Beyond Sovereignism: New perspectives on Fausto Torrefranca

CALL FOR PAPERS

Beyond sovereignism: New perspectives on Fausto Torrefranca, 11-13 March 2021

Roma Tre University, via Ostiense 139 – 00154 Rome, Italy

Organizer: Department of Philosophy, Communication and Performing Arts – Roma Tre University

Fausto Torrefranca (1883-1955) was a prominent musicologist and music critic, and held the first Chair in Music History at any Italian university. His reputation has been tainted by his strong nationalistic feelings and inclination towards acrimonious and, by today’s standards, politically inconvenient controversies. After his death, he became remembered primarily as the interpreter par excellence of a dusty and obtuse musicological sovereignism. For this reason, he never enjoyed particular consideration among the scholars who came after him, nor was his work judged with the equanimity it deserved. However, the few musicologists who have examined his writings carefully have realized that his work, strong ideological connotations notwithstanding, does not lack a strong methodological foundation—on the contrary. In addition to a profound knowledge of the sources, his writings reveal a keen intuition and uncommon ability to elaborate innovative historiographical hypotheses.

The goal of this conference is not only to revisit but also to spread new knowledge about Torrefranca’s work, thereby restoring the international dimension that it had during his lifetime, when Torrefranca was one of the few Italian musicologists known and published abroad.

Suggested themes (in any case with reference to the career and works of Fausto Torrefranca) include, but are not limited to:

– Biographical aspects

– ‘Politically Incorrect’ Torrefranca

– Aesthetics

– Research methods and tools (philology, ecdotics, musical description and analysis, etc.)

– Study and cataloging of sources, bibliographic research

– Studies on the Middle Ages and the Fifteenth Century

– Studies on eighteenth-century instrumental music

– Studies on music theater from the seventeenth to the twentieth century

– Writings on the music of Torrefranca’s own time

– Dissemination of musical culture and knowledge exchange

– Relationship between music and other performing arts and media

– Professional networks in musicology (national and international)

PROGRAMME COMMITTEE

Luca Aversano (Coordinator, Roma Tre University)

Virgilio Bernardoni (University of Bergamo)

Giorgio Biancorosso (Hong Kong University)

Stephanie Klauk (Universität des Saarlandes)

Cormac Newark (Guildhall School of Music & Drama, London)Jacopo Pellegrini (Roma Tre University)

SUBMISSION OF PROPOSALS AND DEADLINES

Scholars interested in participating are invited to submit, by 31 May 2020, an abstract of no more than 300 words and a short bio-bibliographical note (approx. 150 words) to the following e-mail address: torrefranca.roma2021@gmail.com. Papers must last 20 minutes ca.

The programme committee will select proposals based on their relevance to the themes of the conference. It will make its final decision on the abstracts by the end of June 2020, and prospective contributors will be informed immediately thereafter.

LANGUAGES

The official languages of the conference will be Italian and English.

FEE AND SOJOURN DETAILS

There are no registration fees. The organizers will provide meals and refreshments during the conference for all participants. Accomodation and travel expenses will be covered by all participants themselves. The organizers will suggest accommodation options (in partner Hotels) for different price categories.

PROCEEDINGS

The organizers are planning to publish the proceedings of the conference by the end of 2022.

CONTACTS

Please send all correspondence and queries to the following address: torrefranca.roma2021@gmail.com 

Società Italiana Di Musicologia. 26th Annual Conference

Matera, Conservatorio di musica “Egidio Romualdo Duni” – Università della Basilicata 18-20 October 2019

The 26th Annual Conference of the Società Italiana di Musicologia (SIdM) will take place in Matera, European Capital of Culture 2019, in collaboration with the Conservatory of Music “Egidio Romualdo Duni”and the Basilicata University from 18 to 20 October 2019. The annual member’s meeting will take place during the conference.
Scholars from all over the world are invited to submit their paper proposals. Every topic in the field of musicological studies is welcomed.
The abstract (no more than 30 lines) should indicate the title of the proposed paper, the state of the art for in the chosen research field, an outline of the project and its specific contribution to the current knowledge.
Along with the text please send also a short CV (max 15 lines) and indicate the A/V equipment required. Please provide your full name, address, phone number, fax number and e-mail address.
Scholars are not allowed to send more than one abstract.
The paper shall not exceed 20 minutes in duration (corresponding to an 8-page text containing to a maximum of 16000 characters). Preference will be given to the proposals of scholars who did not take part in the previous SIdM conference. Please send the proposals to the e-mail address segreteria@sidm.it
All proposal must be received no later than 15th June 2019. Acceptance of papers will be notified by 10th July 2019. For further information about the conference please visit the web site: http://www.sidm.it.

