Principles of Music Composing: ratio versus intuitio

17th International Music Theory Conference

November 8th – 10th 2017

Vilnius, Lithuania

The aim of the annual conference ‘Principles of Music Composing’ is to foster theoretical thought that is essential for compositional practice and education of composers. Sixteen conferences of this series have already been held in Vilnius. The 17th conference draws attention to the phenomena of rationality and intuition, which are considered to be contrasting yet complementary poles in the compositional process. Intuition often alters the realization of rational scheme, model or archetype chosen by the composer. Meanwhile rational revision may improve intuitive improvisation, sonorous vision, or the artistic idea.

The topic of the conference could be divided into suggested subtopics:

  1. Rational processes of composition and aural intuition (theoretical insights, definition, conceptions, typology)
  2. Musical work as the result of rational and intuitive creative activity (theoretical, historical and aesthetical aspects)
  3. Adaptation of interdisciplinary ideas in the compositional practice based on rational and intuitive origin
  4. Rational and intuitive qualities in new musical resources and techniques (sonorism, microchromatics, extended techniques, aleatory, electronics, etc.)
  5. ‘Rational’ and ‘Intuitive’ composers: features of their works and the creative process
  6. Phenomena of rationality and intuition in the contemporary compositional practice
  7. Lithuanian composers: between rationality and intuition

Paper proposals (abstract and a short biography) should be sent by email pmc@lmta.lt . The abstract must not exceed 500 words. The duration of full presentation is limited to 20–25 minutes.

 The main language of the conference is English.

The deadline for proposal submissions is August 20th 2017. Proposals will be reviewed by the members of the scholarly committee and all applicants will be notified of the outcome in the beginning of September 2017.

The participation fee is 20 Euros.

Selected papers of the conference will be published in the annual peer reviewed scientific journal ‘Principles of Music Composing’.

pmc.lmta.lt 

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International conference for PhD students

International conference for PhD students

 “Musicology (in)action: Past musics, present practices, future prospects”

 Thessaloniki, 9 – 11 February 2018

 The Department of Music Studies of the Aristotle University of Thessaloniki and the Department of Music Science and Art of the University of Macedonia will host, under the auspices of the Hellenic Musicological Society, an international conference for PhD students entitled “Musicology (in)action: Past musics, present practices, future prospects” in Thessaloniki, Greece, from 9 to 11 of February 2018.

 

Call for papers

In recent years, musicology has tested its boundaries, objects of study, and, indeed, prospected future through the constant questioning of its subfields, themes, and methodological underpinnings. At the same time, this interrogative process has also been one of constant development of new, often interdisciplinary methodological approaches, frequently extending their grasp on new or hitherto neglected musical repertoires. It is this ambiguous state of conditions that the novice in the field of musicological research faces in her/his everyday effort to situate her/his own research within a constantly changing disciplinary environment. This conference aims to bring together fresh ideas of new researchers in an attempt to help them secure their position with respect to the ongoing discourse of musicology’s saga and with an eye to the future prospects of the field.

 

We welcome proposals of PhD students for 20-minute paper presentations or 40- to 80-minute panel presentations (of up to four participants), addressing a variety of old and new(er) research topics from the broad field of musicology (e.g. historical and cultural musicology, music theory and analysis, ethnomusicology and musical anthropology, music psychology, computational musicology, music philosophy and aesthetics). Proposals on topics that cross the strict intra- or inter-disciplinary boundaries of musicology are also welcomed.

Proposals and inquiries should be submitted to the following email address:

conf.phd.2018@gmail.com

 

Proposals for paper presentations should include:

– name of participant(s) and institutional affiliation(s)

– abstract (up to 300 words)

– brief CV (up to 100 words)

 

Proposals for panel presentations should include:

– name of participants and institutional affiliations

– general abstract of proposed panel presentation (up to 300 words)

– individual abstract of each participant’s presentation (up to 300 words)

– brief CV of each participant (up to 100 words)

 

DEADLINE FOR PROPOSAL SUBMISSION: 30 May 2017

NOTIFICATION OF APPROVAL: No later than 15 July 2017

PARTICIPATION FEE: PhD students: 50 euros, undergraduate and master’s students: 30 euros

OFFICIAL LANGUAGE: English

For more information on the reviewing committee, the venue of the conference, etc. please visit the conference’s website (which is under construction):

http://conferences.lib.auth.gr/ICMDR/index/index

 

ACADEMIC ADVISORY COMMITTEE:

Chardas Konstantinos

Nika-Sampson Evanthia

Pastiadis Konstantinos

Vouvaris Petros

 

