Sounds of Prehistory and Antiquity

Fourteenth conference of the Research Center for Music Iconography

Research Center for Music Iconography
City University of New York, The Graduate Center

New York, 24 May 2017

The study of music from the earliest past draws upon iconography and archaeology, and any attempt to understand the earliest acoustic ecologies requires some level of approximation based on material artefacts. Participants are invited to offer embodied, experiential, phenomenological, creative, practice-based and practice-led research that explores the sonic contexts of prehistory and antiquity. These explorations may consider the examination of sound-producing objects and musical instruments, acoustics of performance spaces, or role of sound in rituals, ceremonies and everyday events. Research is welcomed that uses digital technologies in (re)constructions of ancient soundscapes, and explorations of sonic textures drawing upon iconographic, archaeological and literary sources. Also considered may be performances or other artistic content, whether focused on musical, sonic, performance or visual arts. They should provide information about the source material which has created the basis of the work, but subsequently freely engage with performative explorations.

Abstracts of 250-300 words may be submitted before 15 February 2017 to:

Zdravko Blažeković
Research Center for Music Iconography
City University of New York, The Graduate Center
365 Fifth Avenue
New York, NY 10016-4309
zblazekovic@gc.cuny.edu

Rupert Till
Department of Music and Drama
University of Huddersfield
Queensgate, Huddersfield HD1 3DH
r.till@hud.ac.uk

Sounds of Wars and Victories: Images of Military Musicians on Battlefields and Promenades

The thirteenth conference of the Research Center for Music Iconography, City University of New York, The Graduate Center,

commemorating the centennial of World War I

New York, 11–13 November 2014

Marking the centennial of the beginning of World War I and starting on Armistice Day 2014, the conference will focus on the iconography of military musicians of all time and performing in any occasion. Throughout history, military musicians formed a significant part of the soundscape not only on battlefields during wartime, but also in the neighbourhood of their military barracks during peacetime. Still, as historical documentation of their performances, repertoire, and personnel is most often integrated with military matters at national war archives, music historians too often leave them out of their historical narratives.

Traditions of military ensembles are as rich and varied as they could be. Different nations and military branches have developed preferences for specific repertoires and instruments. Their performances were equally integrated into military and civilian musical life, having a variety of purposes spanning from strengthening national identity and patriotism to providing music accompaniment at middle class dances and ceremonies. Therefore, the visual aspect of their performances has always been as significant as their music repertoire. Whether marching across town or attending a welcoming ceremony for a state dignitary, they were always proponents of the government and its power. With that purpose, their uniforms developed over time into specific distinctive attributes forming national symbolism, and their performances became ceremonies in their own right.

The conference aims to examine the visual aspects of military musicians throughout history, in particular the role of military bands in creating national visual identities; occasions in which military ensembles performed and their interactions with audiences; their instruments and performing formations; graphic designs of editions of compositions by military bandmasters; and representations of music on commemorative war monuments.

Abstracts of 200–300 words may be submitted before 1 May 2014 to:

Zdravko Blažeković

Research Center for Music Iconography

City University of New York, The GraduateCenter

365 Fifth Avenue

New York, NY10016-4309

zblazekovic@gc.cuny.edu

http://rcmi.gc.cuny.edu/wp-content/uploads/WWI.pdf

Neoclassical Reverberations of Discovering Antiquity

Twelfth conference of the ICTM Study Group for the Iconography of the Performing Arts

in collaboration with the Istituto per i beni musicali in Piemonte

will be held at the Archivio di Stato di Torino

Torino, 6–10 October 2014

With the discoveries of Herculaneum and Pompeii, the eighteenth century marked the birth of modern archaeological methods. The newly discovered Roman sites became a leading attraction for intellectuals travelling in Italy on the Grand Tour, and equally admired by royalty, young British students, or artists and musicians. On the other hand, Napoleon’s Egyptian Campaign inspired the fashion of Egyptomania, which could be in its different forms traced back to antiquity. These new opportunities for the study of Mediterranean antiquity and the general fascination with it, made the ancient artistic vocabulary fashionable throughout Europe, and it was reflected in the most diverse aspects of nineteenth-century life, ranging from the decoration of public buildings and artistic and architectural styles, to fashion, furniture, and opera libretti. The conference aims to examine the influences and reflections of this new knowledge of antiquity on visual arts as related to music.

  • Music in neoclassical visual art
  • The impact of archaeological explorations at Pompeii and  Herculaneum
  • New visions of ancient musical life and myths
  • Public buildings decorated in the ancient Roman style
  • Music of ancient Egypt and North Africa as seen by Western artists
  • Antiquity in operatic scenography
  • Musical impressions by artists on Grand Tours

Free papers will be also considered

 

Abstracts of 200–300 words may be submitted before 1 May 2014 to:

Zdravko Blažeković

Research Center for Music Iconography

City University of New York,

The GraduateCenter

365 Fifth Avenue

New York, NY10016-4309

zblazekovic@gc.cuny.edu

Cristina Santarelli

Istituto per i beni musicali in Piemonte

Via Anton Giulio Barrili 7

10134 Torino

cristina.santarelli@tin.it

Further information will be posted at

http://www.ictmusic.org/group/iconography-performing-arts

and

http://www.ibmp.it/entrata.htm