Past conferences 2019

Information on past conferences in 2019:

1. Gaiety, Glitz and Glamour, or Dispirited Historical Dregs? A Re-evaluation of Operetta, Leeds, 10–12 January 2019
2. BFE/RMA Research Students’ Conference, Sheffield, 10–12 January 2019
3. Documenting Jazz, Dublin, 17–19 January 2019
4. Oper im Wechselspiel der Medien: Transformationsprozesse der Oper durch Digitale Medien und das Filmische/Audi-Visuelle in Zeiten von Krisen und Reformen, Munich, 17 January 2019
5. Sound and Music in the Prism of Sound Studies, Paris, 24–6 January 2019
6. Mieczysław Weinberg Centenary International Conference, Manchester, 24–7 January 2019
7. “Vierhändig, immer einmal!” Piano Four Hands Music Symposium, Graz, 25–6 January 2019
8. Notation for Improvisors, London, 9 February 2019
9. Annual Meeting of the Society for Christian Scholarship in Music, Toronto, 14–16 February 2019
10. Sixth International Conference Music and Audio-visual Culture MUCA, Murcia, 14–16 February 2019
11. From Authorship and Spectatorship to Usership in Music, Ghent, 21-22 February 2019
12. Historical Fictions Research Network. Radical Fictions, Manchester, 22–3 February 2019
13. Music and Materialisms, Kingston, 23 February 2019
14. International Conference ‘Modality in Music’, Łódź, 6–8 March 2019
15. International Women and/in Musical Leadership Conference, London, 7-8 March 2019
16. Rimsky-Korsakov at 175: A Survey of his Legacy Year on Year, St Petersburg, 18-20 March 2019
17. Influence of the Arts in the Middle Ages: Reflexions on the Aquitanian Ms. Paris, BnF, latin 1139, Paris, 19–21 March 2019
18. Música Analítica 2019: Porto International Symposium on the Analysis and Theory of Music, Porto, Portugal, 21–3 March  2019
19. Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
20. CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
21. Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
22. Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
23. Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
24. “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
25. Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
26. International conference ‘Musical composition: from intention to opus’, Moscow, 9–11 April 2019
27. National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
28. The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
29. Rhythm Changes Conference, Graz, 11–14 April 2019
30. International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
31. Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
32. Nordic Music RMA Study Day, York, 29 April 2019
33. Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
34. CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
35. Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
36. Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
37. Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
38. “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
39. Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
40. International conference ‘Musical composition: from intention to opus’, Moscow, 9–11 April 2019
41. National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
42. The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
43. Rhythm Changes Conference, Graz, 11–14 April 2019
    International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
44. Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
45. Nordic Music RMA Study Day, York, 29 April 2019
46. Third Tbilisi International Musicological Conference (TIMC) – “Musicology with and without Borders”, Tblisi, Georgia, 2–3 May 2019
47. Sensing Colonial Ports and Global History: Agency, Affect, Temporality, Oxford, 2–3 May 2019
48. Musica Scotica Annual Conference, Stirling, 3–5 May 2019
49. The Importance of Tuning for better performance, Hammerwood, 6 May 2019
50. NoiseFloor 2019, Stoke-on-Trent, 7–8 May 2019
51. On the Record: Critical Approaches to the Musical Theatre Cast Album, Sheffield, 9–10 May 2019
52. Singing Speech and Speaking Melodies: Musical Theatre (1650-1918), Oviedo, Spain, 9–11 May 2019
53. The Work Level in RISM, Mainz, 9–11 May 2019
54. The Art Song Platform: Traditions and Current Practices, London, 10 May 2019
55. Historical Keyboard Society of North America Eighth Annual Meeting | Il Gusto Italiano: Italian Style and Transalpine Exchanges in Early Keyboard Music, Huntsville, Texas, USA, 13–15 May 2019
