Past conferences 2019

Information on past conferences in 2019:

  1. Gaiety, Glitz and Glamour, or Dispirited Historical Dregs? A Re-evaluation of Operetta, Leeds, 10–12 January 2019
  2. BFE/RMA Research Students’ Conference, Sheffield, 10–12 January 2019
  3. Documenting Jazz, Dublin, 17–19 January 2019
  4. Oper im Wechselspiel der Medien: Transformationsprozesse der Oper durch Digitale Medien und das Filmische/Audi-Visuelle in Zeiten von Krisen und Reformen, Munich, 17 January 2019
  5. Sound and Music in the Prism of Sound Studies, Paris, 24–6 January 2019
  6. Mieczysław Weinberg Centenary International Conference, Manchester, 24–7 January 2019
  7. “Vierhändig, immer einmal!” Piano Four Hands Music Symposium, Graz, 25–6 January 2019
  8. Notation for Improvisors, London, 9 February 2019
  9. Annual Meeting of the Society for Christian Scholarship in Music, Toronto, 14–16 February 2019
  10. Sixth International Conference Music and Audio-visual Culture MUCA, Murcia, 14–16 February 2019
  11. From Authorship and Spectatorship to Usership in Music, Ghent, 21-22 February 2019
  12. Historical Fictions Research Network. Radical Fictions, Manchester, 22–3 February 2019
  13. Music and Materialisms, Kingston, 23 February 2019
  14. International Conference ‘Modality in Music’, Łódź, 6–8 March 2019
  15. International Women and/in Musical Leadership Conference, London, 7-8 March 2019
  16. Rimsky-Korsakov at 175: A Survey of his Legacy Year on Year, St Petersburg, 18-20 March 2019
  17. Influence of the Arts in the Middle Ages: Reflexions on the Aquitanian Ms. Paris, BnF, latin 1139, Paris, 19–21 March 2019
  18. Música Analítica 2019: Porto International Symposium on the Analysis and Theory of Music, Porto, Portugal, 21–3 March  2019
  19. Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
  20. CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
  21. Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
  22. Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
  23. Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
  24. “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
  25. Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
  26. International conference ‘Musical composition: from intention to opus’, Moscow, 9–11 April 2019
  27. National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
  28. The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
  29. Rhythm Changes Conference, Graz, 11–14 April 2019
  30. International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
  31. Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
  32. Nordic Music RMA Study Day, York, 29 April 2019
  33. Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
  34. CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
  35. Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
  36. Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
  37. Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
  38. “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
  39. Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
  40. International conference ‘Musical composition: from intention to opus’, Moscow, 9–11 April 2019
  41. National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
  42. The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
  43. Rhythm Changes Conference, Graz, 11–14 April 2019
    International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
  44. Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
  45. Nordic Music RMA Study Day, York, 29 April 2019
  46. Third Tbilisi International Musicological Conference (TIMC) – “Musicology with and without Borders”, Tblisi, Georgia, 2–3 May 2019
  47. Sensing Colonial Ports and Global History: Agency, Affect, Temporality, Oxford, 2–3 May 2019
  48. Musica Scotica Annual Conference, Stirling, 3–5 May 2019
  49. The Importance of Tuning for better performance, Hammerwood, 6 May 2019
  50. NoiseFloor 2019, Stoke-on-Trent, 7–8 May 2019
  51. On the Record: Critical Approaches to the Musical Theatre Cast Album, Sheffield, 9–10 May 2019
  52. Singing Speech and Speaking Melodies: Musical Theatre (1650-1918), Oviedo, Spain, 9–11 May 2019
  53. The Work Level in RISM, Mainz, 9–11 May 2019
  54. The Art Song Platform: Traditions and Current Practices, London, 10 May 2019
  55. Historical Keyboard Society of North America Eighth Annual Meeting | Il Gusto Italiano: Italian Style and Transalpine Exchanges in Early Keyboard Music, Huntsville, Texas, USA, 13–15 May 2019
  56. Interdisciplinary conference “Orgelpredigten in Europa (1600-1800). Musiktheoretische, theologische und historische Perspektiven”, Regensburg, 16–18 May 2019
  57. Fourth Annual Conference, “Historical Performance: Theory, Practice, and Interdisciplinarity”, Bloomington, IN, USA, 17–19 May 2019
  58. The Culture-Making Role of Musical Patronage. Contexts – Meanings – Perspectives, Wrocław, Poland, 22–4 May 2019
  59. Royal Music Association Study Day, The Classical Musician in the 21st Century, Cambridge, 23 May 2019
  60. Beethoven in the periodical press: reception, perceptions and discursive uses of his figure and his music (XIX-XXI centuries) (7th MUSPRES), La Rioja, Spain, 23–4 May 2019
  61. International Conference ‘Explicitly Intertextual Music since 1890’, Gdańsk, 23–4 May 2019
  62. Words, Music and Gender, Maribor, Slovenia, 24–5 May 2019
  63. The Yugoslav Idea in/of Music, Novi Sad, Serbia, 25-6 May 2019
  64. The 2nd International Conference on Performance and Creativity: Historical Keyboard Music 1700–1850, Hong Kong, 27–9 May 2019
  65. Music and Artificial Intelligence: Pasts and Futures, Opportunities and Risks, Aarhus, Denmark, 28 May 2019
  66. World of Bob Dylan, Tulsa, 30 May to 2 June 2019
  67. Sonic Imprints, Oxford, 31 May 2019
  68. Music and Sonic Art: Theories and Practices, Karlsruhe, 31 May–2 June 2019
  69. Atlantic Crossings: Music from 1492 through the Long 18th Century, Boston, 7–8 June 2019
  70. Agents and Actors: Networks in Music History, Helsinki, 3–5 June 2019
  71. Harmonisation and the Law – an interdisciplinary approach to legislative drafting, London, 4 June 2019
  72. The Unwritten in Sources of Notated Music: Reconstruction, Editing, Interpretation, and Extrapolations, Paris, 6–7 June 2019
  73. Narrativity and Popular Music, London, 7 June 2019
  74. Sounds of Mass Media: Music in Journalism and Propaganda, Växjö, Sweden, 7–10 June 2019
  75. ‘Dancing Scarlatti’ FIMTE Summer Course for Keyboardists, Garrucha-Almería, Spain, 10-13 June 2019
  76. Reboot 2019 Music Business Education Conference, London, 12 June 2019
  77. Spectralisms 2019, Paris, 12–14 June 2019
  78. Music and Visual Culture in Renaissance Italy, Sheffield, 13–15 June 2019
  79. Futures of the Real, London, 14 June 2019
  80. Domenico Scarlatti: Forwards and Backwards. 14th FIMTE Conference, Mojácar, Andalusia, 14–15 June 2019
  81. Clara Schumann (née Wieck) and her World, Oxford, 15–16 June 2019