Past conferences 2019

Information on past conferences in 2019:

  1. Gaiety, Glitz and Glamour, or Dispirited Historical Dregs? A Re-evaluation of Operetta, Leeds, 10–12 January 2019
  2. BFE/RMA Research Students’ Conference, Sheffield, 10–12 January 2019
  3. Documenting Jazz, Dublin, 17–19 January 2019
  4. Oper im Wechselspiel der Medien: Transformationsprozesse der Oper durch Digitale Medien und das Filmische/Audi-Visuelle in Zeiten von Krisen und Reformen, Munich, 17 January 2019
  5. Sound and Music in the Prism of Sound Studies, Paris, 24–6 January 2019
  6. Mieczysław Weinberg Centenary International Conference, Manchester, 24–7 January 2019
  7. “Vierhändig, immer einmal!” Piano Four Hands Music Symposium, Graz, 25–6 January 2019
  8. Notation for Improvisors, London, 9 February 2019
  9. Annual Meeting of the Society for Christian Scholarship in Music, Toronto, 14–16 February 2019
  10. Sixth International Conference Music and Audio-visual Culture MUCA, Murcia, 14–16 February 2019
  11. From Authorship and Spectatorship to Usership in Music, Ghent, 21-22 February 2019
  12. Historical Fictions Research Network. Radical Fictions, Manchester, 22–3 February 2019
  13. Music and Materialisms, Kingston, 23 February 2019
  14. International Conference ‘Modality in Music’, Łódź, 6–8 March 2019
  15. International Women and/in Musical Leadership Conference, London, 7-8 March 2019
  16. Rimsky-Korsakov at 175: A Survey of his Legacy Year on Year, St Petersburg, 18-20 March 2019
  17. Influence of the Arts in the Middle Ages: Reflexions on the Aquitanian Ms. Paris, BnF, latin 1139, Paris, 19–21 March 2019
  18. Música Analítica 2019: Porto International Symposium on the Analysis and Theory of Music, Porto, Portugal, 21–3 March  2019
  19. Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
  20. CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
  21. Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
  22. Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
  23. Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
  24. “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
  25. Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
  26. International conference ‘Musical composition: from intention to opus’, Moscow, 9–11 April 2019
  27. National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
  28. The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
  29. Rhythm Changes Conference, Graz, 11–14 April 2019
  30. International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
  31. Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
  32. Nordic Music RMA Study Day, York, 29 April 2019
  33. Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
  34. CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
  35. Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
  36. Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
  37. Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
  38. “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
  39. Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
  40. International conference ‘Musical composition: from intention to opus’, Moscow, 9–11 April 2019
  41. National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
  42. The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
  43. Rhythm Changes Conference, Graz, 11–14 April 2019
    International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
  44. Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
  45. Nordic Music RMA Study Day, York, 29 April 2019
  46. Third Tbilisi International Musicological Conference (TIMC) – “Musicology with and without Borders”, Tblisi, Georgia, 2–3 May 2019
  47. Sensing Colonial Ports and Global History: Agency, Affect, Temporality, Oxford, 2–3 May 2019
  48. Musica Scotica Annual Conference, Stirling, 3–5 May 2019
  49. The Importance of Tuning for better performance, Hammerwood, 6 May 2019
