Information on past conferences in 2017:
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- BFE/RMA Research Students Conference 2017, Canterbury, 5–7 January 2017
- Bright Futures, Dark Pasts: Michael Finnissy at 70, London, 19–20 January 2017
- Geography, Music, Space, Durham, 25 January 2017
- György Ligeti Symposium Helsinki 2017, Helsinki, 10–11 February 2017
- York Conference on Church Music, York, 13–15 February 2017
- Vocality/Instrumentality 2017, Huddersfield, 14–15 January 2017
- TAGS 2017, Bangor, 18–19 February, 2017
- Music Pedagogy in Eighteenth-Century Naples: Theory, Sources and Reception, Milan and Bern, 25–7 January 2017
- ‘Composing with the Eyes’. The Swiss Composer Hermann Meier, Bern, 27–8 January 2017
- IV International Congress: Music and Audio-Visual Culture: MUCA, Murcia, Spain, 16–18 February 2017
- Orpheus Doctoral Conference 2017: Traditions–Transitions, Ghent, 22–3 February 2017
- CIMCIM annual Conference 2017 and Fourth International Romantic Brass Symposium, Basel and Bern, 22–5 February 2017
- Musical culture/s of the Habsburg Monarchy and its successors states between the 18th and 20th century: Cultural, social and historical approaches, Vienna, 23–4 February 2017
- New Beginnings – Beginning again: the Feldenkrais Method in Creative Practice, London, 11 March 2017
- North West Doctoral Music Symposium, Manchester, 14 March 2017
- Spectralisms: an international conference, Oxford, 15–16 March 2017
- After Idealism: Sound as Matter and Medium in the 19th Century, Cambridge, 17–18 March 2017
- Operatic Objects, London, 18 March 2017
- International Musicological Society (IMS), 20th Quinquennial Congress, Tokyo, 19–23 March 2017
- ‘Towards an Aesthetics of Dwelling’, International Society for Ethnology and Folklore 2017, Göttingen, 26–30 March 2017
- Embodied Monologues Symposium, Maynooth, Ireland, 31 March 2017
- 15th International Conference ‘Art Studies Readings’ 2017, Sofia, Bulgaria, 2–5 April 2017
- Musical Cultures, Hull, 3–5 April 2017
- 14th International Conference from the series “Musica Practica, Musica Theoretica” – The Music of the Past in the Postmodern World, Poznań, 4–5 April 2017
- The Italian Violin Tradition: 1650-1850, Faenza, Italy, 6–8 April 2017
- Aural Skills Pedagogy: What is to be done?, London, 7 April 2017
- Tbilisi International Musicological Conference (TIMC) – “Challenges and Perspectives of Musicology”, Tblisi, 7–9 April 2017
- Research Hands on FLUTE, Aveiro, Portugal, 10–13 April 2017
- Language, Music, and Computing, St Petersburg, 17–19 April 2017
- Collaborating Couples in Twentieth-Century Arts: Interdisciplinary Conference, Bristol, 18–19 April 2017
- V Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century,
Goiânia, Brazil, 18–20 April 2017 - Digital Folk, Sheffield, 20–23 April 2017
- Musica Scotica 2017: 800 years of Scottish Music, Stirling, 22 April 2017
- Be not afeard: language, music and cultural memory in the operas of Thomas Adès, London, 24–25 April 2017
- ‘Golden Silence’: Surrealism at 100 and the place of music in its history, Montreal, 26 April 2017
- Public Musicology Symposium, Dublin, 26 April 2017
- 6th Annual Meeting of the Historical Keyboard Society of North America (HKSNA). From the Old World to the New, Greenville, SC, USA, 26–9 April 2017
- Folk Music as a Fermenting Agent for Composition, Past and Present, Cluj-Napoca, Romania, 27 April 2017
- 1st Young Musicologists and Ethnomusicologists International Conference (YMEIC ROME 2017), Rome, 27–8 April 2017
- Entrepreneurship in music – Between Artistic Autonomy and Economic Reality, Oslo, 27–8 April 2017
- The 12th International Scientific Conference “Music Science Today: the permanent and the changeable”, Daugavpils, Latvia, 5–6 May 2017
- When Jazz meets Cinema, Lovere, Italy, 5–7 May 2017
- The Sixth International Research and Practical Conference for Undergraduate, Graduate and Postgraduate Students “Ethnomusicology: History, Theory and Practice”, St Petersburg, 15–18 May
- ‘I Am Not There’ International Conference on Bob Dylan, Lisbon, 18–19 May 2017
- THE OPERATIC: an interdisciplinary symposium looking at the concept of “the operatic” in contemporary culture, Brighton, 19 May 2017
- Authenticity versus Improvisation in the Philosophy of Music?, Bern, 19–20 May 2017
- Communicating Music Scenes: Networks, Power, Technology, Budapest, 19–20 May 2017
- Musical Improvisation in the Baroque Era, Lucca, Italy, 19–21 May 2017
