingston, April 2012
  46. Welcoming Strangers – HARC postgraduate conference, Egham, April 2012
  47. Musica Scotica 2012, Glasgow, April 2012
  48. Joint Conference of the Society for Eighteenth-Century Music (SECM) and the Haydn Society of North America (HSNA), Charleston, South Carolina, USA, April 2012
  49. Corfu Music and Philosophy Conference, Corfu, April 2012
  50. Music and Crisis: 5th CISM Biennial Interdisciplinary Graduate Conference, Santa Barbara, CA, USA,  April 2012
  51. Second Roberto Gerhard International Conference 2012, Barcelona, April 2012
  52. Authorship and ‘Authenticity’ in Composition, Editing and Performance, Leeds, April 2012
  53. TAGS Conference 2012 for Music Postgraduates, Southampton, April 2012
  54. Ludomusicology: Game Music Research – Approaches and Aesthetics, Oxford, April 2012
  55. Music And Paper; Music And Screen, Belgrade, April 2012
  56. International Debussy Symposium/Symposium International Debussy: “Debussy Text And Idea”/“Debussy : Le Texte Et L’idée”, London, April 2012
  57. Composer/Choreographer/Performer Collaborations Conference of Contemporary Music and Dance 2012 Sound, Music and the Moving-Thinking Body, London, April 2012
  58. The 3rd International Musicological Student Conference-Competition, Tbilisi, Georgia, April 2012
  59. The Theory, Practice, and Business of Opera Today, Leeds, April 2012
  60. Hearing Landscape Critically: Sense, Text, Ideology, Oxford, May 2012
  61. Interesting Times for Local Live Music, Leeds, May 2012
  63. The Matter of Musical Experimentation, York, May 2012
  64. On Collaboration, London, May 2012
  65. SysMus12 – Fifth International Conference of Students of Systematic Musicology, Montréal, May 2012
  66. New Music in Britain, Canterbury, May 2012
  67. Music And Propaganda In The Short Twentieth Century, Pistoia, Italy, May 2012
  68. European Platform for Artistic Research in Music (EPARM), Rome, May 2012
  69. Love to Death: Transforming Opera (Incorporating the RMA 2012 Annual Conference), Cardiff, May–June 2012
  70. Seventeenth Biennial International Conference On Nineteenth-Century Music, Edinburgh, June 2012
  71. 10th Annual Society for Musicology in Ireland Conference, Dundalk, Ireland, June 2012
  72. 2nd International Meeting for New Chamber Music, Évora, Portugal, June 2012
  73. Sharing Practice, Kingston, June 2012
  74. 7th Nordic Music Therapy Congress, Jyväskylä, Finland, June 2012
  75. Manchester International Beethoven Conference, Manchester, June 2012
  76. Electroacoustic Music Studies Network Conference 2012, Stockholm, June 2012
  77. International Call for Composers and Ensembles, Évora, Portugal, June 2012
  78. II International Meeting for Chamber Music, Évora, Portugal, June 2012
  79. Popular Music and Automobile Culture, Chester, June 2012
  80. Vancouver International Song Institute, Song Scholarship and Performance Program, Vancouver, BC, Canada, June 2012
  81. Perceptual Tensions, Sensory Resonance: An International Conference on Contemporary Opera and New Music Theatre, Toronto, June 2012
  82. Music and the Moving Image VII, New York, June 2012
  83. L’opéra-comique entre deux genres, Paris, June 2012
  84. Musical Exchanges, 1100-1650: The Circulation of Early Music in Europe and Overseas in Iberian and Iberian-Related Sources, Lisbon, June 2012
  85. Tribute to ANESTIS LOGOTHETIS: sound images/figurative sounds, Athens, June 2012
  86. Sound Images and Painted Sound – Tribute to Anestis Logothetis, Athens, June 2012
  87. ‘Astonished and Terrified’: opera and the transformation of the world by technology, Brighton, June 2012
  88. North Atlantic Fiddle Convention 2012, Derry/Londonderry, June–July 2012
  89. North American British Music Studies Association (NABMSA) Fifth Biennial Conference, Urbana-Champaign, Illinois, USA, July 2012
  90. Soundtracks: Music, Tourism and Travel, Liverpool, July 2012
  91. South African Society for Research in Music (SASRIM) Sixth Annual Conference, Tshwane, South Africa, July 2012
  92. Second Annual Conference of the RMA Music and Philosophy Study Group, London, July, 2012
  93. Medieval and Renaissance Music Conference, Nottingham, July 2012
  94. Jazz in the Austrian Cultural Landscape, Vienna, July 2012
  95. The ‘Franco-Belgian Violin School’ From G.B. Viotti To E. Ysaÿe, La Spezia, Italy, July 2012
  96. 12th International Conference on Music Perception and Cognition (ICMPC) & 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Thessaloniki, Greece, July 2012
