RASMB-IMS 2019 Conference: MUSICAL AND CULTURAL OSMOSES IN THE BALKANS

Bucharest, 2–6 September, 2019

Call for Papers

The National University of Music in Bucharest in collaboration with the IMS Regional Association for the Study of Music of the Balkans announce an International Musicological Conference on the subject Musical and Cultural Osmoses in the Balkans. The conference will take place at the National University of Music Bucharest, on 2–6 September, 2019.

The purpose of the International Musicological Conference is to promote interaction, research, discussion and intercultural dialogue among musicologists, ethnomusicologists, researchers and students from Romania, the Balkans and other countries with an interest on the different local musical traditions in South-East Europe and their interactions to the Mediterranean and broader region.

The conference strongly encourages debating subjects such as art music in the Balkans and its interactions with Western Europe traditions, Byzantine and Post-Byzantine chant, methodologies and new trends in Musicology and Ethnomusicology/Music Anthropology of the Balkans, current issues and approaches in Music Education in the Balkans, music and political regimes.

Proposal may address (but are not limited to) the following categories that fall under the topic of the conference:

  1. Art Music in the Balkans
  2. Byzantine and post-Byzantine chant
  3. Musical encounters: Silk roads across Mediterranean area to Asia
  4. Ethnomusicology – Anthropology
  5. Methodologies and new trends in Musicology and Music Theory
  6. Music and politics

The official conference language is English. However, participants can present in Romanian, having submitted prior to the conference and at a set deadline a translation of the final paper in English.

Proposals are invited for:

  • 20-minute papers
  • Panels of up to four presentations (90 minutes).

Abstracts of 20-minute papers should not exceed 300 words and panels’ proposals should contain the description of the panel’s subject (no more than 100 words) and an abstract (no more than 300 words) for each paper included in the panel.

All proposals should be sent electronically as an attachment to the following email address: IMS2019bucharest@unmb.ro with the subject line: Musical and Cultural Osmoses in the Balkans.

The attachment should include the following information as well:

  • Name(s) of the author(s) and institution affiliation (if applicable)
  • Type of proposal
  • Title of the paper/panel proposal
  • Short biographical note of the author(s) (100 words)

Full audiovisual equipment and adequate technical support is available for all presentations.

Important dates:

  • Abstracts of proposals/panels: no later than 22 February 2019
  • Notification of approval: no later than 22 March 2019
  • Submission of finalised papers (only in cases of translated papers from Romanian to English): no later than 1 August 2019

Registration fees:

Participants: 30 Euros (10 Euros for students, including PhD candidates)

Date and venue:

Bucharest, 2–6 September, 2019, National University of Music Bucharest, 33 Știrbei Vodă Str., Sector 1, 010102 Bucharest, Romania (http://www.unmb.ro).

Contact information:

Further instructions and details will soon be posted on the conference webpage: ims2019bucharest.ro.
See also: http://www.musicology.org/networks/ra/rasmb
Announcements will also appear on the webpage of the National University of Music Bucharest (http://www.unmb.ro) and the New Europe College (http://www.nec.ro).

The Soundscape of the Venetian Terraferma in the Early Modern Era. International Conference celebrating 475 Years of the Accademia Filarmonica of Verona

immagine della Santissima Vergine Maria di Loreto della Giara in Verona, Stamperia del Seminario, Padova 1714 Domenico Zanatta Venezia 1665 Verona 5 agosto 1748

Verona, 1-3 June 2018

Call for Papers 
Deadline for proposals: 31 December 2017

The Soundscape of the Venetian Terraferma in the Early Modern Era is an international conference organized by the Accademia Filarmonica of Verona on the occasion of the 475th anniversary of its foundation (23 May 1543), in collaboration with University of Verona, Ca’ Foscari University of Venice, University of St Andrews and Conservatorio “E. F. Dall’Abaco” of Verona.
Natural sequel to The Soundscape of Early Modern Venice (Ca’ Foscari University of Venice, 24-27 May 2017 – vmo.unive.it/soundscape2017), this further initiative has the aim of increasing debate on the varied soundscape of the Venetian Terraferma in the early modern period. This territory, which stretched from Bergamo in the west to the Friulian Alps in the north-east and the river Po at the Republic’s southern extremity, formed one of the three subdivisions of the Serenissima; the others were the Dogado (Venice and surrounding area) and the Stato da mar (Venetian possessions in the eastern Adriatic and Mediterranean areas). The articulate system that regulates musical and non-musical sound in the Venetian territories prior to the fall of the Serenissima in 1797 is highly conducive to an interdisciplinary approach which draws on the new perspectives offered by urban history, humanistic geography and historical anthropology. Emblematic, in this sense, are the activities of the Accademia Filarmonica, which have dominated almost five centuries of local musical history.

The official languages of the conference are English and Italian.

The conference will take place in Verona from 1-3 June 2018.

Suggested topics: 
– Sound and urban identity
– The sound of local civic ceremonial and devotional activities
– Reciprocal influence of Venetian and Terraferma soundscapes
– Musical relationships between the Terraferma cities and the courts of northern Italy and elsewhere
– Music and society (patronage; academies and other musical institutions, private and public; private uses of music)
– Educational, philosophical and social dynamics in musical practice
– The sounds of public and private festivities
– Musical theatre in the Terraferma and its social impact
– Music, urban architecture and the visual arts
– Music and economics (music printing, production and commerce of musical instruments, the economics of performance)
– Sound as material and non-material cultural heritage

One session of the conference will be entirely dedicated to research on the Accademia Filarmonica of Verona.

Peer-reviewed contributions will be published in a dedicated volume, scheduled to appear in 2019.