COORDINTAING COMMITTEE

Kalaitzidou Stamatia

Spanoudakis Dimosthenis

Toumanidou Katerina

Trouka Dimitra

Zlatkou Vasiliki

 

ORGANISING COMMITTEE

Apostolou Andreas Foivos

Authentopoulou Despoina

Banteka Dimitra

Diminakis Nikos

Karamanidis Charalampos

Nikolaidis Nikos

Ntousiopoulou Antigoni

Ntovas Christos

Pouris Christos

Roumpi Antonia

Savvidou Charoula

Scarlatou Chrysa

Seglias Zisis

Sidiropoulou Christina

Sotiriadis Theophilos

Tasoudis Dimitris

Music for Liturgy and Devotion in Italy around 1600

Conference, Friday 4th November and Saturday 5th November 2016,
Martin Harris Centre for Music and Drama, The University of Manchester

Keynote speakers:
Daniele V. Filippi (Schola Cantorum Basiliensis)
Noel O’Regan (Edinburgh College of Art)

New deadline for proposals: 4 September 2016

The decades around the turn of the seventeenth century were marked by a new religious self-consciousness developing within the Catholic world over the course of the latter part of the sixteenth century – usually associated with the Council of Trent and the Counter-Reformation but in fact fuelled by a great diversity of intellectual and religious currents which continue to fuel discussions among historians. Italy, besides being one of the main centres of the Catholic world, was home to an extremely rich musical culture, witnessing in the time around 1600 a huge variety of musical styles designated or adapted to enhance the practice of the faith. Large-scale polychoral works for the Tridentine liturgy existed side-by-side with the more intimate genres of musica spirituale which occasionally straddled the stylistic and functional boundaries to the secular realm.

Fascinatingly diverse, this repertoire has long offered a fruitful field of research for musicologists. However, given its chronological situation in a period transgressing the traditional epochal definitions, study of this music has struggled to find a ‘home’ in the standard historiographical discourse, resulting in a perceivable lack of opportunity for researchers working in this area to communicate their knowledge. This conference aims to respond to this need and to act as a forum of exchange for scholars working on Italian liturgical and devotional music in the decades around 1600.

We welcome proposals for papers in English of 20 minutes duration or performance workshops of 30 minutes. The proposals should include the title, an abstract of no more than 300 words and a short biography (approx. 100 words). The extended deadline is 4 September 2016. Applicants will be notified by 15 September.

Submissions should be emailed to italianmusic1600@manchester.ac.uk

Inquiries can be directed to Rosemarie Darby and Ginte Medzvieckaite through the contact form on the conference website www.italianmusic1600.weebly.com or using the email address given above.

Opera and the Greek World during Nineteenth Century

International Conference.  Corfu, Greece, 17-19 November 2017

2017 marks for opera in Greece four anniversaries: the centenary since the passing of Spiros Samaras (1861-1917), the bicentenary since the birth of two important Greek opera composers, Spiridon Xyndas (1817-1896) and Domenikos Padovas (1817-1892), as well as the 150 years since the premiere of the opera O ypopsifios [The Parliamentary Candidate] (1867, music by Xyndas and libretto by Ioannis Rinopoulos), which was both the first full-scale opera in Greek and the pivotal point for the emergence of opera in Greek language.

The Hellenic Music Research Lab of the Music Department of the Ionian University and Corfu Philharmonic Society on the occasion of the aforementioned anniversaries organize the international conference entitled Opera and the Greek World during Nineteenth Century, which is going to take place in Corfu, Greece, on 17, 18 and 19 November 2017.

Corfu, the seat of the Ionian University, was the birthplace of the three aforementioned composers. The San Giacomo theatre of Corfu, the earliest theatrical stage of the region, hosted opera performances already since 1733, contributing decisively to the dissemination of opera within the Greek world during 19th century. Moreover, Xyndas, Padovas and Samaras presented in the same theatre their operas. Xyndas in 1840 was also one of the initial founders and professors of the Corfu Philharmonic Society and he dedicated to it certain of his operas. Padovas also taught harmony and music theory in the Philharmonic, in 1857 he dedicated to it his opera Dirce and since 1884 he was appointed the Society’s artistic director. Samaras, a student of Xyndas during his early music training, had multiple connections with the Philharmonic Society and had been its honorary artistic director since 1889.