Eighth Annual Meeting | Il Gusto Italiano: Italian Style and Transalpine Exchanges in Early Keyboard Music

May 13–15, 2019
Sam Houston State University School of Music, Huntsville, Texas, U.S.A.

Call for Proposals

Admired, imitated, and heatedly debated, the concept of Italian style and taste plays an essential role in the history of keyboard music. The Historical Keyboard Society of North America (HKSNA) dedicates its eighth annual meeting to all aspects of Italian style and its international reception throughout the centuries, including—but not limited to—composition and improvisation, music theory and basso continuo, instrument making, pedagogy, and temperaments. Hosted by the Center for Early Music Research and Performance (CEMRAP) at the Sam Houston State University School of Music (Huntsville, Texas), three days of events (Monday through Wednesday, May 13– 15, 2019) will include paper presentations, lecture-recitals, and mini-recitals, evening concerts, and an exhibition of publications, recordings, and instrument makers’ work. A limited number of presentations and sessions on historical keyboard topics that are not directly related to the theme of the conference, will be considered. Please submit all proposals through the following electronic submission forms:

Paper Presentation: https://goo.gl/forms/iD9QXXJ3L47e3P9W2
Lecture Recital: https://goo.gl/forms/Fr4Dn5ZUnkit4L9j1
Mini Recital: https://goo.gl/forms/ApvdZBseV8OplEEg2
Themed Session: https://goo.gl/forms/D0s7bErhvM26zp8V2

The submission deadline is EXTENDED TO NOVEMBER 5, 2018. Presentations of all formats are limited to 25 minutes. Paper and lecture-recital proposals require an abstract of no more than 2,500 characters. For mini-recitals, submit complete program information and provide links to up to two representative recordings pertaining to the proposal. Performers not intending to bring their own instruments or to make arrangements to use exhibitors’ instruments may perform on the instruments listed below. All proposals must include a short biographical statement (no more than 1,500 characters) for all presenters.

Notification of accepted proposals will be made by November 15, 2018. Presenters must be members of HKSNA and must register for the conference. Presenters must also cover their own travel and other expenses. Further information, as it becomes available, will be posted on the society’s website http://www.historicalkeyboardsociety.org.

HKSNA 2019 also welcomes exhibitors to showcase their instruments, products, and services in the conference. Furthermore, instrument makers are invited to submit proposals for maintenance workshops, etc. Please direct inquiries and proposals to hksna2019@gmail.com.

Available Instruments
Harpsichords
Flemish Single by Gerald Self, GGAA to d3, 8’8’, lute stop, 415/440 Hz, delrin plectra.
Flemish Double after Couchet by Joel Katzman, GGAA to e3, 8’8’4’, 415/440 Hz, quill plectra.
Italian Single after Celestini by Joel Katzman, GGBB to d3, 8’8’, 392/415/440 Hz, strung in brass, quill plectra.

Fortepiano
Paul McNulty after Walter & Son c. 1804, FF to c4, 430 Hz, knee levers for moderator (left) and dampers (right).

Organ
Italian “organo di legno” (all pipes cypress wood), Giovanni Pradella after 17th-century models, C–d3 chromatic, 440 Hz, 1/4 comma meantone. Disposition: Principale 8’, Ottava 4’, Decimaquinta 2’, Flauto stoppo 8’, Flauto in ottava 4’, Fiffaro (voce umana) 8’ (treble).

Program Committee
Mario Aschauer, chair, Sam Houston State University
David Kelzenberg, HKSNA president
Carol lei Breckenridge, HKSNA vice-president
Sonia Lee, HKSNA immediate past president
Maria Luisa Baldassari, Conservatorio Rossini Pesaro
Massimiliano Guido, Università degli studi di Pavia