Information on past conferences in 2019:
- Gaiety, Glitz and Glamour, or Dispirited Historical Dregs? A Re-evaluation of Operetta, Leeds, 10–12 January 2019
- BFE/RMA Research Students’ Conference, Sheffield, 10–12 January 2019
- Documenting Jazz, Dublin, 17–19 January 2019
- Oper im Wechselspiel der Medien: Transformationsprozesse der Oper durch Digitale Medien und das Filmische/Audi-Visuelle in Zeiten von Krisen und Reformen, Munich, 17 January 2019
- Sound and Music in the Prism of Sound Studies, Paris, 24–6 January 2019
- Mieczysław Weinberg Centenary International Conference, Manchester, 24–7 January 2019
- “Vierhändig, immer einmal!” Piano Four Hands Music Symposium, Graz, 25–6 January 2019
- Notation for Improvisors, London, 9 February 2019
- Annual Meeting of the Society for Christian Scholarship in Music, Toronto, 14–16 February 2019
- Sixth International Conference Music and Audio-visual Culture MUCA, Murcia, 14–16 February 2019
- From Authorship and Spectatorship to Usership in Music, Ghent, 21-22 February 2019
- Historical Fictions Research Network. Radical Fictions, Manchester, 22–3 February 2019
- Music and Materialisms, Kingston, 23 February 2019
- International Conference ‘Modality in Music’, Łódź, 6–8 March 2019
- International Women and/in Musical Leadership Conference, London, 7-8 March 2019
- Rimsky-Korsakov at 175: A Survey of his Legacy Year on Year, St Petersburg, 18-20 March 2019
- Influence of the Arts in the Middle Ages: Reflexions on the Aquitanian Ms. Paris, BnF, latin 1139, Paris, 19–21 March 2019
- Música Analítica 2019: Porto International Symposium on the Analysis and Theory of Music, Porto, Portugal, 21–3 March 2019
- Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
- CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
- Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
- Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
- Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
- “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
- Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
- International conference ‘Musical composition: from intention to opus’, Moscow, 9–11 April 2019
- National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
- The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
- Rhythm Changes Conference, Graz, 11–14 April 2019
- International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
- Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
- Nordic Music RMA Study Day, York, 29 April 2019
- Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
- CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
- Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
- Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
- Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
- “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
- Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
- International conference ‘Musical composition: from intention to opus’, Moscow, 9–11 April 2019
- National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
- The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
- Rhythm Changes Conference, Graz, 11–14 April 2019
International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019 - Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
- Nordic Music RMA Study Day, York, 29 April 2019
- Third Tbilisi International Musicological Conference (TIMC) – “Musicology with and without Borders”, Tblisi, Georgia, 2–3 May 2019
- Sensing Colonial Ports and Global History: Agency, Affect, Temporality, Oxford, 2–3 May 2019
- Musica Scotica Annual Conference, Stirling, 3–5 May 2019
- The Importance of Tuning for better performance, Hammerwood, 6 May 2019
- NoiseFloor 2019, Stoke-on-Trent, 7–8 May 2019
- On the Record: Critical Approaches to the Musical Theatre Cast Album, Sheffield, 9–10 May 2019
- Singing Speech and Speaking Melodies: Musical Theatre (1650-1918), Oviedo, Spain, 9–11 May 2019
- The Work Level in RISM, Mainz, 9–11 May 2019
- The Art Song Platform: Traditions and Current Practices, London, 10 May 2019
- Historical Keyboard Society of North America Eighth Annual Meeting | Il Gusto Italiano: Italian Style and Transalpine Exchanges in Early Keyboard Music, Huntsville, Texas, USA, 13–15 May 2019