Given the above, the conference will not be confined solely to the lives and the works of the aforementioned composers, but it will focus on matters regarding the place, the reception, the importance and the formative factors of the operatic activity within the Greek world during the “long nineteenth century”. With these in mind, some indicative themes of the conference are proposed to be;

  • Spiros Samaras: life and work
  • Spiridon Xindas: life and work
  • Domenikos Padovas: life and work
  • The activities of the Italian opera troupes in the Greek areas (singers, musicians, impresarios, repertory etc)
  • The activities of the French opera troupes in the Greek areas
  • The activities of the Greek opera troupes
  • Opera in the Greek communities of Diaspora (Trieste, Odessa, Alexandria, Smyrna, Constantinople etc)
  • Opera in the Greek urban centres
  • Institutions of operatic activity
  • The reception of opera in the Greek world
  • Subjects related to Greece in the 19th-century opera

The official languages of the opera are GreekItalian and English.

Scholars and researchers interested to participate in the conference are asked to submit their abstracts (250 words) and short biographical notes (100 words) for papers of no more than 20 minutes. Themed sessions of 60 minutes can also be proposed (Abstract of 450 words and Bios of 100 words).

There are no fees for the participation or the attendance of the conference.

The final date for the proposals’ submission is 31 December 2016.

The abstracts and the biographical notes should be sent until the above date in the following email: operaconfcorfu2017@gmail.com
The Official website of the conference is: http://users.ionio.gr/~GreekMus/operaconf2017/eng.htm
The conference’s programme will be finalized by 1 March 2017.

Programme Committee
Prof. Haris Xanthoudakis
Prof. Anastasia Siopsi
A. Prof. Panos Vlagopoulos
A. Professor Avra Xapapadakou

Organizing Committee
Spiridon Padovas
Kostas Kardamis
Kostas Sambanis
Stella Kourbana
Alexandros Charkiolakis
Gerasimos Martinis

Historical Performance: Theory, Practice, and Interdisciplinarity

Historical Performance: Theory, Practice, and Interdisciplinarity  /  May 20-22
at the Indiana University Jacobs School of Music (Bloomington, Indiana)
Please follow the link below for further information and a program:
Speakers from nine countries will deliver 47 presentations. Selected proceedings will launch the new annual journal, Historical Performance, published by Indiana University Press.
There is no registration fee, although we ask that those planning to attend make their intentions known in advance via the following email address: hpi@indiana.edu

[original CFP follows]

Conference: “Historical Performance: Theory, Practice, and Interdisciplinarity”
*Call-for-papers deadline: February 15, 2016*
Conference dates: May 20-22, 2016
Venue: Indiana University Jacobs School of Music
Keynote address: John Butt, University of Glasgow


This three-day conference will bring together leading scholar-practitioners to examine and anticipate key issues of historical performance in the twenty-first century. Especially welcome are presentations offering research generative of new insights into performance procedures. Scholars whose work extends beyond the field of music are encouraged to contribute. Results and proceedings will launch a new annual peer-reviewed journal, Historical Performance, published by Indiana University Press.

“Indecent Musicology” (NYU)

“Indecent Musicology”

Keynote Speaker: Emily Wilbourne

Saturday, March 26, 2016 [9:30am — 9:00pm]

Silver Center for Arts and Sciences, New York University

VIEW CFP HERE

Call for Papers:

This is a call for the provocative, the experimental, the radical, the “fringe.” Without constantly pushing boundaries, fields are in danger of becoming stale, or worse, regressive. We invite graduate students of all disciplines to submit abstracts that meditate on an indecent musicology. Formal papers are welcome in addition to innovative, interdisciplinary, and unconventional presentations. Papers and presentations will be 20 minutes in length with 10 additional minutes designated for questions; performances and unconventional presentations will be 45 minutes. Composers are responsible for their own musicians and equipment. The following are merely suggestions:

  • “Blasphemology” and manifestations of lewdness
  • Pataphysical and supranatural meditations on music
  • Intersections of indecency, race, law, music, sexuality, sociality, performativity, etc.
  • Constructions of radical obscenity, perversions, and indecency in music
  • Phenomenology of indecent musical exposure

Submission Deadline: Monday, January 25, 2016

Submission Guidelines:

All proposals (paper, performance, composition) must include the following:

  1. An anonymous abstract of no more than 300 words sent as a PDF attachment to indecentmusic2016@gmail.com. Make sure you have omitted any metadata that would identify you (e.g. author’s name, institution, author tags). Footnotes will be included in the word count. Please submit no more than 3 pages of supplementary materials. Please title your attachment: PaperTitle.pdf
  2. A cover letter that includes the title of the presentation, the format of the presentation (e.g. paper, performance, etc.), applicable institutional affiliation, phone number, email address, and AV equipment requests.

