“Gendered Representations in 20th Century American Art & Culture” Conference 2020

Call for Papers!

We warmly welcome you all to a new LAHP student-led activities conference: Gendered Representations in 20th Century American Art & Culture. We are excited to bring you two days of thought-provoking discussions designed to showcase new and emerging approaches to the study of gender construction and identity in American culture, addressing how femininities and masculinities are explored through the modes of music, literature, art, and wider media and cultural apparatus. The aim of this conference is to bring together PhD students and early career academics within the field of American Studies across departmental boundaries, enabling them to share their research and engage in collaborative debates surrounding the role of gender in a culturally and socio-politically tumultuous period of American culture; the twentieth century.

The conference will be held on Wednesday 10th June and Thursday 11th June 2020 in the historical and cultural epicenter of London, at King’s College London’s Strand Campus.

We specifically aim to pose the question: how can examinations of creative practices and cultural products enable a deeper understanding of regionally determined expressions of gendered identity? Whether participants challenge current discourse surrounding gender and American Studies, or discuss the ways in which we as academics shape and pursue the intersection of such disciplines, we intend to create a space wherein interdisciplinary research is produced, debated, and assessed; our call for papers encourages exchange between diverse fields of interest.

Submissions may address, but are not limited to, the following areas:

  • Articulations of gender and race, class, age, ability, sexuality, etc. in American culture, i.e. literature, music, film, audience engagement, reception, and participation
  • Exclusion and gender inequalities in American culture 
  • Collaborative practices and the creation of community
  • Cultural and social histories

How to Participate:

We are looking for 15 to 20 minute presentations, which may include formats such as films, digital artworks, lecture performances, etc.

Please submit an abstract (up to 250 words) outlining the paper’s main arguments, format, and relevance to the conference theme. Submissions should also include your institutional affiliation, paper title, 3-4 keywords, a short biography (up to 100 words), and your contact details.

Email both the proposal and biography to genderinamericaconference@kcl.ac.uk by 23.59 GMT on Wednesday, 15th April 2020.

More information is available at kclgenderinamericaconference.wordpress.com, including registration details.

Costs: Participation in and attendance to the conference is free*.
*Please note that while there are potential bursaries for travel expenses, all participants are responsible for covering the majority of costs including possible visa expenses and accommodation.

Keynote Speakers:

We are thrilled to announce our two Keynote Speakers: Dr. Rona Cran, Lecturer in Twentieth-Century American Literature and Co-Director of the American & Canadian Studies Centre, and Assistant Professor Dr. Martin Lüthe, Assistant Professor of Culture.

Dr. Rona Cran
Lecturer in Twentieth-Century American Literature
Co-Director of the American & Canadian Studies Centre
University of Birmingham, UK

Rona Cran is Lecturer in Twentieth-Century American Literature at the University of Birmingham, where she is also Director of the Centre for American and Canadian Studies. She is the author of Collage in Twentieth-Century American Art, Literature, and Culture (Ashgate/Routledge, 2014). Her current book project is entitled Multiple Voices: New York City Poetry, 1950-1995; she is also compiling a new anthology of New York City poetry, City of the World: Poems of New York (Fordham University Press, 2021). She has written or is writing articles on New York poetry, American women poet-editors and the mimeograph revolution, Joe Brainard and John Ashbery, Allen Ginsberg and Frank O’Hara, Allen Ginsberg and collage, place, space and identity in Richard Yates, William Burroughs and eating, and William Burroughs and art.

Dr. Martin Lüthe
Assistant Professor
Department of Culture
Freie Universität Berlin (The Free University of Berlin), Germany

Martin Lüthe received his doctorate from the International Graduate Centre for the Study of Culture in Gießen. He is currently Einstein Junior fellow and assistant professor at the John F. Kennedy Institute for North American Studies at Freie Universität Berlin. Lüthe published the monographs “We Missed a Lot of Church, So the Music Is Our Confessional”: Rap and Religion (Lit Verlag, 2008) and Color-Line and Crossing-Over: Motown and Performances of Blackness in 1960s American Culture (WVT, 2011) and is working on a manuscript for Wire Writings: Media Change in the Culture of the Progressive Era.