- Interdisciplinary conference “Orgelpredigten in Europa (1600-1800). Musiktheoretische, theologische und historische Perspektiven”, Regensburg, 16–18 May 2019
- Fourth Annual Conference, “Historical Performance: Theory, Practice, and Interdisciplinarity”, Bloomington, IN, USA, 17–19 May 2019
- The Culture-Making Role of Musical Patronage. Contexts – Meanings – Perspectives, Wrocław, Poland, 22–4 May 2019
- Royal Music Association Study Day, The Classical Musician in the 21st Century, Cambridge, 23 May 2019
- Beethoven in the periodical press: reception, perceptions and discursive uses of his figure and his music (XIX-XXI centuries) (7th MUSPRES), La Rioja, Spain, 23–4 May 2019
- International Conference ‘Explicitly Intertextual Music since 1890’, Gdańsk, 23–4 May 2019
- Words, Music and Gender, Maribor, Slovenia, 24–5 May 2019
- The Yugoslav Idea in/of Music, Novi Sad, Serbia, 25-6 May 2019
- The 2nd International Conference on Performance and Creativity: Historical Keyboard Music 1700–1850, Hong Kong, 27–9 May 2019
- Music and Artificial Intelligence: Pasts and Futures, Opportunities and Risks, Aarhus, Denmark, 28 May 2019
- World of Bob Dylan, Tulsa, 30 May to 2 June 2019
- Sonic Imprints, Oxford, 31 May 2019
- Music and Sonic Art: Theories and Practices, Karlsruhe, 31 May–2 June 2019
- Atlantic Crossings: Music from 1492 through the Long 18th Century, Boston, 7–8 June 2019
- Agents and Actors: Networks in Music History, Helsinki, 3–5 June 2019
- Harmonisation and the Law – an interdisciplinary approach to legislative drafting, London, 4 June 2019
- The Unwritten in Sources of Notated Music: Reconstruction, Editing, Interpretation, and Extrapolations, Paris, 6–7 June 2019
- Narrativity and Popular Music, London, 7 June 2019
- Sounds of Mass Media: Music in Journalism and Propaganda, Växjö, Sweden, 7–10 June 2019
- ‘Dancing Scarlatti’ FIMTE Summer Course for Keyboardists, Garrucha-Almería, Spain, 10-13 June 2019
- Reboot 2019 Music Business Education Conference, London, 12 June 2019
- Spectralisms 2019, Paris, 12–14 June 2019
- Music and Visual Culture in Renaissance Italy, Sheffield, 13–15 June 2019
- Futures of the Real, London, 14 June 2019
- Domenico Scarlatti: Forwards and Backwards. 14th FIMTE Conference, Mojácar, Andalusia, 14–15 June 2019
- Clara Schumann (née Wieck) and her World, Oxford, 15–16 June 2019
- Music and Democracy: beyond Metaphors and Idealization, Huddersfield, 21 June 2019
- Early Recordings: Past Performing Practices in Contemporary Research, London, 22 June 2019
- Sonic Circulations 1900-1950, King’s College London, London, 24–5 June 2019
- Opera and the City: Technologies of Displacement and Dissemination, Lisbon, 24–5 June 2019
- The Operatic Century: European Opera in Latin America during the Long Nineteenth Century (1789-1914), Cambridge, 25 June 2019
- Song, Stage and Screen XIV, Leeds, 26–9 June 2019
- Making Musical Works in Early Modern Europe 1500-1700: Composition, Improvisation, Notation and Performance, London, 27 June 2019
- Music and the Arts in England, c. 1670–1750, Hamburg, 27–9 June 2019
- Eighteen Century Theatre Capitals: from Lisbon to St. Petersburg, Queluz, Portugal, 27–9 June 2019
- Musicology Today: 17th Annual Conference of the Society for Musicology in Ireland, Maynooth, 28–30 June 2019
- Hidden Archives, Hidden Practices: Debates about music-making, Aveiro, Portugal, 28–30 June 2019
- AEMC Conference on Music, Communication and Performance 2nd Edition, Montecassiano, Italy, 29–30 June 2019
- RMA/KVNM Postgraduate International Research Symposium in Musicology, Amsterdam, 29 June 2019
- Moving Horns: Worldwide Migrations in Horn Playing, Ghent, 2–6 July 2019
- Audience Research in the Arts Conference, Sheffield, 3–5 July 2019
- International Conference “Rethinking The Three-Cornered Hat A Hundred Years Later”, Granada, Spain, 3–5 July 2019
- 47th MedRen Music Conference, Basel, 3–6 July 2019
- Punk Pedagogies, Lincoln, 4–5 July 2019
- Un/masking. On a mimetic form, Munich, 4–6 July 2019
- The “Other” Voice: High Male Voices between Gluck and Rock, Nuremberg, 5–7 July 2019
- Music as Heritage: from Tradition to Product, Budapest, 1–10 July 2019
