Global Piano Roll Meeting – Prelude 2

Online conference, 27 March 2021

The Global Piano Roll Meeting is excited to announce a second virtual conference on 27 March 2021 at 21:00 CET (20:00 GMT, 13:00 PST, 07:00 AEDT). This three-hour meeting will include lectures on Hupfeld DEA and Aeolian, discussion groups and a listening session. It aims to continue the communication and collaboration sparked by the 2018 gathering, and to be a second prelude to a planned 2021 conference in Switzerland. 
The conference will occur online via Zoom and will offer interactive opportunities for questions and group discussion. It is hosted by the Bern University of the Arts HKB in collaboration with Stanford University, Faszination Pianola and the Museum für Musikautomaten Seewen.

For more information and registration, please see

Musical Instruments Resource Network (MIRN) conference ‘The Life Cycle of Musical Instruments’

Musical Instruments Resource Network (MIRN) Conference

Theme: The Life Cycle of Musical Instruments and MIRN’s first Q&A surgery

Date: Thursday, 12th October, 2017

Venue: Horniman Museum and Gardens, London, SE23 3PQ

Further information and updates:

Musical instruments can have curious and complex biographies! They often accumulate layers of wear, accretion, repair and modification, presenting challenges to all who come into contact with them.

This conference will explore the myriad ways that musical instruments have been adapted to extend their working lives, and the rationale behind such adaptations. What are the outcomes when new and old materials and past and present working practices meet? What values are relevant when we repair or change musical instruments, and how do we formulate an approach to accretions and interventions?

MIRN invites contributions from musicians, dealers, instrument makers/restorers, conservators, researchers and curators who have played on or worked with instruments that have undergone change, or who have themselves been agents in that change. Contributions may address general issues, relay a specific case history, or be a combination of both. Presentations may take the form of 5 minute (plus 5 minutes questions), 10 minute (plus five minutes questions) or 20 minute (plus 10 minutes questions) talks or talk/demonstrations. Panel discussions of 60 or 90 minutes, examining one issue or instrument from a variety of perspectives would also be welcome.

Following the presentations, MIRN will hold its first musical instrument Q&A surgery where members of the audience, who may bring (small) instruments or photographs with them, will be invited to pose questions to a panel of specialists. NB It will not be possible to accommodate questions regarding the valuation of individual instruments.

The conference day will be brought to a close with MIRN’s AGM to which all members are invited, followed by a social hour at a nearby pub.

Submit proposals by 5pm BST 10th June 2017 to with the subject line: CONF2017.

Proposal submission guidelines:

  • For 5 minute presentations: not to exceed 250 words
  • For 10 minute presentations: not to exceed 300 words
  • For 20 minute presentations: not to exceed 400 words
  • For panel discussions of 60 minutes: 3-4 speakers, submit one proposal not exceeding 450 words.
  • For panel discussions of 90 minutes: 4-6 speakers, submit one proposal not exceeding 500 words.

All proposals must include the proposer’s name, address, email address and institutional affiliation (if any). Each must state clearly the type of presentation for which application is being made. All prospective panel members must be listed and their individual details included as above. All proposals must be submitted electronically as Microsoft or Microsoft-compatible WORD documents attached to an email. Acceptances will be notified by 1st July.

The conference registration fee will be £25 (MIRN members), £20 (MIRN members who are retired, students or unwaged) or £30 (non-members), to include all presentations, lunch, coffee, tea and a tour of the Horniman Music Gallery. Registration will open in July.

Updates and further information at

2nd Annual Historical Performance Conference

CFP – Historical Performance / 2nd Annual International Conference
Historical Performance: Theory, Practice, and Interdisciplinarity
CFP Deadline: February 25, 2017
Conference Dates: May 19-21, 2017
Venue: Indiana University Jacobs School of Music, Bloomington

The Historical Performance Institute of the Indiana University Jacobs School of Music calls for papers for its second-annual international conference, Historical Performance: Theory, Practice and Interdisciplinary, to convene May 19-21, 2017 on the campus of Indiana University Bloomington.

Guidelines for CFP submissions and other preliminary details can be found by following this link.

Plenary speakers to include: Margaret Bent, Davitt Moroney, Laurie Stras, Nick Wilson, Claire Holden, Eric Clarke
With guest performers/speakers: Kenneth Slowik, Catalina Vicens
Convener: Dana Marsh (Director, Historical Performance Institute)

View the full inaugural conference program from May 2016 – click here

Historical Performance: Theory, Practice, and Interdisciplinarity

Historical Performance: Theory, Practice, and Interdisciplinarity  /  May 20-22
at the Indiana University Jacobs School of Music (Bloomington, Indiana)
Please follow the link below for further information and a program:
Speakers from nine countries will deliver 47 presentations. Selected proceedings will launch the new annual journal, Historical Performance, published by Indiana University Press.
There is no registration fee, although we ask that those planning to attend make their intentions known in advance via the following email address:

[original CFP follows]

Conference: “Historical Performance: Theory, Practice, and Interdisciplinarity”
*Call-for-papers deadline: February 15, 2016*
Conference dates: May 20-22, 2016
Venue: Indiana University Jacobs School of Music
Keynote address: John Butt, University of Glasgow

This three-day conference will bring together leading scholar-practitioners to examine and anticipate key issues of historical performance in the twenty-first century. Especially welcome are presentations offering research generative of new insights into performance procedures. Scholars whose work extends beyond the field of music are encouraged to contribute. Results and proceedings will launch a new annual peer-reviewed journal, Historical Performance, published by Indiana University Press.