Conference Organisers:

Sophia Sakellaridis Mangoura
PhD Candidate, Department of Music, King’s College London
Sophia Sakellaridis Mangoura is currently a PhD candidate in the Music Department at King’s College London supported by the London Arts and Humanities Partnership to pursue a thesis in Opera Studies. Previously, she completed her LLB and MSc in Political Science and Sociology at the National and Kapodistrian University of Athens, Greece. She holds a Classical Vocal Studies Diploma from the Musical Horizons Conservatory in Athens and now performs as a Soprano. Her major academic interests are centered on gender studies, specialising in operatic femininities.

Robyn Shooter
PhD Candidate, Department of Music, King’s College London
Robyn Shooter is a current PhD student enrolled in the Music department at King’s College London (KCL), undertaking a thesis examining constructions of identity and authenticity in alternative country music. She has previously completed an MMus in Musicology and Ethnomusicology (KCL), an MA in Cultural and Creative Industries (KCL), and holds a BA (Hons) in Comparative Literature (Queen Mary University of London). Robyn’s research is informed by her interdisciplinary background, with interests including popular culture in the United States, countercultural movements in twentieth-century America and Europe, regional identity and the American South, and nostalgic readings of Americana cultural heritage.

4th festival conference of music performance and artistic research “Doctors in Performance”

THE CONFERENCE IS POSTPONED TO SEPTEMBER 1-3, 2021

The Estonian Academy of Music and Theatre invites artistic research performers at doctoral and post-doctoral levels to take part in “Doctors in Performance”. The fourth festival conference of music performance and artistic research will take place on September 1–3, 2021 in Tallinn, Estonia. The conference will be held in the brand new, state-of-the-art performance complex at the Estonian Academy of Music and Theatre, which was opened in 2019 to mark the Academy’s centenary. Potential participants are invited to submit a proposal for a presentation concerning relevant fields of artistic research. The conference language is English, the language for both abstracts and presentations is to be English. The text of the Abstract should not exceed 500 words. Please note that all successful applicants must register for the conference. Registration opens on May 16, 2021, after the selection process.

CALL FOR ABSTRACTS

Possible forms for presentations are recital, lecture-recital and paper:

A RECITAL is a musical performance (solo or chamber music), which will last 40 minutes (this should include a 10 minute research introduction). There will be an additional 10 minutes for questions and comments. The music performed is expected to include or closely relate to the contents of the participant’s doctoral degree or current research. Submission of a recital presentation must be accompanied by a 15-minute video, to be accessed either via a link to a cloud platform such as Google Drive (or other similar), or via a URL link. Application forms for a recital which do not include a cloud link or URL link will not be accepted. The video must be no more than 6 months old.
A LECTURE-RECITAL will last 40 minutes, plus an additional 10 minutes for questions and comments. The music performed is expected to include or closely relate to the contents of the research the participant is currently conducting. Submission of a lecture-recital presentation shall be accompanied by a 15-min video if the lecture-recital includes a performance which is longer than 15 minutes. Otherwise an abstract will suffice. The video shall be an extract from the programme performed at the conference or related to the topic. The video must be no more than 6 months old.
A PAPER should present artistic research and be no longer than 20 minutes, with an additional 10 minutes for questions and comments.

Given the postponement of the conference until September 2021, we encourage people who were not able to submit abstracts previously to submit abstracts in the new submission period (November 1, 2020–April 1, 2021). Papers will be selected by May 15, 2021.

For those that have already submitted papers to the „Doctors in Performance“, we are happy to transfer your submission. If you have any questions or wish to update or withdraw your abstract submission due to inability to participate in the conference, please email dip@eamt.ee.

