17th International Music Theory Conference
November 8th – 10th 2017
The aim of the annual conference ‘Principles of Music Composing’ is to foster theoretical thought that is essential for compositional practice and education of composers. Sixteen conferences of this series have already been held in Vilnius. The 17th conference draws attention to the phenomena of rationality and intuition, which are considered to be contrasting yet complementary poles in the compositional process. Intuition often alters the realization of rational scheme, model or archetype chosen by the composer. Meanwhile rational revision may improve intuitive improvisation, sonorous vision, or the artistic idea.
The topic of the conference could be divided into suggested subtopics:
- Rational processes of composition and aural intuition (theoretical insights, definition, conceptions, typology)
- Musical work as the result of rational and intuitive creative activity (theoretical, historical and aesthetical aspects)
- Adaptation of interdisciplinary ideas in the compositional practice based on rational and intuitive origin
- Rational and intuitive qualities in new musical resources and techniques (sonorism, microchromatics, extended techniques, aleatory, electronics, etc.)
- ‘Rational’ and ‘Intuitive’ composers: features of their works and the creative process
- Phenomena of rationality and intuition in the contemporary compositional practice
- Lithuanian composers: between rationality and intuition
Paper proposals (abstract and a short biography) should be sent by email firstname.lastname@example.org . The abstract must not exceed 500 words. The duration of full presentation is limited to 20–25 minutes.
The main language of the conference is English.
The deadline for proposal submissions is August 20th 2017. Proposals will be reviewed by the members of the scholarly committee and all applicants will be notified of the outcome in the beginning of September 2017.
The participation fee is 20 Euros.
Selected papers of the conference will be published in the annual peer reviewed scientific journal ‘Principles of Music Composing’.