  97. Researching and Applying Metaphor (RaAM 9), Lancaster, July 2012
  98. Music and Shape, London, July 2012
  99. MedRen conference, Nottingham, July 2012
  100. CIM12: Conference on Interdisciplinary Musicology, Göttingen, Germany, September 2012
  101. The Heroic in Music – Diverse Meaning and Musical Analysis, Leipzig, September 2012
  102. Music That Changed Time: The Baltic Outburst of Creativity After 1970, Vilnius, Lithuania, September 2012
  103. The 4th annual meeting 2012 of JASMIM (The Japanese Association for the Study of Musical IMprovisation), Kobe, Japan, September, 2012
  104. SEMPRE 40th Anniversary Conference, London, September 2012
  105. BFE National Graduate Student Conference 2012: Music and Movement, London, September 2012
  106. RMA AGM and Dent Medal Study Day, London, September 2012
  107. Perspectives on Musical Improvisation – an international conference, Oxford, September 2012
  108. Rethinking Stravinsky: Sounds And Gestures Of Modernism, Fisciano-Salerno, Italy, September 2012
  109. Eisler und die Nachwelt (Eisler and Posterity), Berlin, September 2012
  110. Congreso de la Sociedad Española de Musicología 2012, Logroño, Spain, September 2012
  111. Music and Movement (BFE 2012 National Student Graduate Conference), London, September 2012
  112. The Journey of Music(s): Colonial Music Practice in the Age of Enlightenment, Göttingen, Germany, September 2012
  113. A Cerebration of Analysis, London, September 2012
  114. Music and Politics in Britain and Italy, 1933-1968, London, September 2012
  115. Music and Theology in the European Reformations, Leuven, Belgium, September 2012
  116. Conlon Nancarrow: Life and Music, Online, September–October 2012
  117. Franz Schreker and His Time, Strasbourg, October 2012
  118. RMA Study Day: Music and the Seicento, York, October 2012
  119. Konfession – Werk – Interpretation. Perspektiven der Orgelmusik Max Regers, Mainz, Germany, October 2012
  120. Notations: composer/performer dialogue; INTIME 2012 Symposium, Coventry, October 2012
  121. Establishing New Musical ‘Topics’ in the Repertoire and Popular Culture, Edinburgh, October 2012
  122. Sound and Performance, Bayreuth, Germany, October 2012
  123. Popular Music, Participation and the People, London, October 2012
  124. The Aesthetics and Pedagogy of Charles Tournemire: Chant and Improvisation in the Liturgy, Pittsburgh, October 2012
  125. The Musical Legacy in Contemporary Society, Moscow, October 2012
  126. BASEES Study Group for Russian and Eastern European Music Annual Conference 2012: Minority Composers, Manchester, October 2012
  127. PRINCIPLES OF MUSIC COMPOSING: Links between Music and Visual Arts, Vilnius, Lithuania, October 2012
  128. World of Sound: Microtonal Innovations, St Petersburg, October 2012
  129. Music on Stage, Sidcup, October 2012
  130. FIMTE 11th Symposium on Spanish Keyboard Music “Diego Fernández”, Parador de Mojácar, Spain, October 2012
  131. VOICES, SPACES, SENSES – International Research Symposium on Kaija Saariaho’s Music, Helsinki, October 2012
  132. Gender, Musical Creativity and Age, Huddersfied, October 2012
  133. Consuming Music, Commodifying Sound, 1750-1850, New Haven, USA, October 2012
  134. Central European Musicians And The Birth Of French Piano Virtuosity, Rome, October 2012
  135. Images of Music Making and Cultural Exchange between the East and the West, Beijing, October 2012
  136. Interactive Keyboard Symposium, London, November 2012
  137. ENIM 2012: Second National Conference of Music Research, Castelo Branco, Portugal, November 2012
  138. Opera And Cinema: The Politics Of An Encounter, Lisbon, November 2012
  139. Challenging Musical Ontologies: An RMA Study Day, Nottingham, November 2012
  140. Getting Nowhere: an International Festival-Conference Celebrating the Centenary of John Cage, York, November 2012
  141. Soixante ans de musiques mixtes, Paris, November 2012
  142. En cadence, s’il vous plait!, Paris, November 2012
  143. Envoicing the Other, Glasgow, November 2012
  144. Massenet And The Mediterranean World, Lucca, Italy, November–December 2012
  145. Spanish musics and their [Western] Others: Negotiating identity and exoticism, Melbourne, December 2012
  146. Music and/as Process Sandpit, Huddersfield and Guildford, December 2012
  147. Bruno Walter Symposium, Vienna, December 2012
  148. Remembering Heinrich Bewerunge (1862-1923): Perspectives on 150 Years of Church Music, Maynooth, Ireland, December 2012