  50. NoiseFloor 2019, Stoke-on-Trent, 7–8 May 2019
  51. On the Record: Critical Approaches to the Musical Theatre Cast Album, Sheffield, 9–10 May 2019
  52. Singing Speech and Speaking Melodies: Musical Theatre (1650-1918), Oviedo, Spain, 9–11 May 2019
  53. The Work Level in RISM, Mainz, 9–11 May 2019
  54. The Art Song Platform: Traditions and Current Practices, London, 10 May 2019
  55. Historical Keyboard Society of North America Eighth Annual Meeting | Il Gusto Italiano: Italian Style and Transalpine Exchanges in Early Keyboard Music, Huntsville, Texas, USA, 13–15 May 2019
  56. Interdisciplinary conference “Orgelpredigten in Europa (1600-1800). Musiktheoretische, theologische und historische Perspektiven”, Regensburg, 16–18 May 2019
  57. Fourth Annual Conference, “Historical Performance: Theory, Practice, and Interdisciplinarity”, Bloomington, IN, USA, 17–19 May 2019
  58. The Culture-Making Role of Musical Patronage. Contexts – Meanings – Perspectives, Wrocław, Poland, 22–4 May 2019
  59. Royal Music Association Study Day, The Classical Musician in the 21st Century, Cambridge, 23 May 2019
  60. Beethoven in the periodical press: reception, perceptions and discursive uses of his figure and his music (XIX-XXI centuries) (7th MUSPRES), La Rioja, Spain, 23–4 May 2019
  61. International Conference ‘Explicitly Intertextual Music since 1890’, Gdańsk, 23–4 May 2019
  62. Words, Music and Gender, Maribor, Slovenia, 24–5 May 2019
  63. The Yugoslav Idea in/of Music, Novi Sad, Serbia, 25-6 May 2019
  64. The 2nd International Conference on Performance and Creativity: Historical Keyboard Music 1700–1850, Hong Kong, 27–9 May 2019
  65. Music and Artificial Intelligence: Pasts and Futures, Opportunities and Risks, Aarhus, Denmark, 28 May 2019
  66. World of Bob Dylan, Tulsa, 30 May to 2 June 2019
  67. Sonic Imprints, Oxford, 31 May 2019
  68. Music and Sonic Art: Theories and Practices, Karlsruhe, 31 May–2 June 2019
  69. Atlantic Crossings: Music from 1492 through the Long 18th Century, Boston, 7–8 June 2019
  70. Agents and Actors: Networks in Music History, Helsinki, 3–5 June 2019
  71. Harmonisation and the Law – an interdisciplinary approach to legislative drafting, London, 4 June 2019
  72. The Unwritten in Sources of Notated Music: Reconstruction, Editing, Interpretation, and Extrapolations, Paris, 6–7 June 2019
  73. Narrativity and Popular Music, London, 7 June 2019
  74. Sounds of Mass Media: Music in Journalism and Propaganda, Växjö, Sweden, 7–10 June 2019
  75. ‘Dancing Scarlatti’ FIMTE Summer Course for Keyboardists, Garrucha-Almería, Spain, 10-13 June 2019
  76. Reboot 2019 Music Business Education Conference, London, 12 June 2019
  77. Spectralisms 2019, Paris, 12–14 June 2019
  78. Music and Visual Culture in Renaissance Italy, Sheffield, 13–15 June 2019
  79. Futures of the Real, London, 14 June 2019
  80. Domenico Scarlatti: Forwards and Backwards. 14th FIMTE Conference, Mojácar, Andalusia, 14–15 June 2019
  81. Clara Schumann (née Wieck) and her World, Oxford, 15–16 June 2019
  82. Music and Democracy: beyond Metaphors and Idealization, Huddersfield, 21 June 2019
  83. Early Recordings: Past Performing Practices in Contemporary Research, London, 22 June 2019
  84. Sonic Circulations 1900-1950, King’s College London, London, 24–5 June 2019
  85. Opera and the City: Technologies of Displacement and Dissemination, Lisbon, 24–5 June 2019
  86. The Operatic Century: European Opera in Latin America during the Long Nineteenth Century (1789-1914), Cambridge, 25 June 2019
  87. Song, Stage and Screen XIV, Leeds, 26–9 June 2019
  88. Making Musical Works in Early Modern Europe 1500-1700: Composition, Improvisation, Notation and Performance, London, 27 June 2019
  89. Music and the Arts in England, c. 1670–1750, Hamburg, 27–9 June 2019
