York Conference on Church Music

Monday 13 – Wednesday 15 February 2017

The planning committee of the York Conference on Church Music would like to invite you to join us on 13th-15th February 2017 in York, UK. This joint venture between the University of York and York Minster seeks to promote and heighten awareness of the academic study, composition, and practical output of church music.

Keynote speakers include Professor Bennett Zon (Durham University), Fr Peter Allan (Principal, Community of the Resurrection), Professor Jonathan Wainwright (University of York), Dr Phillip Cooke (Aberdeen University) and Dr Thomas Hyde (Oxford University), with topics including ‘The theology of Church Music’, ‘Church Music Models for the future’, ‘Girl Choristers’, ‘The Evensong Tradition’, ‘Composition for the Church’ and ‘Worldwide experiences of Church Music’. There will be the opportunity to attend Evensong at York Minster on Monday and Tuesday and to see at close hand the workings of a modern, vibrant choral foundation.

Tickets are available via our Eventbrite site at https://www.eventbrite.co.uk/e/york-conference-on-church-music-2017-tickets-23822798632

For further information on the conference, please visit our website at http://yccm2017.webs.com/ or contact us by email at churchmusic2017@york.ac.uk

York Conference on Church Music is a joint partnership between the University of York Music Department and York Minster.

Music for Liturgy and Devotion in Italy around 1600

Conference, Friday 4th November and Saturday 5th November 2016,
Martin Harris Centre for Music and Drama, The University of Manchester

Keynote speakers:
Daniele V. Filippi (Schola Cantorum Basiliensis)
Noel O’Regan (Edinburgh College of Art)

New deadline for proposals: 4 September 2016

The decades around the turn of the seventeenth century were marked by a new religious self-consciousness developing within the Catholic world over the course of the latter part of the sixteenth century – usually associated with the Council of Trent and the Counter-Reformation but in fact fuelled by a great diversity of intellectual and religious currents which continue to fuel discussions among historians. Italy, besides being one of the main centres of the Catholic world, was home to an extremely rich musical culture, witnessing in the time around 1600 a huge variety of musical styles designated or adapted to enhance the practice of the faith. Large-scale polychoral works for the Tridentine liturgy existed side-by-side with the more intimate genres of musica spirituale which occasionally straddled the stylistic and functional boundaries to the secular realm.

Fascinatingly diverse, this repertoire has long offered a fruitful field of research for musicologists. However, given its chronological situation in a period transgressing the traditional epochal definitions, study of this music has struggled to find a ‘home’ in the standard historiographical discourse, resulting in a perceivable lack of opportunity for researchers working in this area to communicate their knowledge. This conference aims to respond to this need and to act as a forum of exchange for scholars working on Italian liturgical and devotional music in the decades around 1600.

We welcome proposals for papers in English of 20 minutes duration or performance workshops of 30 minutes. The proposals should include the title, an abstract of no more than 300 words and a short biography (approx. 100 words). The extended deadline is 4 September 2016. Applicants will be notified by 15 September.

Submissions should be emailed to italianmusic1600@manchester.ac.uk

Inquiries can be directed to Rosemarie Darby and Ginte Medzvieckaite through the contact form on the conference website www.italianmusic1600.weebly.com or using the email address given above.