*** 

The programme committee invites proposals for 20-minute papers, with 10 minutes for questions and discussion. Please email abstracts (max. 250 words), together with a short biography, to: biblioteca@academiafilarmonica.191.it

Further information will be available from September 2017 on the conference website, which will continue to be updated with details of costs, events and accommodation near the conference venue.

Accepted proposals will be announced before 16 February 2018.

*** 

Organizing Committee: 
Alessandro Arcangeli (University of Verona)
Vincenzo Borghetti (University of Verona)
David Douglas Bryant (Ca’ Foscari University of Venice)
Luigi Collarile (University of Geneva)
Michele Magnabosco (Accademia Filarmonica, Verona)
Laura Moretti (University of St Andrews)
Laura Och (Conservatorio “E. F. Dall’Abaco” of Verona)

For further information please contact
Michele Magnabosco: biblioteca@accademiafilarmonica.191.it

http://www.accademiafilarmonica.org/filarmonica/en/convegno-internazionale-2018/

 

Terminology research in musicology and the humanities

CALL FOR PAPERS

CONMUSTERM: Terminology research in musicology and the humanities

Conference dates: May 25 – 26, 2018

Venue: University of Zagreb, Music Academy; Trg maršala Tita 12, Zagreb, Croatia

 

Topics

  • Synchronic and diachronic approaches to music terminology
  • Music terminology in reference literature and teaching materials (with special reference to recently developed terminology of music theory, composition, music technology and ethnomusicology)
  • Terminology standardization in the humanities (e.g. in musicology, ethnomusicology, linguistics, art, philosophy, history, anthropology, ethnology, archaeology, etc.)
  • Humanities within traditional and contemporary terminological theoretical approaches
  • Terminology and the humanities in a multilingual context: linguistic and cultural specificities
  • Terminology of the humanities in multilingual terminological databases
  • Specific terminological issues in minor languages
  • Other related topics

 

Official languages of the conference

Croatian and English

 

Plenary speakers

Markus Bandur, Academy of Sciences and Literature in Mainz / National Library in Berlin

Gerhard Budin, University of Vienna, Centre for Translation Studies

 

Submission information

 

Types of contributions

  • full papers (20-minute talk followed by 10 minutes for discussion and change of rooms)
  • panel discussions (group related papers for up to 5 participants, duration 45 – 60 minutes)
  • posters

Submissions of abstracts for full papers should present either complete research, or research in progress where at least some substantial results have been achieved. Work in progress which has yet to produce results can instead be submitted as a poster abstract. Both categories of abstracts should not exceed 500 words.

Submission of abstracts of 500 – 800 words for panels are to be submitted by the panel convenor(s) on behalf of all speakers, with an introduction specifying the relationship between the topics before details on individual presentations (including names and affiliations of all speakers) are given.

 

Conference fee

Fees include conference materials, lunch and refreshments for both conference days, but not accommodation:

  • active participants 70 EUR
  • participants without presentation 30 EUR
  • conference dinner 20 EUR (not included in the conference fee)

 

Proceedings

Selected peer reviewed papers will be published following the conference within a special issue of the journal Rasprave of the Institute of Croatian Language and Linguistics.

 

Organizers

University of Zagreb, Music Academy, Department of Musicology

Institute of Croatian Language and Linguistics, Zagreb

The conference is financed by the Croatian Science Foundation (HRZZ) within the research project Conmusterm.

Organizing Committee

Nikša Gligo (President), Tomislava Bošnjak Botica, Sanja Kiš Žuvela, Krešimir Sučević Međeral, Ana Ostroški Anić

Contact: conmusterm@muza.hr

Conference website: http://bit.ly/2wHIade

conmusterm_application_form_ENG

conmuster_konferencija_prijavni

RIdIM Conference 2013

Call for Papers

Association RIdIM (Repertoire International d’Iconographie Musicale), in association with Don Juan Archiv Wien, is organising the

14th International RIdIM Conference on Music Iconography

Visual intersections: negotiating Easterness and Westerness

to be held in Istanbul (Turkey), 5 – 7 June 2013.

The Conference will present recent research on topics related to musical

iconography, with particular attention to the following three themes:

  • Iconography and the study of musical instruments
  • Music iconography of the Middle East, including Byzantine and Ottoman Art and issues related to the exchange between East and West and the discourse on “Exotism” in visual sources
  • The concept of object-oriented analyses in music iconography

Offers of full-length (up to 40-minute) papers and shorter (maximum 15-minute) contributions are invited.  Papers should focus on the presentation of original research and findings, and may be on any topic relevant to the above three themes.

Presentations which incorporate live musical performance will be most welcome but should be presented as a paper-recital or paper-demonstration.

The languages of the abstracts and presentations will be English and / or French. Papers must be delivered in person at the Conference by at least one of the named authors.  There will be a fee for participation in the Conference.

 

The organisers request that abstracts (200 words maximum) of full-length papers and titles of short contributions should be sent by e-mail to conference@ridim.org by 30th November 2012.  Please indicate the length of presentation envisaged.  Acceptance of submissions will be notified to the author by 31st January 2013. Accepted abstracts will be placed on the RIdIM website.

Please include with the abstract

  • a brief curriculum vitae of 100 words maximum,
  • a brief statement in which you express your agreement that your presented conference paper may be published in the conference proceedings prepared by RIdIM.

These two items obviously are not included in the word count of the abstract as above.

Please notify the organisers as soon as possible (preferably by e-mail) if you expect to attend the Conference – whether or not you intend to give a paper – to help with planning, and so that you will then receive further information about the meeting.  Information about the Conference will be maintained on the website

http://www.ridim.org/conferences.php

For further information, please contact RIDIM@sas.ac.uk, indicating in the subject header: “Istanbul Conference 2013”