Deadline for submission of Abstracts is April 1st, 2021. Please submit your Abstract through the online submission form.
All submissions will be evaluated by the organizers of the conference on the grounds of the quality of research and/or performance. Papers will be selected by May 15, 2021.

Conference website: http://dip2020.eu/

Local organising commitee: Prof. Kristel Pappel, Prof. Allan Vurma, Prof. Marje Lohuaru, research secretary Aleksandra Dolgopolova (dip@eamt.ee)

International conference for PhD students

International conference for PhD students

 “Musicology (in)action: Past musics, present practices, future prospects”

 Thessaloniki, 9 – 11 February 2018

 The Department of Music Studies of the Aristotle University of Thessaloniki and the Department of Music Science and Art of the University of Macedonia will host, under the auspices of the Hellenic Musicological Society, an international conference for PhD students entitled “Musicology (in)action: Past musics, present practices, future prospects” in Thessaloniki, Greece, from 9 to 11 of February 2018.

 

Call for papers

In recent years, musicology has tested its boundaries, objects of study, and, indeed, prospected future through the constant questioning of its subfields, themes, and methodological underpinnings. At the same time, this interrogative process has also been one of constant development of new, often interdisciplinary methodological approaches, frequently extending their grasp on new or hitherto neglected musical repertoires. It is this ambiguous state of conditions that the novice in the field of musicological research faces in her/his everyday effort to situate her/his own research within a constantly changing disciplinary environment. This conference aims to bring together fresh ideas of new researchers in an attempt to help them secure their position with respect to the ongoing discourse of musicology’s saga and with an eye to the future prospects of the field.

 

We welcome proposals of PhD students for 20-minute paper presentations or 40- to 80-minute panel presentations (of up to four participants), addressing a variety of old and new(er) research topics from the broad field of musicology (e.g. historical and cultural musicology, music theory and analysis, ethnomusicology and musical anthropology, music psychology, computational musicology, music philosophy and aesthetics). Proposals on topics that cross the strict intra- or inter-disciplinary boundaries of musicology are also welcomed.

Proposals and inquiries should be submitted to the following email address:

conf.phd.2018@gmail.com

 

Proposals for paper presentations should include:

– name of participant(s) and institutional affiliation(s)

– abstract (up to 300 words)

– brief CV (up to 100 words)

 

Proposals for panel presentations should include:

– name of participants and institutional affiliations

– general abstract of proposed panel presentation (up to 300 words)

– individual abstract of each participant’s presentation (up to 300 words)

– brief CV of each participant (up to 100 words)

 

DEADLINE FOR PROPOSAL SUBMISSION: 30 May 2017

NOTIFICATION OF APPROVAL: No later than 15 July 2017

PARTICIPATION FEE: PhD students: 50 euros, undergraduate and master’s students: 30 euros

OFFICIAL LANGUAGE: English

For more information on the reviewing committee, the venue of the conference, etc. please visit the conference’s website (which is under construction):

http://conferences.lib.auth.gr/ICMDR/index/index

 

ACADEMIC ADVISORY COMMITTEE:

Chardas Konstantinos

Nika-Sampson Evanthia

Pastiadis Konstantinos

Vouvaris Petros

 

COORDINTAING COMMITTEE

Kalaitzidou Stamatia

Spanoudakis Dimosthenis

Toumanidou Katerina

Trouka Dimitra

Zlatkou Vasiliki

 

ORGANISING COMMITTEE

Apostolou Andreas Foivos

Authentopoulou Despoina

Banteka Dimitra

Diminakis Nikos

Karamanidis Charalampos

Nikolaidis Nikos

Ntousiopoulou Antigoni

Ntovas Christos

Pouris Christos

Roumpi Antonia

Savvidou Charoula

Scarlatou Chrysa

Seglias Zisis

Sidiropoulou Christina

Sotiriadis Theophilos

Tasoudis Dimitris