56. Interdisciplinary conference “Orgelpredigten in Europa (1600-1800). Musiktheoretische, theologische und historische Perspektiven”, Regensburg, 16–18 May 2019
57. Fourth Annual Conference, “Historical Performance: Theory, Practice, and Interdisciplinarity”, Bloomington, IN, USA, 17–19 May 2019
58. The Culture-Making Role of Musical Patronage. Contexts – Meanings – Perspectives, Wrocław, Poland, 22–4 May 2019
59. Royal Music Association Study Day, The Classical Musician in the 21st Century, Cambridge, 23 May 2019
60. Beethoven in the periodical press: reception, perceptions and discursive uses of his figure and his music (XIX-XXI centuries) (7th MUSPRES), La Rioja, Spain, 23–4 May 2019
61. International Conference ‘Explicitly Intertextual Music since 1890’, Gdańsk, 23–4 May 2019
62. Words, Music and Gender, Maribor, Slovenia, 24–5 May 2019
63. The Yugoslav Idea in/of Music, Novi Sad, Serbia, 25-6 May 2019
64. The 2nd International Conference on Performance and Creativity: Historical Keyboard Music 1700–1850, Hong Kong, 27–9 May 2019
65. Music and Artificial Intelligence: Pasts and Futures, Opportunities and Risks, Aarhus, Denmark, 28 May 2019
66. World of Bob Dylan, Tulsa, 30 May to 2 June 2019
67. Sonic Imprints, Oxford, 31 May 2019
68. Music and Sonic Art: Theories and Practices, Karlsruhe, 31 May–2 June 2019
69. Atlantic Crossings: Music from 1492 through the Long 18th Century, Boston, 7–8 June 2019
70. Agents and Actors: Networks in Music History, Helsinki, 3–5 June 2019
71. Harmonisation and the Law – an interdisciplinary approach to legislative drafting, London, 4 June 2019
72. The Unwritten in Sources of Notated Music: Reconstruction, Editing, Interpretation, and Extrapolations, Paris, 6–7 June 2019
73. Narrativity and Popular Music, London, 7 June 2019
74. Sounds of Mass Media: Music in Journalism and Propaganda, Växjö, Sweden, 7–10 June 2019
75. ‘Dancing Scarlatti’ FIMTE Summer Course for Keyboardists, Garrucha-Almería, Spain, 10-13 June 2019
76. Reboot 2019 Music Business Education Conference, London, 12 June 2019
77. Spectralisms 2019, Paris, 12–14 June 2019
78. Music and Visual Culture in Renaissance Italy, Sheffield, 13–15 June 2019
79. Futures of the Real, London, 14 June 2019
80. Domenico Scarlatti: Forwards and Backwards. 14th FIMTE Conference, Mojácar, Andalusia, 14–15 June 2019
81. Clara Schumann (née Wieck) and her World, Oxford, 15–16 June 2019
82. Music and Democracy: beyond Metaphors and Idealization, Huddersfield, 21 June 2019
83. Early Recordings: Past Performing Practices in Contemporary Research, London, 22 June 2019
84. Sonic Circulations 1900-1950, King’s College London, London, 24–5 June 2019
85. Opera and the City: Technologies of Displacement and Dissemination, Lisbon, 24–5 June 2019
86. The Operatic Century: European Opera in Latin America during the Long Nineteenth Century (1789-1914), Cambridge, 25 June 2019
87. Song, Stage and Screen XIV, Leeds, 26–9 June 2019
88. Making Musical Works in Early Modern Europe 1500-1700: Composition, Improvisation, Notation and Performance, London, 27 June 2019
89. Music and the Arts in England, c. 1670–1750, Hamburg, 27–9 June 2019
90. Eighteen Century Theatre Capitals: from Lisbon to St. Petersburg, Queluz, Portugal, 27–9 June 2019
91. Musicology Today: 17th Annual Conference of the Society for Musicology in Ireland, Maynooth, 28–30 June 2019
92. Hidden Archives, Hidden Practices: Debates about music-making, Aveiro, Portugal, 28–30 June 2019
93. AEMC Conference on Music, Communication and Performance 2nd Edition, Montecassiano, Italy, 29–30 June 2019
94. RMA/KVNM Postgraduate International Research Symposium in Musicology, Amsterdam, 29 June 2019
95. Moving Horns: Worldwide Migrations in Horn Playing, Ghent, 2–6 July 2019
96. Audience Research in the Arts Conference, Sheffield, 3–5 July 2019
97. International Conference “Rethinking The Three-Cornered Hat A Hundred Years Later”, Granada, Spain, 3–5 July 2019
98. 47th MedRen Music Conference, Basel, 3–6 July 2019
99. Punk Pedagogies, Lincoln, 4–5 July 2019
100. Un/masking. On a mimetic form, Munich, 4–6 July 2019
101. The “Other” Voice: High Male Voices between Gluck and Rock, Nuremberg, 5–7 July 2019
102. Music as Heritage: from Tradition to Product, Budapest, 1–10 July 2019
103. IMS2019 Lucerne: Agency and Identity in Music, Lucerne, 7–10 July 2019