Applicants will be notified by email no later than February 8, 2016. Upon acceptance, presenters will be asked to send a final draft of their abstract for publication in the conference program.

For questions, please contact the conference chair, Marcus Ryan Pyle, at mrp448@nyu.edu

Listening to Early Modern Catholicism. New Perspectives from Musicology

When: July 14-16, 2014
Where: Boston College, Chestnut Hill, MA
Organizing Committee: T. Frank Kennedy, S.J.; Michael Noone; Daniele V. Filippi
Sponsored by The Jesuit Institute and The Music Department of Boston College

An international group of musicologists will convene at Boston College to discuss the sonic cultures of Early Modern Catholicism (c.1500–1750).
Scholars from nine different countries will demonstrate the unique insights that can be gained about Early Modern Catholicism from the study of music and sound.
Keynote addresses will be offered by John O’Malley, S.J. (Georgetown University), and Robert L. Kendrick (The University of Chicago).
The conference will also feature a round table (chaired by T. Frank Kennedy, S.J.) concerning the role of the Jesuits and their networks in the creation of Catholic soundscapes.

For further information, including the list of participants, the program, and the abstracts, please see http://www.listening2014.com/
Contact: daniele.filippi@bc.edu

Nationality / Universality ‘Musical historiography in Central and Eastern Europe’

International Musicological Conference: Nationality / Universality  ‘Musical historiography in Central and Eastern Europe’

Radziejowice, near Warsaw, 15–18 September 2014

THEME
The central theme of the International Musicological Conference will be the musical historiographies of the countries of Central and Eastern Europe. As well as attempting to recapitulate historical research of various profiles and surveying current research topics, the conference will provide an opportunity to reinterpret national musical historiographies and compare different perspectives on music history.
For several decades now, historiography, regarded as a central discipline of musicology, has witnessed a search for new directions and inspirations. The key tenets of historical musicology are being re-evaluated, particularly the notion that music history is forged by great individuals, great works, great traditions or great discoveries. The legitimacy of global and universal perspectives has been questioned, with scholars proposing that attention be focussed on regional reality and on everyday musical life. The question arises as to how such thinking affects local historiographies. Has there been any change in the methodologies and narratives of national music histories that lie outside the principal current of Western historical reflection? And, if so, in what direction?

SUBJECT AREAS

  • National music histories versus the history of musical regions and centres
  • National music histories in relation to methodological historiographic models the object of musical historiography: the history of music, the history of writing about music, the history of reception and of musical life
  • The ‘heroes’ of national music in national historiographies
  • The socio-political and cultural determinants of musical historiography in the countries of Central and Eastern Europe
  • The significance of folk traditions in national historiographies

SUBMISSION OF PROPOSALS AND DEADLINES
You are invited to propose a paper by submitting the completed form together with an abstract of your paper in English (300–400 words). Proposals should be sent by 15 November 2013. Website address: http://www.chopin.nifc.pl/conference The list of accepted abstracts will be announced by 31 December 2013.

FEE
The fee for participation in the conference is 50 euro [200 PLN], which should be paid into the account of the Fryderyk Chopin Institute between 31 December 2013 and 30 June 2014. The organiser will provide accommodation and meals during the conference, but will not refund travel expenses.

LANGUAGE
The conference proceedings will be conducted in English.

SCIENTIFIC COMMITTEE
prof. dr hab. Sławomira Żerańska-Kominek, Institute of Musicology – University of Warsaw
prof. dr hab. Irena Poniatowska, Institute of Musicology – University of Warsaw, Polish Chopin Academy
dr hab. Paweł Gancarczyk, Musicology Section – Polish Composers’ Union, Institute of Art – Polish Academy of Sciences
dr Artur Szklener, The Fryderyk Chopin Institute

PROCEEDINGS
The organiser is planning to publish a book of conference.

CONTACT AND QUERIES
Further information on the conference will be posted on our website: http://www.chopin.nifc.pl/conference
Please send any queries by email: conference@nifc.pl
Your questions will be answered by members of the Organising Committee.

ORGANISER’S ADDRESS
The Fryderyk Chopin Institute
Research and Publishing Department
ul. Tamka 43
00-355 Warszawa
fax +48 22 44 16 113
e-mail: conference@nifc.pl
www.chopin.nifc.pl, http://en.chopin.nifc.pl/institute/events/conferences/year/2014

CONFERENCE VENUE
Dom Pracy Twórczej w Radziejowicach
ul. Henryka Sienkiewicza 4
96-325 Radziejowice
Poland