  90. Eighteen Century Theatre Capitals: from Lisbon to St. Petersburg, Queluz, Portugal, 27–9 June 2019
  91. Musicology Today: 17th Annual Conference of the Society for Musicology in Ireland, Maynooth, 28–30 June 2019
  92. Hidden Archives, Hidden Practices: Debates about music-making, Aveiro, Portugal, 28–30 June 2019
  93. AEMC Conference on Music, Communication and Performance 2nd Edition, Montecassiano, Italy, 29–30 June 2019
  94. RMA/KVNM Postgraduate International Research Symposium in Musicology, Amsterdam, 29 June 2019
  95. Moving Horns: Worldwide Migrations in Horn Playing, Ghent, 2–6 July 2019
  96. Audience Research in the Arts Conference, Sheffield, 3–5 July 2019
  97. International Conference “Rethinking The Three-Cornered Hat A Hundred Years Later”, Granada, Spain, 3–5 July 2019
  98. 47th MedRen Music Conference, Basel, 3–6 July 2019
  99. Punk Pedagogies, Lincoln, 4–5 July 2019
  100. Un/masking. On a mimetic form, Munich, 4–6 July 2019
  101. The “Other” Voice: High Male Voices between Gluck and Rock, Nuremberg, 5–7 July 2019
  102. Music as Heritage: from Tradition to Product, Budapest, 1–10 July 2019
  103. IMS2019 Lucerne: Agency and Identity in Music, Lucerne, 7–10 July 2019
  104. Bach Network Dialogue Meeting 2019, Cambridge, 8–11 July
  105. Sex, Gender, and the Erotic in Russian Music, Vipiteno, Italy, 9-12 July 2019
  106. RMA Music and Philosophy 7th Biennial Conference 2019, London, 11–12 July 2019
  107. Is there a medieval ‘music and philosophy’? (themed session at RMA Music and Philosophy 7th Biennial Conference 2019), London, 11–12 July 2019
  108. Jewish Music in South Germany—History, Exile, Continuance, Munich, 12‒13 July 2019
  109. International Symposium on Performance Science (ISPS), Melbourne, 16–20 July 2019
  110. The Mediterranean: Migrant Sounds, Valencia, 23–5 July 2019
  111. Music and/as Process, London, 26 July 2019
  112. ‘SotonMAC 2019’ and the Music Analysis Summer School 2019, Southampton, 27–31 July 2019
  113. Music Analysis Summer School, Southampton, 29–31 July 2019
  114. The Guitar Century (c. 1880-1980): Global Trends and Local Contexts, Melbourne, 2–4 August 2019
  115. International Conducting Studies Conference 2019, Sydney, 2–4 August 2019
  116. Just P(l)ay! Music as Labour, Reichenau an der Rax, Austria, 7–9 August 2019
  117. Music and Disruptive Pasts: Between the Popular and the Arcane, Milton Keynes, 21–2 August 2019
  118. Soldiers’ Tales: Collecting and Sharing Military and Musical Heritage, Oxford, 22 August 2019
  119. Musical Instrument Collectors and Collections, Oxford, 23–5 August 2019
  120. RASMB-IMS 2019 Conference: MUSICAL AND CULTURAL OSMOSES IN THE BALKANS, Bucharest, 2–6 September 2019
  121. Second International Conference on Women’s Work in Music, Bangor, 4–6 September 2019
  122. Theatre and Performance Research Association Conference. Sound, Voice & Music WG: Listening Across, Guildford, 4–6 September 2019
  123. New Takes on Recorded Music: Performance, Creativity, Technology, Guildford, 5–6 September 2019
  124. Music in the body – body in music: The body at the intersection of musical practice and discourse, Göttingen, 5–6 September 2019
  125. Music and Sound Design for the Screen, Maynooth, 6–7 September 2019
  126. Eleventh Biennial International Conference on Music Since 1900, Huddersfield, 8–10 September 2019
  127. Researching Subcultures and Aesthetics Postgraduate Symposium: Alternative Voices in Academia, Galway, 10 September 2019
  128. OBERTO 2019: The Canon Reloaded? Operatic Repertoire in the Twenty-First Century, Oxford, 10 September 2019
  129. Royal Musical Association Annual Conference 2019, Manchester, 11–13 September 2019
  130. Music in Transmission: Teaching and Learning Traditional Music Today, Prague, 12 September 2019
  131. 10th Vienna Music Business Research Days, Vienna, 12–13 September 2019