104. Bach Network Dialogue Meeting 2019, Cambridge, 8–11 July
105. Sex, Gender, and the Erotic in Russian Music, Vipiteno, Italy, 9-12 July 2019
106. RMA Music and Philosophy 7th Biennial Conference 2019, London, 11–12 July 2019
107. Is there a medieval ‘music and philosophy’? (themed session at RMA Music and Philosophy 7th Biennial Conference 2019), London, 11–12 July 2019
108. Jewish Music in South Germany—History, Exile, Continuance, Munich, 12‒13 July 2019
109. International Symposium on Performance Science (ISPS), Melbourne, 16–20 July 2019
110. The Mediterranean: Migrant Sounds, Valencia, 23–5 July 2019
111. Music and/as Process, London, 26 July 2019
112. ‘SotonMAC 2019’ and the Music Analysis Summer School 2019, Southampton, 27–31 July 2019
113. Music Analysis Summer School, Southampton, 29–31 July 2019
114. The Guitar Century (c. 1880-1980): Global Trends and Local Contexts, Melbourne, 2–4 August 2019
115. International Conducting Studies Conference 2019, Sydney, 2–4 August 2019
116. Just P(l)ay! Music as Labour, Reichenau an der Rax, Austria, 7–9 August 2019
117. Music and Disruptive Pasts: Between the Popular and the Arcane, Milton Keynes, 21–2 August 2019
118. Soldiers’ Tales: Collecting and Sharing Military and Musical Heritage, Oxford, 22 August 2019
119. Musical Instrument Collectors and Collections, Oxford, 23–5 August 2019
120. RASMB-IMS 2019 Conference: MUSICAL AND CULTURAL OSMOSES IN THE BALKANS, Bucharest, 2–6 September 2019
121. Second International Conference on Women’s Work in Music, Bangor, 4–6 September 2019
122. Theatre and Performance Research Association Conference. Sound, Voice & Music WG: Listening Across, Guildford, 4–6 September 2019
123. New Takes on Recorded Music: Performance, Creativity, Technology, Guildford, 5–6 September 2019
124. Music in the body – body in music: The body at the intersection of musical practice and discourse, Göttingen, 5–6 September 2019
125. Music and Sound Design for the Screen, Maynooth, 6–7 September 2019
126. Eleventh Biennial International Conference on Music Since 1900, Huddersfield, 8–10 September 2019
127. Researching Subcultures and Aesthetics Postgraduate Symposium: Alternative Voices in Academia, Galway, 10 September 2019
128. OBERTO 2019: The Canon Reloaded? Operatic Repertoire in the Twenty-First Century, Oxford, 10 September 2019
129. Royal Musical Association Annual Conference 2019, Manchester, 11–13 September 2019
130. Music in Transmission: Teaching and Learning Traditional Music Today, Prague, 12 September 2019
131. 10th Vienna Music Business Research Days, Vienna, 12–13 September 2019
132. SPARC Symposium 2019: Land Music: Sound Practices in the Age of Ecological Crisis, London, 12–14 September 2019
133. Bach at the Dawn Of 2020 – Reception And Imaginaries In The Digital Era, Dresden, 20–27 September 2019
134. 8th International Scientific Meeting for the Study of Sound and Musical Instruments – Organological Congress, Belmonte, Portugal, 20–22 September 2019
135. Correct, but not Beautiful Performance II: Deciphering the Hidden Messages in 19th century Notation, Vienna, 23–25 September 2019
136. Conference on Interdisciplinary Musicology – CIM 19. “Embodiment in Music”, Graz, Austria – 26–8 September 2019
137. Stanisław Moniuszko in Polish and World Culture: New Perspectives and Interpretations. International Moniuszko Congress, Gdańsk, 27–8 September 2019
138. Transnationalism and Transculturalism in Canadian Music, 1969-2019, Ottawa, 29 September 2019
139. Media of Hate: Representations of Religious Persecution and Repression in Early Modern Europe, Cambridge, 3–4 October 2019
140. MUSIC AND SPATIALITY – 13th Biennial International Conference on Music Theory and Analysis, Belgrade, 4–6 October 2019
141. International Artistic Jazz Research Symposium, Vienna, 6 October 2019
142. TCPM 2019 – Tracking the Creative Process in Music, Lisbon, 9–11 October 2019
143. Russian Music in Britain – British Music in Russia, Moscow, 10–11 October 2019
144. Our music, our world: wind bands and local social life, Aveiro, Portugal, 10–12 October 2019
145. TTU Arts Practice Research: Scholarship, Pedagogy, and the Creative Process, Lubbock, Texas, 11–13 October 2019
146. REEM-BASEES 2019 Annual Conference – In memoriam Stuart Campbell, Durham, 12 October 2019
147. Music Research in Slovenia in the Past and Present, Ljubljana, Slovenia, 14–15 October 2019