- IMS2019 Lucerne: Agency and Identity in Music, Lucerne, 7–10 July 2019
- Bach Network Dialogue Meeting 2019, Cambridge, 8–11 July
- Sex, Gender, and the Erotic in Russian Music, Vipiteno, Italy, 9-12 July 2019
- RMA Music and Philosophy 7th Biennial Conference 2019, London, 11–12 July 2019
- Is there a medieval ‘music and philosophy’? (themed session at RMA Music and Philosophy 7th Biennial Conference 2019), London, 11–12 July 2019
- Jewish Music in South Germany—History, Exile, Continuance, Munich, 12‒13 July 2019
- International Symposium on Performance Science (ISPS), Melbourne, 16–20 July 2019
- The Mediterranean: Migrant Sounds, Valencia, 23–5 July 2019
- Music and/as Process, London, 26 July 2019
- ‘SotonMAC 2019’ and the Music Analysis Summer School 2019, Southampton, 27–31 July 2019
- Music Analysis Summer School, Southampton, 29–31 July 2019
- The Guitar Century (c. 1880-1980): Global Trends and Local Contexts, Melbourne, 2–4 August 2019
- International Conducting Studies Conference 2019, Sydney, 2–4 August 2019
- Just P(l)ay! Music as Labour, Reichenau an der Rax, Austria, 7–9 August 2019
- Music and Disruptive Pasts: Between the Popular and the Arcane, Milton Keynes, 21–2 August 2019
- Soldiers’ Tales: Collecting and Sharing Military and Musical Heritage, Oxford, 22 August 2019
- Musical Instrument Collectors and Collections, Oxford, 23–5 August 2019
- RASMB-IMS 2019 Conference: MUSICAL AND CULTURAL OSMOSES IN THE BALKANS, Bucharest, 2–6 September 2019
- Second International Conference on Women’s Work in Music, Bangor, 4–6 September 2019
- Theatre and Performance Research Association Conference. Sound, Voice & Music WG: Listening Across, Guildford, 4–6 September 2019
- New Takes on Recorded Music: Performance, Creativity, Technology, Guildford, 5–6 September 2019
- Music in the body – body in music: The body at the intersection of musical practice and discourse, Göttingen, 5–6 September 2019
- Music and Sound Design for the Screen, Maynooth, 6–7 September 2019
- Eleventh Biennial International Conference on Music Since 1900, Huddersfield, 8–10 September 2019
- Researching Subcultures and Aesthetics Postgraduate Symposium: Alternative Voices in Academia, Galway, 10 September 2019
- OBERTO 2019: The Canon Reloaded? Operatic Repertoire in the Twenty-First Century, Oxford, 10 September 2019
- Royal Musical Association Annual Conference 2019, Manchester, 11–13 September 2019
- Music in Transmission: Teaching and Learning Traditional Music Today, Prague, 12 September 2019
- 10th Vienna Music Business Research Days, Vienna, 12–13 September 2019
- SPARC Symposium 2019: Land Music: Sound Practices in the Age of Ecological Crisis, London, 12–14 September 2019
- Bach at the Dawn Of 2020 – Reception And Imaginaries In The Digital Era, Dresden, 20–27 September 2019
- 8th International Scientific Meeting for the Study of Sound and Musical Instruments – Organological Congress, Belmonte, Portugal, 20–22 September 2019
- Correct, but not Beautiful Performance II: Deciphering the Hidden Messages in 19th century Notation, Vienna, 23–25 September 2019
- Conference on Interdisciplinary Musicology – CIM 19. “Embodiment in Music”, Graz, Austria – 26–8 September 2019
- Stanisław Moniuszko in Polish and World Culture: New Perspectives and Interpretations. International Moniuszko Congress, Gdańsk, 27–8 September 2019
- Transnationalism and Transculturalism in Canadian Music, 1969-2019, Ottawa, 29 September 2019
- Media of Hate: Representations of Religious Persecution and Repression in Early Modern Europe, Cambridge, 3–4 October 2019
- MUSIC AND SPATIALITY – 13th Biennial International Conference on Music Theory and Analysis, Belgrade, 4–6 October 2019
- International Artistic Jazz Research Symposium, Vienna, 6 October 2019
- TCPM 2019 – Tracking the Creative Process in Music, Lisbon, 9–11 October 2019
- Russian Music in Britain – British Music in Russia, Moscow, 10–11 October 2019
- Our music, our world: wind bands and local social life, Aveiro, Portugal, 10–12 October 2019
- TTU Arts Practice Research: Scholarship, Pedagogy, and the Creative Process, Lubbock, Texas, 11–13 October 2019
- REEM-BASEES 2019 Annual Conference – In memoriam Stuart Campbell, Durham, 12 October 2019
