RMA study day – 20th Century British Poets in Music

University of Hull

Friday 28 June 2013

This interdisciplinary event will bring together musicologists, literary scholars, postgraduate students and composers interested in the connections between poetry and music. Michael Tippett once wrote provocatively that one of the primal gifts of the song writer is ‘the ability to destroy all the verbal music of the poetry or prose and to substitute the music of music’. We aim to consider the transformation of referential words into musical sounds from a number of practical and theoretical perspectives, with a keynote lecture by Professor Stephen Banfield. The event ties in with related performances, competitions and workshops on 27th and 29th June, foregrounding music and creative writing generated in response to the poetry of D.H. Lawrence and Philip Larkin.
Please contact:

Dr Bethan Jones – b.m.jones@hull.ac.uk

Dr Freya Bailes – f.bailes@hull.ac.uk

Britain and the British in World Culture. Celebrating Benjamin Britten’s Centenary

Center for New Technology in the Arts “Art-parkING”
Rimsky-Korsakov St. Petersburg State Conservatoire

British Council Russia, British Consulate-General in St. Petersburg

Britain and the British in World Culture. Celebrating Benjamin Britten’s Centenary
International Conference
St. Petersburg, 31st October – 1st November 2013

The two-day international conference “Britain and the British in 20th Century Culture” will take place in St. Petersburg at the Rimsky-Korsakov Conservatoire from 31st October to 1st November 2013. The conference is designed as a dialogue between musicology, art history and cultural history. A central theme will be how Britain and her people have been portrayed over the last century in various trends, spiritual movements and artistic styles, covering all kinds of arts, including music, literature, theatre, architecture, sculpture and cinematography.

“Not only England, but every Englishman is an island” (Novalis, 1799). The reception of this country, its people and culture has inspired memoirs, essays, books, articles, plays and films. Such a range of material offers potential for a wide range of conference topics.

The symbolism of the homonyms – Britten and Britain – allows us to put the British Britten at the heart of the conference. Intercultural and intertextual connections will be made by reflecting the multifaceted phenomenon of “Britishness” in British culture.

The Conference forms part of the Thirteenth International Festival “The International Conservatory Week Festival”, opening with a performance of one of Benjamin Britten’s masterpieces, “Spring Symphony”, on the 1st of November.

The Conference Organisers:
Liudmila Kovnatskaya (Professor of the Rimsky-Korsakov St. Petersburg State Conservatoire) – chair
Mikhail Gantvarg (Rector of the Rimsky-Korsakov St. Petersburg State Conservatoire)
Lidia Volchek (Director of the International Festival “The International Conservatory Week Festival”)
Lidia Ader (Senior researcher of the N. Rimsky-Korsakov Museum-Apartment, Director of the Center for New Technology in the Arts “Art-parkING”)
Nataly Kolesova (Director of the Center for New Technology in the Arts “Art-parkING”)

Proposals for academic papers and posters are invited (requirements – A3 format, should be sent by October 1st).
The working languages of the conference will be Russian and English. The time-limit for papers is 20 minutes plus a discussion time of 10 minutes. Please submit abstracts for papers of no less than 200 and no more than 300 words, together with a short CV of 100 words; both should be sent by e-mail to Lidia Ader (lidia.ader@artparking.org).

The deadline for abstracts is 15 June 2013. Notifications of acceptance will be sent out by the end of June 2013 at the latest. Selected conference papers and materials will be published in the journal “Opera Musicologica”.
For some participants organizers will be able to provide a free accommodation.