- 2nd Annual Historical Performance Conference, Bloomington, Indiana, USA, 19–21 May 2017
- RMA Music and/as Process Study Group, fifth annual conference, Wolverhampton, 20 May 2017
- RMA Study Day: Music, Media and Technologies, Durham, 20 May 2017
- Sounds of Prehistory and Antiquity, New York, 24 May 2017
- Creating music across cultures in the 21st century, Istanbul, 25–7 May 2017
- The Soundscape of Early Modern Venice, Venice, 25–7 May 2017
- Music, Queer, Intersections, Liverpool, 26–7 May 2017
- Sources and Archives in Screen Sound Studies, Huddersfield, 1–2 June 2017
- Between the Lands. Alexander Ivashkin Remembered, London, 2–3 June 2017
- KOSMOS Dialogue “Music, Emotion, and Visual Imagery”, Berlin, 1–3 June 2017
- Galpin Society and American Musical Instrument Society Joint Conference, Edinburgh, 1-4 June 2017
- 4th International Meeting of Musical Theory and Analysis, location unspecified, 7–9 June 2017
- Representations of Early Music on Stage and Screen 3, Sheffield, 10 June 2017
- International Conference The Making of a Genius: Claudio Monteverdi from Cremona to Mantua, Cremona, 7–8 June 2017, and Mantua, 9–10 June 2017
- Music, Culture and Society in Central Europe, Wellington, New Zealand, 10 June 2017
- International Music Research Summer School 2017, Oslo, 13–16 June 2017
- 7th International Workshop on Folk Music Analysis, Malaga,14–16 June 2017
- Encounters, Discussions, Experimentations: Art, Research and Artistic Research in Music, Venice, 16–17 June 2017
- 15th Annual Conference of the Society for Musicology in Ireland, Belfast, 16–18 June 2017
- Church Music and Musicians in Britain 1660-1900: “Between the Chapel and the Tavern”, Canterbury, 20–23 June 2017
- Music and the Middlebrow, London, 22–4 June 2017
- Brian Boydell Centenary Conference, Dublin, 23–4 June 2017
- Music in Nineteenth Century Britain – 2017, Birmingham, 28–30 June 2017
- 9th European Music Analysis Conference – EuroMAC 9, Strasbourg, 28 June–1 July 2017
- Gaspar van Weerbeke: Works and Contexts, Salzburg, 29 June–1 July 2017
- Performing Indeterminacy, Leeds, 30 June–2 July 2017
- Theater spaces for music in 18th century Europe, Queluz, Portugal, 30 June– 2 July 2017
- Aestheticizing Cultural Policy in France, 1789-1815, Warwick, 1–2 July 2017
- French Musicians and the Conquest of North America: Musical Travels, Cultural Politics and Patronage, Manchester, 3–4 July 2017
- 2nd Transnational Opera Studies Conference, tosc@bern.2017, Bern, 5–7 July 2017
- Music and Socialism since 1917, Nottingham, 7–8 July 2017
- SIMM-POSIUM: 2nd Research Symposium on Social Impact of Making Music (SIMM) 2017, London, 8–9 July 2017
- Performing Restoration Shakespeare, London, 10–13 July 2017
- 2017 Biennial Conference of the Royal Musical Association Music and Philosophy Study Group, London, 13–14 July 2017
- Rethinking Collaborative Authorship through Music (themed session at the 2017 Royal Musical Association Music and Philosophy Study Group Conference), London, 13–14 July 2017
- International Conference on Music and Sounds, Warsaw, 15 July 2017
- Christian Congregational Music: Local and Global Perspectives, Cuddesdon, Oxfordshire, 18–21 July 2017
- Symposium on Music, Education and Social Inclusion, London, 20–21 July 2017
- Is there a musical avant-garde today?, London, 21 July 2017
- Shakespeare and Music, Gdansk, 27–31 July 2017
- 3rd International Conference of Dalcroze Studies (ICDS3), Quebec City, Canada, 30 July–3 August 2017
- ESCOM 2017, Ghent, Belgium, 31 July–5 August 2017
- Conference on Music and Eye-Tracking, Frankfurt, 17–18 August 2017
- New Perspectives on Elvis: A One-Day International Conference, Memphis, 21 August 2017
- Rescue of 19th Century Mexican heritage. The opera and its link with literature, architecture, and theatre, Mexico City, 22–5 August 2017
- Early Keyboard Instruments: Repertoire, Use and Design, Cambridge, 2 September 2017
- Finding Democracy in Music – A Symposium, Huddersfield, 4–5 September 2017
- The First International Conference on Women’s Work in Music, Bangor, 4–7 September 2017
- EMS17 Electroacoustic Music Studies Conference, Nagoya, Japan, 4–8 September 2017
- The 33rd European Seminar in Ethnomusicology (ESEM) – Ethnomusicology in the 21st Century, Tblisi, 5–9 September 2017
- Modus-Modi-Modality, Nicosia, Cyprus, 6–10 September 2017
- ISSTA 2017 International Festival and Conference on Sound in the Arts, Science and Technology, Dundalk, 7–8 September 2017