- Music Research in Slovenia in the Past and Present, Ljubljana, Slovenia, 14–15 October 2019
- Music, Arts and Politics: Revolutions and Restorations in Europe and Croatia 1815-1860, Zagreb 16–19 October 2019
- Baroque Festivals between the Sacred and the Profane: Europe and the Atlantic, Loures, Portugal, 17–19 October 2019
- Performing Arts and Technical Issues in the 19th Century, Lucca, 18–20 October 2019
- Società Italiana Di Musicologia. 26th Annual Conference, Matera, Italy, 18–20 October 2019
- IMSEA Conference 2019, Suzhou, China, 18–20 October 2019
- In, from, and towards the Americas – Musical Migrations: Transnational Communities, Oral History and Cultural Memory. II MUSAM International Conference, Madrid, 24–5 October 2019
- PSYCHOLOGY AND MUSIC ̶ Interdisciplinary Encounters, Belgrade, 24 – 26 October 2019
- Grieg Now! IGS International Conference and Workshop 2019, Bergen, 24–7 October 2019
- FTSG Study Day on Phrase: Rhythm, Function and Closure, Leeds, 26 October, 2019
- Hands-On Research Symposium: from artistic practice to artistic research, Aveiro, Portugal, 28 October–3 November 2019
- Music and Lifetime Memories: An Interdisciplinary Conference, Durham, 1–2 November 2019
- IV ARLAC Conference, Buenos Aires, 5–9 November 2019
- Rethinking Austrian and German Music Studies, Guildford, UK, 6 November 2019
- SEMPRE Autumn Conference, Bath, 7–8 November, 2019
- Ka-Ching! The Sound of Money Economic, social and aesthetic aspects of money in music, Kiel, Germany, 7–10 November 2019
- Iconography as a Source for Music History – RMA Study Day, London, 8–9 November 2019
- Opera in Musical Theater: History and Present Time, Moscow, 11–13 November 2019
- Belonging and Detachment: Representing Musical Identity in Visual Culture, Hobart, Tasmania, 13–15 November 2019
- ENIM 2019 – 9th Conference on Musical Research, Lisbon, 14–16 November 2019
- International Workshop: ‘Women as Patrons: Gender, Patronage and Cutural Transfer at the turn of the 20th century’, Bern, 15–16 November 2019
- “Performing Clara Schumann”, Ithaca, New York, 16–17 November 2019
- Music Patronage in Italy from the 15th- to the 18th- Century, Lucca, Italy, 16–18 November 2019
- “From Field to Fiddle” – Historical Gut Strings in Production and Performance, Bern, 19–20 November 2019
- Principles of Music Composing: Orchestra in Contemporary Contexts, Vilnius, Lithuania, 20–22 November 2019
- Post-ip’19 – 5th International Post-Graduate Forum for Studies in Music and Dance, Aveiro, Portugal, 21-23 November 2019
- The Modern Musick-Master: Historischer und historisch informierter Musikunterricht, Basel, 21-23 November 2019
- The Past and Present in a Musical Work, Bydgoszcz, Poland, 26–28 November 2019
- Who is the ‘I’ that Performs?: Enacting Musical Identities, Ghent, 28–29 November 2019
- Music in Eighteenth-Century Britain, London, 29 November 2019
- French Music Analysis Conference 2019 (Journées d’Analyse Musicale 2019 – JAM19), Paris, 29–30 November 2019
- Skalkottas Today, Athens, 29 November–1 December 2019
- Popular songs in the 19th Century, Lucca, Italy, 30 November–2 December 2019
- Music in the Context of Culture, Tbilisi, Georgia, 2-4 December 2019.
- Technology in Musical Performance Symposium (TiMP), Birmingham, UK, 3 December 2019.
- Ignacio Jerusalem 250: Galant Musics in Italy, the Iberian Peninsula, and the New World, Baeza, Spain, 3–5 December 2019
- Heitor Villa-Lobos and Europe, On the 60th Anniversary of His Death, Lisbon, 6-7 December 2019
- Music and Politics in the 1930s, Melbourne, 7–8 December 2019
- “Conflict-/-Collaboration” 42nd Musicological Society of Australia Conference, Melbourne, 7–9 December 2019
- Music of Great Britain and Russia: Parallels and Intersections, Moscow, 9–11 December 2019
- Sound (of) Space Symposium, London, 11 December 2019
- IV International Contemporary Piano Meeting, Porto, Portugal, 12–14 December 2019
- Yuri Falik: Metamorphoses of Life And Work, St. Petersburg, Russia, 13–15 December 2019.
- Music in the Disruptive Era: The Digital, the Internet and Beyond, Lucca, Italy, 14–16 December 2019
- Les champs musicaux et sonores de la barbarie moderne, Poitiers, 18-20 December 2019