  132. SPARC Symposium 2019: Land Music: Sound Practices in the Age of Ecological Crisis, London, 12–14 September 2019
  133. Bach at the Dawn Of 2020 – Reception And Imaginaries In The Digital Era, Dresden, 20–27 September 2019
  134. 8th International Scientific Meeting for the Study of Sound and Musical Instruments – Organological Congress, Belmonte, Portugal, 20–22 September 2019
  135. Correct, but not Beautiful Performance II: Deciphering the Hidden Messages in 19th century Notation, Vienna, 23–25 September 2019
  136. Conference on Interdisciplinary Musicology – CIM 19. “Embodiment in Music”, Graz, Austria – 26–8 September 2019
  137. Stanisław Moniuszko in Polish and World Culture: New Perspectives and Interpretations. International Moniuszko Congress, Gdańsk, 27–8 September 2019
  138. Transnationalism and Transculturalism in Canadian Music, 1969-2019, Ottawa, 29 September 2019
  139. Media of Hate: Representations of Religious Persecution and Repression in Early Modern Europe, Cambridge, 3–4 October 2019
  140. MUSIC AND SPATIALITY – 13th Biennial International Conference on Music Theory and Analysis, Belgrade, 4–6 October 2019
  141. International Artistic Jazz Research Symposium, Vienna, 6 October 2019
  142. TCPM 2019 – Tracking the Creative Process in Music, Lisbon, 9–11 October 2019
  143. Russian Music in Britain – British Music in Russia, Moscow, 10–11 October 2019
  144. Our music, our world: wind bands and local social life, Aveiro, Portugal, 10–12 October 2019
  145. TTU Arts Practice Research: Scholarship, Pedagogy, and the Creative Process, Lubbock, Texas, 11–13 October 2019
  146. REEM-BASEES 2019 Annual Conference – In memoriam Stuart Campbell, Durham, 12 October 2019
  147. Music Research in Slovenia in the Past and Present, Ljubljana, Slovenia, 14–15 October 2019
  148. Music, Arts and Politics: Revolutions and Restorations in Europe and Croatia 1815-1860, Zagreb 16–19 October 2019
  149. Baroque Festivals between the Sacred and the Profane: Europe and the Atlantic, Loures, Portugal, 17–19 October 2019
  150. Performing Arts and Technical Issues in the 19th Century, Lucca, 18–20 October 2019
  151. Società Italiana Di Musicologia. 26th Annual Conference, Matera, Italy, 18–20 October 2019
  152. IMSEA Conference 2019, Suzhou, China, 18–20 October 2019
  153. In, from, and towards the Americas – Musical Migrations: Transnational Communities, Oral History and Cultural Memory. II MUSAM International Conference, Madrid, 24–5 October 2019
  154. PSYCHOLOGY AND MUSIC ̶ Interdisciplinary Encounters, Belgrade, 24 – 26 October 2019
  155. Grieg Now! IGS International Conference and Workshop 2019, Bergen, 24–7 October 2019
  156. FTSG Study Day on Phrase: Rhythm, Function and Closure, Leeds, 26 October, 2019
  157. Hands-On Research Symposium: from artistic practice to artistic research, Aveiro, Portugal, 28 October–3 November 2019
  158. Music and Lifetime Memories: An Interdisciplinary Conference, Durham, 1–2 November 2019
  159. IV ARLAC Conference, Buenos Aires, 5–9 November 2019
  160. Rethinking Austrian and German Music Studies, Guildford, UK, 6 November 2019
  161. SEMPRE Autumn Conference, Bath, 7–8 November, 2019
  162. Ka-Ching! The Sound of Money Economic, social and aesthetic aspects of money in music, Kiel, Germany, 7–10 November 2019
  163. Iconography as a Source for Music History – RMA Study Day, London, 8–9 November 2019
  164. Opera in Musical Theater: History and Present Time, Moscow, 11–13 November 2019
  165. Belonging and Detachment: Representing Musical Identity in Visual Culture, Hobart, Tasmania, 13–15 November 2019
  166. ENIM 2019 – 9th Conference on Musical Research, Lisbon, 14–16 November 2019
  167. International Workshop: ‘Women as Patrons: Gender, Patronage and Cutural Transfer at the turn of the 20th century’, Bern, 15–16 November 2019
  168. “Performing Clara Schumann”, Ithaca, New York, 16–17 November 2019