Sound (of) Space Symposium

Please join us at the Sound (of) Space Symposium at UCL Here East, London on 11th December 2019

The Sound (of) Space Symposium will present a range of discussions around the challenges, creative opportunities and technical considerations when working with extreme and highly particular spatial conditions, across the related disciplines of architecture, engineering, music composition and performance.

The symposium will take place at UCL Here East on the 11th December 2019 and will include talks, presentations, performances and demonstrations from a wide range of academics and industry professionals including Prof. Trevor Cox (Uni.Salford), Adam Foxwell (Arup), Emma-Kate Matthews (UCL) and Freya Waley-Cohen (Royal Academy of Music), plus many more…

Please visit www.soundspacegroup.com to book your free ticket.

First International Conference of Dalcroze Studies

24-26 July 2013
Coventry University, UK

www.eventsforce.net/dalcrozeconference

Our conference
In recent years there has been an upsurge in the academic study of embodiment and the centrality of movement and rhythm in music cognition, education and performance. This conference seeks to extend our understanding of Dalcroze Eurhythmics from these and a wide variety of other perspectives: historical, cultural, socio-political, theoretical, philosophical and empirical. It also seeks to promote interdisciplinary dialogue between researchers into Dalcroze Eurhythmics and those from a wide field of related disciplines and practices.

2013 sees the centenary of the London School of Dalcroze Eurhythmics (LSDE), founded to promote the teaching method of Emile Jaques-Dalcroze (1865-1950) in the UK. This is the first international conference of Dalcroze Studies and is part of the celebrations to mark the centenary of the LSDE.

Confirmed keynote speakers
Prof. Louise Mathieu, Université Laval, Canada
Prof. Maxine Sheets-Johnstone, University of Oregon, USA
Dr Katie Overy, University of Edinburgh, UK
Dr Joan Pope OAM, President Dalcroze Australia
Dr Selma Odom (Professor Emerita), York University, Canada

Delegate fee- £120
Fee includes lunch & refreshments, conference materials, performances and historical exhibitions

Registration closes 24 June 2013

www.eventsforce.net/dalcrozeconference

Call for abstracts
The conference committee invites presentations on topics such as, but not limited to, the following:

• Emile Jaques-Dalcroze, his teaching, writings, composition and improvisation, and his musical, philosophical and cultural influences
• The history and impact of Dalcroze Eurhythmics worldwide
• The relationships between Dalcroze Eurhythmics, theatre, dance and other educational and somatic practices
• Past and present applications of Dalcroze Eurhythmics
• Current pedagogical practice
• Dalcroze, health and wellbeing
• The Dalcroze identity

It is an aim of the conference to foster interdisciplinary practice and research between Dalcroze and other fields. Therefore, we also welcome related presentations on music, movement and the body from a range of disciplines and perspectives including: aesthetics, dance, ethnomusicology, evolutionary biology, gender politics, improvisation, music analysis, music pedagogy, music therapy, musicology, neuroscience, performance studies, phenomenology, psychology, somatic practices and spirituality.

Performances of Jaques-Dalcroze’s music or related repertoire are welcome as well as presentations of plastique animée, theatrical or dance work. Poster presentations may be invited, depending on the amount of submissions received.

Timing
The conference committee invites researchers and practitioners to submit abstracts for:
Papers (20 mins)
Dalcroze teaching demonstrations (60 mins)
Workshops (45 mins)
Symposia- a shared platform for three researchers/practitioners to present a specific topic in-depth (60 mins)
Position papers- short papers setting out an idea and asking for feedback (7 mins)
Performances- timings to be arranged with conference committee

All presentations will be followed by additional time for discussion.

