Beethoven the European

The Centro Studi Opera Omnia Luigi Boccherini of Lucca, in collaboration with Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, is pleased to invite submissions of proposals for the symposium «Beethoven the European», to be held in Lucca, Complesso Monumentale di San Micheletto, from 27 to 29 March 2020.

Keynote Speakers:
Barry Cooper (University of Manchester)
William Kinderman (University of California, Los Angeles)

Beethoven’s impact is widely recognised as of seemingly universal, timeless significance; 250 years since his birth his music still communicates with and inspires people across the globe. Nevertheless his iconic, enduring oeuvre stems from a specific European cultural milieu and historical context. To what extent does the tension between the universality and particularity of Beethoven’s music give rise to a richer understanding of his music and its reception history?
Beethoven’s creative inspiration was nurtured in the European context of revolution and political reshaping, at the aesthetic turning-point from Enlightenment to Romanticism, and at the social turning-point from largely private patronage to a more market-orientated environment for composers.

Born in the German Rhineland and resident in Bonn and Vienna, he travelled little compared with contemporaries such as Mozart and Clementi, but his reputation quickly spread much further, to far-off countries such as Britain and Russia. His works attest to strong musical and ideological ties with France and England, and his stage works engage with scenarios in Spain, Hungary, the Netherlands and Greece, while his vocal works include settings in Latin, Italian, French, English and other languages as well as German. Beethoven’s intellectual outlook even extended beyond Europe, especially to Indian sources, reflecting European intellectual currents of his time. Clearly there is still much to discover about the way in which Beethoven’s music was both influenced by and in turn influenced European culture, as well as about the way Beethoven as a European has been perceived and interpreted in a wider context.

Our conference aims to explore the multivalent connections between Beethoven and Europe through multifaceted study of the music both in a European and, where relevant, a wider global multi-cultural context. We would encourage consideration of the theme through the intermingling of and interface between topics and sub-disciplines, text and music, analysis and interpretation, genesis and reception. The programme committee encourages submissions within the following areas, although other topics related to the concept of ‘Beethoven and Europe’ are also welcome:

  • The European as complement or contrast to the Universal nature of Beethoven’s musical and/or personal identity
  • Connections with the forms, styles and influences of particular European countries or cultures
  • Setting of, and interest in texts in different languages
  • Dramatic works and their relation to historical contexts
  • Political attitudes reflected in works or words
  • Beyond Europe’s boundaries: Beethoven and Asia
  • Reception across Europe and in countries related to Europe
  • Historic performance as a means of understanding context, and as a basis for modern performance
  • Innovative analyses, sketch studies and reinterpretation of sources as a way to explore issues of the universal and particular
  • Dispersal of source material across European libraries and collections

Programme Committee:

  • Barry Cooper (University of Manchester)
  • Roberto Illiano (Centro Studi Opera Omnia Luigi Boccherini)
  • William Kinderman (University of California, Los Angeles)
  • Malcolm Miller (The Open University, UK)
  • Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini)
  • Massimiliano Sala (Centro Studi Opera Omnia Luigi Boccherini)

The official languages of the conference are English and Italian. Papers selected at the conference will be published in a miscellaneous volume.
Papers are limited to twenty minutes in length, allowing time for questions and discussion. Please submit an abstract of no more than 500 words and one page of biography.
All proposals should be submitted by email no later than ***Sunday 13 October 2019*** to <conferences@luigiboccherini.org>. With your proposal please include your name, contact details (postal address, e-mail and telephone number) and (if applicable) your affiliation.
The committee will make its final decision on the abstracts by the end of October 2019, and contributors will be informed immediately thereafter. Further information about the programme, registration, travel and accommodation will be announced after that date.
For any additional information, please contact:

Dr. Massimiliano Sala
conferences@luigiboccherini.org
www.luigiboccherini.org

 

Nationality / Universality ‘Musical historiography in Central and Eastern Europe’

International Musicological Conference: Nationality / Universality  ‘Musical historiography in Central and Eastern Europe’

Radziejowice, near Warsaw, 15–18 September 2014

THEME
The central theme of the International Musicological Conference will be the musical historiographies of the countries of Central and Eastern Europe. As well as attempting to recapitulate historical research of various profiles and surveying current research topics, the conference will provide an opportunity to reinterpret national musical historiographies and compare different perspectives on music history.
For several decades now, historiography, regarded as a central discipline of musicology, has witnessed a search for new directions and inspirations. The key tenets of historical musicology are being re-evaluated, particularly the notion that music history is forged by great individuals, great works, great traditions or great discoveries. The legitimacy of global and universal perspectives has been questioned, with scholars proposing that attention be focussed on regional reality and on everyday musical life. The question arises as to how such thinking affects local historiographies. Has there been any change in the methodologies and narratives of national music histories that lie outside the principal current of Western historical reflection? And, if so, in what direction?

SUBJECT AREAS

  • National music histories versus the history of musical regions and centres
  • National music histories in relation to methodological historiographic models the object of musical historiography: the history of music, the history of writing about music, the history of reception and of musical life
  • The ‘heroes’ of national music in national historiographies
  • The socio-political and cultural determinants of musical historiography in the countries of Central and Eastern Europe
  • The significance of folk traditions in national historiographies

SUBMISSION OF PROPOSALS AND DEADLINES
You are invited to propose a paper by submitting the completed form together with an abstract of your paper in English (300–400 words). Proposals should be sent by 15 November 2013. Website address: http://www.chopin.nifc.pl/conference The list of accepted abstracts will be announced by 31 December 2013.

FEE
The fee for participation in the conference is 50 euro [200 PLN], which should be paid into the account of the Fryderyk Chopin Institute between 31 December 2013 and 30 June 2014. The organiser will provide accommodation and meals during the conference, but will not refund travel expenses.

LANGUAGE
The conference proceedings will be conducted in English.

SCIENTIFIC COMMITTEE
prof. dr hab. Sławomira Żerańska-Kominek, Institute of Musicology – University of Warsaw
prof. dr hab. Irena Poniatowska, Institute of Musicology – University of Warsaw, Polish Chopin Academy
dr hab. Paweł Gancarczyk, Musicology Section – Polish Composers’ Union, Institute of Art – Polish Academy of Sciences
dr Artur Szklener, The Fryderyk Chopin Institute

PROCEEDINGS
The organiser is planning to publish a book of conference.

CONTACT AND QUERIES
Further information on the conference will be posted on our website: http://www.chopin.nifc.pl/conference
Please send any queries by email: conference@nifc.pl
Your questions will be answered by members of the Organising Committee.

ORGANISER’S ADDRESS
The Fryderyk Chopin Institute
Research and Publishing Department
ul. Tamka 43
00-355 Warszawa
fax +48 22 44 16 113
e-mail: conference@nifc.pl
www.chopin.nifc.pl, http://en.chopin.nifc.pl/institute/events/conferences/year/2014

CONFERENCE VENUE
Dom Pracy Twórczej w Radziejowicach
ul. Henryka Sienkiewicza 4
96-325 Radziejowice
Poland