- Branding ‘Western Music’ – Conference, Bern, 7–9 September 2017
- Royal Musical Association Annual Conference 2017, Liverpool, 7–9 September 2017
- Arvo Pärt: Icon of Modernity, London, 11 September 2017
- Representing Interiority in Eighteenth-Century Opera, Oxford, 11–12 September 2017
- 2nd Conference on Computer Simulation of Musical Creativity, Milton Keynes, 11–13 September 2017
- OBERTO 2017: Opéra sans frontières: Musicians and migration in a globalised world, Oxford, 12 September 2017
- Exploring Xenakis: Performance, Practice, Philosophy, 12 September 2017
- Rethinking the Dynamics of Musical Nationalism, Amsterdam, 12–15 September 2017
- International Conference of Students of Systematic Musicology 2017 (SysMus17), London, 13–15 September 2017
- ICMSN/SurreyMAC 2017, Guildford, 11–14 September 2017
- TCPM 2017 – Tracking the Creative Process in Music, Huddersfield, 14–16 September 2017
- Lutheran Music Culture, Uppsala, 14–16 September, 2017
- American Women Pianist-Composers – A Celebration of Amy Beach and Teresa Carreño, Durham, NH, 15–16 September 2017
- The Future of Music History, Belgrade, 28–30 September 2017
- 14th International Music Theory and Analysis Conference, Rimini, Italy, 28 September–1 October 2017)
- The Composer as Chronicler: Telemann’s “Gebrauchsmusik” as a musical diary, Frankfurt, 5–7 October 2017
- ARTikulationen – Artistic Research Festival, Graz, Austria, 5–7 October 2017
- Music and Dance in Visual Culture, Athens, 5–7 October 2017
- Music Criticism 1950-2000, Barcelona, 9–11 October 2017
- Musical Instruments Resource Network (MIRN) conference ‘The Life Cycle of Musical Instruments’, London, 12 October 2017
- A Century of Movement: Russian Culture and Global Community since 1917, Chapel Hill, NC, USA, 12–13 October 2017
- Musica movet: affectus, ludus, corpus, Belgrade, 13–15 October 2017
- Gaiety, Glitz and Glamour: Reawakening the “Silver Age” of twentieth-century Operetta, London, 14 October 2017
- ICMC/EMW 2017, Shanghai, 16–20 October 2017
- Music for and by Children: Perspectives from Children, Composers, Performers and Educators, Aveiro, Portugal, 19–21 October 2017
- XXIV Annual Conference of the Italian Musicological Society, Lucca, 20–22 October 2017
- Writing About Contemporary Artists: Challenges, Practices and Complexities, Guildford, 20–22 October 2017
- The Great War 1914-1918 and Music. Compositional Strategies, Performing Practices, and Social Impacts, Zagreb, 25–7 October 2017
- Graduate Conference “Masculinities and Their Cliches in Musik and Theatre”, Graz, 27–8 October 2017
- Researching Performance, Performing Research – Collaborations and Confrontations, Amsterdam, 27–9 October 2017
- Sounding the North symposium, Aberdeen, 27–9 October
- Music and Space: An RMA Study Day, Manchester, 28 October 2017
- Eighteenth-Century Flute Chamber Music. International Study Day, Genoa, 28 October 2017
- The Protean Musician: the musician in future society, Norway, 1–3 November 2017
- Sounding Out the Space: An International Conference on the Spatiality of Sound, Dublin, 2–4 November 2017
- South Asia and Its Diaspora: Musical Performances in the Cultures of Decolonization, London, 4 November 2017
- New Beethoven Research Conference, Rochester, NY, USA, 8–9 November 2017
- Principles of Music Composing: ratio versus intuitio, Vilnius, Lithuania, 8–10 November 2017
- Dance and Ballet in Naples: a Dialogue with Europe (1806-1861), Naples, 9–11 November 2017
- Professor Reicha: Pactice and Legacy of a Composer-Teacher, Lucca, Italy, 10–12 November 2017
- Electroacoustic Winds 2017: SYNCHRESIS – Audio Vision Tales, Aveiro, Portugal, 13–17 November 2017
- Opera and the Greek World during Nineteenth Century, Corfu, 17-19 November 2017
- The 33rd Annual Conference on Music in 18th-Century Britain, London, 24 November 2017
- Music Publishing and Composers: 1750–1850, Lucca, Italy, 24–6 November 2017
- The Study of Musical Experiences: Perception and Diversity, Bergen, 28 November–1 December 2017
- Future Sound of Pop Music, Bern, 30 November 30–3 December 2017
- International Ernst von Dohnányi Day, Budapest, 7 December 2017
- A National Master in an International Context. Musicological Conference on the 50th Anniversary of Zoltán Kodály’s Death, Budapest, 8–10 December 2017
- REEM Annual Conference 2017, London, 15 December 2017
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