Submission
Please submit the following information:
• Title of presentation
• Type of presentation (paper, symposium etc.)
• Name/s of presenter/s
• Affiliation/s
• Requirements (e.g. audiovisual, spaces, instruments)
• Contact details
• Description (If a research paper, please use the following headings: introduction, methodology, results and discussion)

All submissions must be no more than 300 words

To submit your paper please click here

Deadline for submissions: 07 January 2013
Notification of outcome by 28 February 2013

Conference committee
Dr John Habron, Coventry University, UK (chair)
Dr Ruth Alperson (Dean), Hoff-Barthelson Music School, USA
Karin Greenhead (Director of Studies), Dalcroze Society UK
Dr Marja-Leena Juntunen, Sibelius Academy, Finland
Prof. Reto W. Kressig MD (Chair of Geriatrics), University of Basel, Switzerland
Dr Louise Mathieu, Université Laval, Canada
Dr Sandra Nash, Dalcroze Australia
Dr Selma Odom (Professor Emerita), York University, Canada
Dr Joan Pope OAM, President Dalcroze Australia
Dr Jane Southcott (Associate Professor), Monash University, Australia

Questions?
For general questions about the event or submission of abstracts please contact Julia Baron, 02476 888236 or email: Julia.Baron@coventry.ac.uk

For questions regarding the content of the conference, or for information on becoming a conference partner/sponsor, please contact John Habron by email: John.Habron@coventry.ac.uk

Hearing Landscapes Critically: Music, Place, and the Spaces of Sound

Call for Papers

Hearing Landscape Critically: Music, Place, and the Spaces of Sound
Stellenbosch University (South Africa)
9-11 September 2013

‘We live in densely storiated landscapes [… there are] song lines,
if you will, joining place to place.’
(Robert Macfarlane)

Landscapes are divided and dissonant sites of private and collective being. They bear traces of present, past and future ambitions, injustices, and interventions. And yet, their grammars and sounds, whether intimate, commodified or instrumentalised, push at the limits of theory and representation and simultaneously construct systems of aesthetic, ideological, historical and political appropriation.

The second meeting of the ‘Hearing Landscape Critically’ network (Stellenbosch University, 9-11 September 2013) is concerned with finding ways to articulate and listen to landscape that challenge established patterns of cognition and intervention, and which probe the archival and everyday silences and ruptures exacerbated by social, political and intellectual intervention. Following the first meeting at Oxford University, May 2012, the Stellenbosch symposium marks the continuation of an inter-disciplinary and inter-continental project addressing the intersections and cross-articulations of landscape, music, and the spaces of sound. Whilst this symposium aims to bring together a wide-ranging set of subjects and disciplinary approaches, contributions concerned with the unique dynamics of music and sound in (South) African landscapes are especially welcome.

The following themes are envisaged as central concerns:

  • Spaces and sounds of power and politics: interpreting reservation, academy, capital, legitimation;
  • Spaces and sounds of contestation: how landscapes suture and structure struggles of class, nationality, education, and race;
  • Philosophical approaches to the spaces of sound:  transcendental metaphors, the nature/culture debate, ontologies and epistemologies, non-representational theories of musical and social space;
  • Spaces and sounds of transformation/devastation: ‘junk space’, inter-state freeways, sprawling suburbs, shopping malls, non-places;
  • Landscape as utopia, dystopia or heterotopia;
  • Urban landscapes, or landscapes that confound simple urban/rural divides.

Keynote speakers:

Prof. Richard Taruskin (Department of Music, University of California, Berkeley)
Prof. Cherryl Walker (Department of Sociology and Social Anthropology, Stellenbosch University)

Proposals:

All proposals should be emailed to criticallandscapes@gmail.com (size limit = 5MB) by 18 January 2013. Please include name, affiliation (if applicable), postal address, E-mail address and AV requirements on a separate cover sheet.

Individual papers (20 minutes) – abstract of no more than 300 words.

Panel sessions – describe individual papers and overarching theme in no more than 500 words.

Alternative formats – describe your proposal (i.e. performance, round table, film discussion, or whatever it may be) in no more than 500 words.

Funding:

Unfortunately, funding for travel will NOT be generally available for delegates. However, there may be some funds for student travel bursaries. If you would be interested in this, please indicate so on your cover sheet.